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15th May 2015, 03:11 AM | #1 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
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Quote:
To a historian the beauty is of course notable, but pales in comparison to the historical significance of the piece. For me, my favorites have often been worn, patinated and sometimes damaged old arms which held so much history in their countenance....and to me were far more beautiful then the lavishly crafted arms of higher end collections. As you have noted, the discussion has brought forward interest in these katars...which is really what is important.....and thank you for sharing your photos. It has been interesting as well to see different angles in the appreciation of these weapons.....and as I mentioned....I enjoy learning. I did not know of the museums displaying works without identification, and that is also intriguing. Best regards, Jim |
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15th May 2015, 04:36 PM | #2 |
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I think we can conclude, that there are many different collectors on this forum, with different wishes to knowledge about their collection.
When this is said, I would also add that Jim, over many years, have attributed to a lot of the knowledge compiled here, and that he has used an enormous lot of time to research the different items, so the members of the forum can learn more about their collections. I am sure Jim would like some responce to his posts, writen after hours of research - as the answers Jim writes are not pulled out of the sleeve, they are researched, from books, notes and the net. Dont think a question is silly to ask - ask it, and I am sure you will get an answer. Jens |
15th May 2015, 08:03 PM | #3 |
Arms Historian
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Location: Route 66
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Thank you so very much Jens for the kind words. It does seem (as once again, I have learned), there are certainly differences in the goals of individuals as we collect and often study these arms.
For me long ago, it became most important to study these weapons to learn their history, and indeed I spent often immeasurable time investigating, and gathering as much information as possible to learn all I could. By including this in admittedly long and detailed posts, I learned and wanted to share the information here, not only to benefit the archived material but to encourage the input and supported rebuttal of others This way not only those who participated would learn and revise material, but the huge volume of readers here would as well . Having said that, I would very much like to return to this most interesting katar form and continue the valuable look into them. I think we have resolved that there are many avenues of perception in our way of looking at arms, and I look forward to seeing more entries, unconditionally Thank you again ! Jim |
15th May 2015, 09:33 PM | #4 |
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Yes I agree with Jim that it is time to discuss the katars again.
The attached one is different from the others shown, as there are only two cross bars, and they are not as slim/thin as the ones shown before. The attached katar was owned by Maharao Bakhtawar Singh of Ulwar r. 1791-1815. The frace 'owned by' must be taken with a grain of salt, as it can mean that it came from Ulwar, but it can also mean that it was a gift from somewhere else. So more reaseach is needed to know for sure. |
21st August 2015, 12:10 PM | #5 |
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Hello Jens,
just for showing, this is the only four bar katar without any protrusions I ever saw. I cannot see how they fixed the bars. It is a very massive 750 gram blade made from very fine wootz. Roland |
21st August 2015, 03:11 PM | #6 |
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Roland,
Thank you for showing it. From where do you have the picture? If it from a book - what does the text say? Not so long ago I saw one on the net, but that is the ony one I have seen until you showed this katar. Jens |
21st August 2015, 04:52 PM | #7 |
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Hello Jens,
no book, this is the picture from a well known italian auction house in Sarzana and the katar belongs to me now . For a ridiculously low price. I already polished the blade and the wootz pattern is incredibly fine and detailed. I have added a picture after the etching process before cleaning, you can see an arrow shaped hardening pattern at the tip of the blade, including the barbed hooks. Roland |
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