![]() |
|
![]() |
#1 | |
Member
Join Date: Apr 2024
Posts: 52
|
![]() Quote:
Perhaps for this one - logically & as a person who probably has more hikmah (wisdom) and first hand experience of keris forge work than everyone else. The complong in these two examples - Is it in your opinion, based on these images on a screen, intentional or unintentional? Or perhaps a bit of both. Are they even complong in the first place or just a hole in the blade. Of course, your opinion can change if you had the keris or spear/tombak in hand. For a newbie like me, its about trying to figure out and understand the object that is in our collection. Origin, Technical/Specs, New or Old, Originals or Copy etc etc. Most important is what story does a particular object tell - and everybody will have their own version - reality/fantasy, right/wrong, etc etc. Cheers. |
|
![]() |
![]() |
![]() |
#2 |
Member
Join Date: May 2006
Posts: 6,992
|
![]()
oariff
thank you for your compliment, but it is inaccurate, yes, I do have a good depth of knowledge in respect of forge work, but only insofar as it relates to the making of blades, nearly all other blacksmiths' abilities are not something I ever learnt, nor did I wish to learn. about this tombak. the maker had already sunk money into a ship that was never going to float, the work had a massive cold shut in it, he needed to at least try to cover his expenses so he did his best to make it saleable. the end consumer of complex forge work never gets to know how many pieces fail during the process of making. If a man has a reputation, or is trying to build one, he never, ever lets the consumers of his work see the failures, and when a piece of work fails, well, that becomes a business overhead, rather than a successful sale, and that overhead becomes something that future sales must cover. This is not unique to smiths in Madura, or Indonesia, or SE Asia, it has applied to smiths across the world & throughout history. |
![]() |
![]() |
![]() |
|
|