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#1 | |
Member
Join Date: Dec 2004
Posts: 37
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Hello Jim, Thank you for the information and the timeframe. I'm afraid that the best I can guarantee is that the string tag was affixed around the hilt in 1975. He usually made a date notation and a few words when he acquired a piece. The dust and tobacco discoloration vouches for that long, though. It wouldn't be so hard with a lot of the things he collected if we had lived other than in Santa Barbara. SB was the place where you went to the yearly 'Treasure Sale' put on by the MOA and picked up an 8' tall Tiffany grandfather clock (which he still has). Many from LA/Hollywood and NY had a 'little place' there and many collections found their way there. This is one reason I truly appreciate the help of the knowledgeable folks, like you, on this forum. |
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#2 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,192
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Southern California was a hotbed for collectors in the 60s and 70s! I grew up there in those days and among some of the venerable old collectors and dealers, there were very old collections coming out in estate sales and auctions in huge numbers. Further, and even more exciting, many of the older movie studios began to decaccess thier props and items used in films for many decades. In the early days, movie studios acquired huge volumes of authentic antique items, which in those days were just 'old junk'. This included incredibly many authentic old weapons, which were used in many of the swashbuckling and battle scenes in historically themed productions, now of course classics.
Rudolf Valentino himself became an enthusiastic sword collector, undoubtedly from the amazing examples that would often appear on the sets of his movies. As noted, your kaskara appears thankfully to be untouched and as such, clearly static in collections or stored for quite some time. It is unclear exactly when this diamond type motif and the discoid pommels became popular, but we know they were in Darfur and at the time of Ali Dinar, who was killed by British forces in 1916. These apparantly became quite popular with Hadendoa and associated tribes in later years, but the style seems generally held to be from Darfur and Kordofan regions. The triple fuller blade is distinctly native in form, probably Hausa, and should have small crescent moons stamped at the base of the outside fullers. All the best, Jim |
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#3 | |
Member
Join Date: Mar 2010
Location: Olomouc
Posts: 1,708
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This thread contains some nice info on these diamond pattern hilts as well.
http://www.vikingsword.com/vb/showthread.php?t=13142 Quote:
![]() There are some remarks in Clapperton of course regarding caravans bring down swords "that once belonged to Malta". These were transported to Kano, rehilted and sold all over the "desert and interior". There is also an intriguing reference from the same source to "African swords" from Tatham - who would appear to have been Henry Tatham - a sword cutler to the Crown. Unfortunately there are no more details on the form of these swords. One assumes they were made and specially brought along as gift items. Denham tells much the same story as Clapperton. "The swords are broad, straight, and long, but require no particular description, as, by a vicissitude some what singular, they are in fact the very blades formerly wielded by the knights of Malta. These swords are sent from Malta to Bengazee, in the state of Tripoli, where they are exchanged for bul- locks. They are afterwards carried across the de- sert to Bomou, thence to Haussa, and at last re- mounted at Kano, for the use of the inhabitants of almost all central Africa." Sad indeed they felt it was not necessary to have a detailed description! How much of these were in fact knightly blades from Malta is hard to say although by the time Barth turned up in the early 1850s, only around 20 years later - he had no hesitation in identifying the great number of imported blades he encountered as being from Solingen. |
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