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#1 |
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This is a very interesting thread Miguel. Thanks so much for all the research.
I am having a difficult time seeing this as anything but an Indonesian keris, in spite of the rectangular tang. The blade bears little resemblance to any other Philippines kris we have seen, but has much in common with early keris such as the blade shape and the carvings which look very much like a double puthut form at the base. There is also, i believe, record of early Indo Keris with square or rectangular tangs. The only thing that remotely resembles a Moro kris here is the tang which isn't very decisive IMO. Clearly trade was in full swing at these times as is evident from the presence of Chinese ceramics also present. So clearly it is possible that this was a blade gained in trade. Even as a traded blade it might very well have become a choice "A" object for the person buried. There is just no telling here. I would think that if these blades were prevalent in the area during this era that far more than this one single example would have turned up by now. Hardly enough evidence exists to form any opinion of the origin of this single blade let alone to completely reverse the generally accepted theory that the keris developed first in Java before making it's way to the Philippines. Even the evidence of a parallel development is lacking as this seems to be the only example of a "kris" from this time period in the Philippines. Where are all the other artifacts? ![]() |
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#2 |
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me and lorenz has been discussing this topic. i agree with you david that trading was prevalent at that point in time, but one must not omit the fact that at that time, indonesia and philippines as we know it, didn't exist, just a bunch of islands forming an archipelago from china to australia. it's also a possibility that this particular form of weapon was common in bohol, as it is in jawa. it's true that this is the only specimen, but as lorenz have mentioned, an old rusting iron was number eleven on the porcelain hunter's top ten list. with all the gold dagger handles that has been found, who's to say that there was a rusty iron, or an imprint anyway, left behind? kris or keris, wasn't as important to the visayans, or the northern mindanawans, as opposed to the javans, which has more relevance, therefore it was given more attention. as an analogy, if i'm standing on the beach looking at a wave with someone from the midwest, i see a nice barreling left point, while he sees rough water with a shark or two lurking below...
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#3 |
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An interesting thread, and one that has opened up several avenues of discussion.
1)--- geographic origin of this blade in my opinion it is not Javanese nor Balinese ( I group these two places together because for much of the period under consideration they can be considered as closely related, if not part of the same area of political influence) I have never seen an early Javanese keris that had been forged without a gonjo. I have never seen any Javanese keris from any period that had a tang similar to the tang on the blade under discussion. Early Javanese tangs were more or less square in cross section; this tang has an oblong cross section. I have never seen a Jawa/Bali blade with a similar treatment to the sorsoran. Yes, in profile the notches in the sorsoran could perhaps be likened to a puthut, but likened only. I can see no suggestion of a puthut, only notches that would form an effective blade trap. The flat sided tang and forward weighted blade indicate that this blade was used primarily as a cutting weapon, not a thrusting weapon. Early Javanese keris were used as over-hand stabbing weapons, and developed into weapons used as short rapiers. In short, this blade simply does not look like a Javanese blade, early or otherwise. 2)--- did trade links exist between Jawa and other areas of Maritime South East Asia in the period 10th to 15th centuries CE. Yes, of course they did, and had for over 1000 years prior to the 15th century. (see Christie, J.W.) 3)--- where did the keris originate? The form first appeared during the Early Classical Period in Central Jawa, it developed to its modern form in East Jawa after 1000CE and prior to 1500CE. The expansion of Javanese trade during the period 10th to 13th centuries CE saw the keris, along with other Javanese produce introduced to other areas of Maritime South East Asia. The further expansion of trade and political influence under Majapahit to around 1500CE saw an intensification of Javanese influence and trade throughout Maritime South East Asia. This was the period when the keris spread into other areas. In some societies it remained very close to its original Javanese form; in others it developed a different form that was more suitable to local conditions. 4)--- the Candi Sukuh stele, and the other monumental representations of the keris at Candi Sukuh. Candi Sukuh dates from about 1437. It is by no means evidence of keris origin in Jawa, as there is ample evidence of the existence of the keris in Jawa that pre-dates Sukuh by several hundred years. Sukuh is a relatively late construction of this period. 5)--- the Knaud keris amongst academic researchers of the keris, there are many questions that surround the Knaud. We need to be very, very wary of using this keris as an example of anything, except perhaps the gullibility of European colonials. |
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#4 | ||||
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Hello David,
(Being slow and distracted while working on my response, Ron and Alan beat me to it - I'm keeping this unedited though.) Quote:
However, I see some features that make me think that this might be at best a copy of this style rather than being an expression of a genuine tradition (wether locally crafted or coming to Bohol as trade or as a gift from a foreign power): 1. This blade is essentially flat - no thickening at the gonjo area nor at the puthut areas while the tang is a mere extension of the blade. 2. The details of the putative puthut carvings don't fit any anthropomorphic features but appear to be merely geometrical by design. Quote:
Quote:
Quote:
Regards, Kai Last edited by kai; 20th May 2011 at 12:55 AM. Reason: disclaimer added |
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#5 |
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Join Date: Oct 2008
Location: Manila, Phils.
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Messrs. David, spunjer, AG Maisey, and kai, many thanks for your comments!
![]() Thanks most especially to Alan for the exhaustive commentary covering the various aspects of the discussion at hand. Coincidentally, I was reviewing the other day Alan's article on the origin of the keris. Dr. Dizon also saw this thread by the way. And he mentioned that we should also consider the situation at the time -- i.e., that ancient Filipinos, Indonesians, and Malaysians were all maritime people, and there was really no distinct boundaries amongst them. Being genetically and culturally close relatives, he added that these peoples freely shared metal technologies among them. On the subject kris, I also noticed that it was described that it appears that the blade's edge has more carbon content. Am mentioning this for whatever it is worth. Lorenz |
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#6 |
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Double-edged symmetrical blades with a 'pinched' portion near the hilt, and a 'swollen' part near the tip, are actually common in precolonial Philippines (pre-16th century).
The Boxer Codex painting (1590) shows Zambals of Luzon (northern Philippines) using such a blade. The excavated Cebu blade (central Philippines) shown is likewise precolonial. The subject kris was found in Bohol incidentally, and Bohol is Cebu's neighbor (they speak the same language). Finally, the blade shown in the other pic is most probably precolonial, too. Hence the subject kris with a very similar blade profile is very much Filipino in this respect. |
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#7 |
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The other Filipino prehispanic blades have a more regular taper from the guard, to the point. The pic of the lone dagger is from 'nacho'.
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#8 |
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From Laos/Cambodia/Thailand, we also see a similar blade profile. The pic below (and the ones to follow) are from the book, Images of the Gods: Khmer Mythology in Cambodia, Laos & Thailand.
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#9 |
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To put the above blade in context, the other blade types that can be seen in those ancient [Thai/Laotian/Cambodian] temples are below. The longer blades, as well as the captions of the daggers shown, can be found in this album.
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