Ethnographic Textiles + Weapons

carlos · 13th February 2010, 07:49 AM

I have only one combination between weapons and textiles and this is one of my best kampilan.
Thanks
carlos

Nagawarrior · 13th February 2010, 04:12 PM

I have placed a rug from the Caucasus on the wall behind my Cherkeska : the traditional outer garment of the Caucasian tribesmen, worn by Kuban and Terek Cossacks, in this weapon and textile display.
Some of the symbolism seen on the rug.
Ram's Horn - Sheep and rams were a vital source of warmth and comfort, as well as being central to the livelihood of the tribe. Their wool was the primary material used in weaving, which they considered a sacred activity. Throughout history, the ram's horn has been used to summon the group together as one. The ram's horn symbolizes strength, power and fertility, suggesting that life itself is not temporary, but eternal.
Star of Wisdom - The eight-pointed star is an archetypal symbol that appears in cave drawings and likely stems from the dawn of mankind. This motif depicts man's potential for inner wisdom and understanding; in fact King Solomon wore an eight-pointed star on his ring as a reminder of inner striving. The tribal weavers lived an elemental lifestyle with minimal possessions. They believed that wisdom was the true wealth that could be obtained through the striving one made amidst the many challenges of one's daily activities.
Thanks to Claremont Rug Company for symbolism info.

Jim McDougall · 13th February 2010, 04:54 PM

Thank you so much for the response Rumpel! Yes it indeed was Sheila Payne, and now that you mention it, the book was very much intended for very general audience and, entertaining, I suppose somewhat in 'Indiana Jones' fashion. Not a bad thing, but not entirely helpful from the perspective I was then seeking.
Intriguing notes on the Central Asian stuff there, and these vendors sound fascinating as I imagine the things you must have access to finding!!!
There definitely is a lot to be discovered in aligning these material culture symbols with weaponry and accoutrements of these regions, and I really look forward to more discussion.

Naga, thats exactly what we're talking about!and thank you for sharing those key notes on symbolism in these rugs (absolutely fantastic grouping there of weapons, and especially with the dimension added with the rugs).It is to me patently impossible to be in the presence of these kinds of rugs without imagination and resulting temporal adventures getting the best of me

Jose, speaking of adventures! Very, very nice grouping there as well, and its great to see these variations in them carrying the same comprehensive effect. Wow!

Carlos, a beautiful kampilan, and again, this addition of the material and bells represent important talismanic symbolism. Very nice example and thank you for sharing it.

All the very best,
Jim

Tim Simmons · 13th February 2010, 06:36 PM

This cloth is a real silk one not rayon. Must have belonged or presented to a VIP.

Jim McDougall · 13th February 2010, 07:00 PM

In our careers in the airline industry, my wife and I often had great opportunities to meet many people from many cultures. My wife had a management position in which she handled certain employee affairs, and one man needed to return to his home in Africa as his mother had passed away.
When he returned, in gratitude for my wifes handling of details to help him in making this trip, he very ceremoniously presented her with a bolt of cloth very similar in some of the colors Tim has shown.
I cannot recall details on tribe or country, but what was important was that the cloth itself was offered with far more reverence than afforded simply to an everyday textile, and with extremely deep gratitude and reverence.

It seems clear that in many cultures, the reverence for material culture is often well placed in many forms, and our true understanding of these offer important dimension to learning more on the weapons they used.

All best regards,
Jim

KuKulzA28 · 13th February 2010, 09:58 PM

Atayal traditionally wove with rammie - a very laborious process.

A. G. Maisey · 13th February 2010, 11:38 PM

For those with an interest in the relationship between weaponry and weaving, I would suggest a reading of "Iban Art -- sexual selection and severed heads" --- Michael Heppell, KIT publishers, Amsterdam, ISBN -10: 9054500050

In Iban culture hierarchical position, and the suitability for marriage was largely determined by weaving in the case of women, and the taking of heads in the case of men. Men carved the hilts of their own weapons, and this was a way of demonstrating that they were not one dimensional warriors, but also possessed a finer side.

There is far too much involved in these Iban cultural practices to be covered here, and their complexity would make any attempted abbreviation too simplistic. However, there is a distinct sexual counterbalancing between the male role as warrior and association with weaponry, and the female role as society's cohesive force.

Since Iban culture can probably be regarded as containing base elements of most, if not all, tribal cultures within the maritime cultures of South East Asia, an understanding of these base elements could be of use to those with interests specific to these cultures.

Jim McDougall · 14th February 2010, 01:53 AM

Quote:

Originally Posted by KuKulzA28

Atayal traditionally wove with rammie - a very laborious process.

Hi KuKulz,
Please pardon my adding some information on this excellent weapon, which I know you have expertise on, but there may be others (like me

who may not be aware of these weapons or terms. This very interesting weapon, which I now have found is a 'laraw', shows very nicely against this cloth.

I have read your previous comprehensive thread on the weapons of Taiwan (formerly Formosa) and the Atayal, who are the aboriginal natives there. I understand that 'rammie' is a plant fiber used in weaving scabbard straps?

