Ethnographic Arms & Armour
 

Go Back   Ethnographic Arms & Armour > Discussion Forums > European Armoury
FAQ Calendar Today's Posts Search

Reply
 
Thread Tools Search this Thread Display Modes
Old 23rd November 2017, 03:43 AM   #1
Philip
Member
 
Philip's Avatar
 
Join Date: Dec 2004
Location: California
Posts: 1,036
Default Frizzens, and their construction

Thanks, Fernando, for the supplemental images. The interior of the lock shows that this was truly a fine thing in its day, a pity that it has suffered so much from the ravages of wear and corrosion. The design of the mecha da caxeta (or whatever the concise English term is for the internal leaf spring that supports both the full-cock sear stud and which gives tension to the half-cock sear and trigger arm) has really deluxe touches, it is not the straight bar that is seen on more utilitarian locks.

Rick, the use of a set-screw to secure the striated striking-plate onto the frizzen body was common in Spain as well through most of the 18th cent. J D Lavin, our go-to author in the English-language literature on the subject, notes that during the 17th cent., the strike plate was narrower than the body, whose sides extended outward a couple of millimeters on each side of the dovetail to form a "lip". These early plates tended to also have grooves that were shallower at the center than at the top and bottom of the plate.

In the 18th cent., the frizzen body and plate were flush on each side. The grooves also took on an equal depth top to bottom. P 160 of his A HISTORY OF SPANISH FIREARMS has diagrams of both types, I'm sure you and Fernando have this book.

Examining the 3 guns with patilla locks in my collection, I note the following that reflect a change in design during the final decades of the 18th cent. and a regional variant on copies made outside of Spain:

1. Elimination of the set-screw. The dovetailing is so precise as to be hardly visible, and the sides are flush, with grooves of constant depth both consistent with the above paragraph.. This, on a Catalan-stocked fowler with a lock of provincial style by Fernando Murúa, analogous to a very similar one by Guisasola / Navarro dated 1796, Metropolitan Museum no. 16.135 which you can access online via the Collections section of the Museum's website.

2. Elimination of the grooves. On this gun, a fowler by Miguel de Zegarra (court gunsmith to King Carlos III) 1770s, the frizzen is shaped like that of a French flintlock with curved face and "tombstone" rounded top. But the strike plate is still dovetailed in place and the joint is very difficult to discern.

3. One-piece flintlock-style frizzen with no grooves. This on a miquelet lock of south German or Austrian origin. It and the stock with its fittings were made to accommodate a war-trophy Ottoman smoothbore damascus barrel of the 17th cent., the gun built around 1690.
Philip is offline   Reply With Quote
Old 23rd November 2017, 10:06 AM   #2
corrado26
Member
 
corrado26's Avatar
 
Join Date: Dec 2014
Location: Black Forest, Germany
Posts: 1,226
Default

Quote:
Originally Posted by Philip
The design of the mecha da caxeta (or whatever the concise English term is for the internal leaf spring that supports both the full-cock sear stud and which gives tension to the half-cock sear and trigger arm) has really deluxe touches, it is not the straight bar that is seen on more utilitarian locks.
I have im my collection a miquelet pistol whose lock has at the inner side of the lockplate a very similar spring. As there is not a single mark to be found on the barrel, the lock or the mounts I do not know in which country this pistol has been made. The shape of ist stock is very special, it never had a trigger guard and the shape of the lockplate is very uncommon too. They told me that it might have been made in Naples/I but this is just a guess.
corrado26
Attached Images
    
corrado26 is offline   Reply With Quote
Old 23rd November 2017, 11:09 AM   #3
fernando
(deceased)
 
fernando's Avatar
 
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
Default

RIPOLL ?

(from Coleccionar ARMAS ANTIGAS by Rainer Daehnhardt).


.
Attached Images
  
fernando is offline   Reply With Quote
Old 23rd November 2017, 04:20 PM   #4
corrado26
Member
 
corrado26's Avatar
 
Join Date: Dec 2014
Location: Black Forest, Germany
Posts: 1,226
Default

Quote:
Originally Posted by fernando
RIPOLL ?

(from Coleccionar ARMAS ANTIGAS by Rainer Daehnhardt).


.

Fernando, thank you very much, this was a very great help. I just ordered the Daehnhardt book
corrado26
corrado26 is offline   Reply With Quote
Old 23rd November 2017, 05:17 PM   #5
fernando
(deceased)
 
fernando's Avatar
 
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
Default

Quote:
Originally Posted by corrado26
Fernando, thank you very much, this was a very great help. I just ordered the Daehnhardt book...
Glad to be of some help .
fernando is offline   Reply With Quote
Old 3rd December 2017, 03:42 PM   #6
fernando
(deceased)
 
fernando's Avatar
 
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
Default

Quote:
Originally Posted by corrado26
Fernando, thank you very much, this was a very great help. I just ordered the Daehnhardt book
corrado26
I don't want to create any confucsuion but, apparently this type of pistol was also made in Portugal. In the work ESPINGARDA PERFEYTA (page 463) you can see a pair of pistols with a Castillian style lock, marked with date PORTO 1780 and with an unidentified signature.

.
Attached Images
 
fernando is offline   Reply With Quote
Old 3rd December 2017, 11:58 PM   #7
Philip
Member
 
Philip's Avatar
 
Join Date: Dec 2004
Location: California
Posts: 1,036
Default

Quote:
Originally Posted by fernando
I don't want to create any confucsuion but, apparently this type of pistol was also made in Portugal. In the work ESPINGARDA PERFEYTA (page 463) you can see a pair of pistols with a Castillian style lock, marked with date PORTO 1780 and with an unidentified signature.

.
So true, Fernando. The various types of miquelet locks had a truly international following, their popularity was not just limited to their birthplaces. Daehnhardt/Gaier ESPINGARDARIA PORTUGUESA/ARMURERIE LIÈGEOISE shows photos of some truly regal Portuguese sporting guns with patilha locks. Because southern Italy was ruled by Spain for so long, the patilla lock also became a mainstay with Neapolitan gunsmiths, and Brescian workshops also made them for the southern market. (see Marcello Terenzi, L'ARTE DI MICHELE BATTISTA, ARMAIOLO NAPOLETANO for examples, mostly with Madrid-style buttstocks to boot.).

Likewise, the alla romana type of mechanism was also made in Spain, note the exquisite fowling pieces with such locks by court gunsmith Diego Esquibel (early 18th cent., Armería Real de Madrid K-139) and a similar (K-138) by Nicolás Bis, see photos in A. Soler del Campo, CATÁLOGO DE ARCABUCERA MADRILEÑA
Philip is offline   Reply With Quote
Old 4th December 2017, 12:05 AM   #8
Philip
Member
 
Philip's Avatar
 
Join Date: Dec 2004
Location: California
Posts: 1,036
Default

Oh, I forgot to mention the copies of patilla locks made by Austrian and German smiths, mostly in the 17th cent., to fit onto sporting guns built on captured Ottoman damascus gun barrels (the original Turkish locks were of inferior workmanship and almost never reused), or onto imitation Spanish-style shotguns made to capitalize on the popularity of the originals by virtue of their barrels. Modified versions of the lock are also seen on some French and Austrian breechloaders of the early 18th cent. The quality of the Germanic products was typically, as can be expected, quite high and the mechanical design kept pace with contemporary development in southern Europe.
Philip is offline   Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump


All times are GMT +1. The time now is 03:39 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2025, vBulletin Solutions Inc.
Posts are regarded as being copyrighted by their authors and the act of posting material is deemed to be a granting of an irrevocable nonexclusive license for display here.