I believe that the diamond type geometrics in the material represent the eye of the ancestors who are protective, the red color represents blood & power, and the horizontal lines have to do also with the spirits of ancestors. Obviously this is material I am just now searching, so I would defer to you and others who specialize in this field for more accurate descriptions.

These weapons certainly show well against traditional textiles!

All best regards,
Jim

13th February 2010, 07:49 AM	#1
carlos Member Join Date: Dec 2004 Posts: 755	I have only one combination between weapons and textiles and this is one of my best kampilan. Thanks carlos Attached Images

13th February 2010, 06:36 PM	#4
Tim Simmons Member Join Date: Dec 2004 Location: What is still UK Posts: 5,901	This cloth is a real silk one not rayon. Must have belonged or presented to a VIP. Attached Images

13th February 2010, 04:12 PM	#2
Nagawarrior Member Join Date: Dec 2004 Location: Inland Empire, Southern California USA Posts: 160	I have placed a rug from the Caucasus on the wall behind my Cherkeska : the traditional outer garment of the Caucasian tribesmen, worn by Kuban and Terek Cossacks, in this weapon and textile display. Some of the symbolism seen on the rug. Ram's Horn - Sheep and rams were a vital source of warmth and comfort, as well as being central to the livelihood of the tribe. Their wool was the primary material used in weaving, which they considered a sacred activity. Throughout history, the ram's horn has been used to summon the group together as one. The ram's horn symbolizes strength, power and fertility, suggesting that life itself is not temporary, but eternal. Star of Wisdom - The eight-pointed star is an archetypal symbol that appears in cave drawings and likely stems from the dawn of mankind. This motif depicts man's potential for inner wisdom and understanding; in fact King Solomon wore an eight-pointed star on his ring as a reminder of inner striving. The tribal weavers lived an elemental lifestyle with minimal possessions. They believed that wisdom was the true wealth that could be obtained through the striving one made amidst the many challenges of one's daily activities. Thanks to Claremont Rug Company for symbolism info.

13th February 2010, 04:54 PM	#3
Jim McDougall Arms Historian Join Date: Dec 2004 Location: Route 66 Posts: 10,616	Thank you so much for the response Rumpel! Yes it indeed was Sheila Payne, and now that you mention it, the book was very much intended for very general audience and, entertaining, I suppose somewhat in 'Indiana Jones' fashion. Not a bad thing, but not entirely helpful from the perspective I was then seeking. Intriguing notes on the Central Asian stuff there, and these vendors sound fascinating as I imagine the things you must have access to finding!!! There definitely is a lot to be discovered in aligning these material culture symbols with weaponry and accoutrements of these regions, and I really look forward to more discussion. Naga, thats exactly what we're talking about!and thank you for sharing those key notes on symbolism in these rugs (absolutely fantastic grouping there of weapons, and especially with the dimension added with the rugs).It is to me patently impossible to be in the presence of these kinds of rugs without imagination and resulting temporal adventures getting the best of me Jose, speaking of adventures! Very, very nice grouping there as well, and its great to see these variations in them carrying the same comprehensive effect. Wow! Carlos, a beautiful kampilan, and again, this addition of the material and bells represent important talismanic symbolism. Very nice example and thank you for sharing it. All the very best, Jim

13th February 2010, 07:00 PM	#5
Jim McDougall Arms Historian Join Date: Dec 2004 Location: Route 66 Posts: 10,616	In our careers in the airline industry, my wife and I often had great opportunities to meet many people from many cultures. My wife had a management position in which she handled certain employee affairs, and one man needed to return to his home in Africa as his mother had passed away. When he returned, in gratitude for my wifes handling of details to help him in making this trip, he very ceremoniously presented her with a bolt of cloth very similar in some of the colors Tim has shown. I cannot recall details on tribe or country, but what was important was that the cloth itself was offered with far more reverence than afforded simply to an everyday textile, and with extremely deep gratitude and reverence. It seems clear that in many cultures, the reverence for material culture is often well placed in many forms, and our true understanding of these offer important dimension to learning more on the weapons they used. All best regards, Jim

13th February 2010, 09:58 PM	#6
KuKulzA28 Member Join Date: Oct 2008 Location: between work and sleep Posts: 731	Atayal traditionally wove with rammie - a very laborious process.

13th February 2010, 11:38 PM	#7
A. G. Maisey Member Join Date: May 2006 Posts: 7,067	For those with an interest in the relationship between weaponry and weaving, I would suggest a reading of "Iban Art -- sexual selection and severed heads" --- Michael Heppell, KIT publishers, Amsterdam, ISBN -10: 9054500050 In Iban culture hierarchical position, and the suitability for marriage was largely determined by weaving in the case of women, and the taking of heads in the case of men. Men carved the hilts of their own weapons, and this was a way of demonstrating that they were not one dimensional warriors, but also possessed a finer side. There is far too much involved in these Iban cultural practices to be covered here, and their complexity would make any attempted abbreviation too simplistic. However, there is a distinct sexual counterbalancing between the male role as warrior and association with weaponry, and the female role as society's cohesive force. Since Iban culture can probably be regarded as containing base elements of most, if not all, tribal cultures within the maritime cultures of South East Asia, an understanding of these base elements could be of use to those with interests specific to these cultures.