![]() |
|
![]() |
#1 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,336
|
![]()
From what I see in the pictures of this piece the blade is quite wide for it's length .
This is a proportion ratio (I have) not seen before in Moro blades . The engraving is similar to Moro work yet seems subtly different . ![]() I think it's all Malay . ![]() And beautiful ! |
![]() |
![]() |
![]() |
#2 |
Member
Join Date: Dec 2004
Location: Sweden
Posts: 1,637
|
![]()
Thanks for all comments!
On the engravings I have the same motif on 3 of my 4 Terengganu dressed Keris Sundang. So I thought it was a typical Malay motif? I tried to find more info about Tengku Ibrahim Tengku Wook in the Spirit of Wood book, but couldn't? I also noticed that the smaller hulu kakatua, for regular-sized keris, is represented in the A4 Kerner book too. So I assume that it has some age, several carvers produced it and itīs not that uncommon? It looks like the hilt was made from the same block of wood as the sheath so I don't think it was an isolated repair. Maybe a complete later redress however? My Terengganu Keris Sundang #4 is on scabbard renovation at the moment but it also has a quite wide blade. It's about the same size as this one. Michael |
![]() |
![]() |
![]() |
#3 | |
Member
Join Date: Apr 2005
Posts: 3,255
|
![]()
Hello Michael,
Where do you find all those Terengganu examples?!? ![]() How is the clamp attached? Quote:
I'd guess that the whole ensemble got made en suite. Maybe WW2 (+/- 30 years)? Regards, Kai |
|
![]() |
![]() |
![]() |
#4 |
Member
Join Date: Dec 2004
Location: Sweden
Posts: 1,637
|
![]()
Hello Kai,
It's interesting that you asked about the clamps as it seems that the Malay clamps most often doesn't seem to be connected to the grip? That's the case on 3 of mine and the 4th has lost its clamp. Also I have noticed that they quite often don't get replaced, in case of loss? It seems too as if only one clamp is more usual than two. And this undependent of age. I can't see what caused the notches but I doubt that this blade could be from 1975 (1945 + 30 years)? Please let me know, either on the forum or private, how you could conclude this based on the pictures alone? Or maybe I misunderstood you? Michael |
![]() |
![]() |
![]() |
#5 | ||
Member
Join Date: Apr 2005
Posts: 3,255
|
![]()
Hello Michael,
Quote:
Quote:
![]() Regards, Kai |
||
![]() |
![]() |
![]() |
#6 |
Member
Join Date: Dec 2004
Location: Singapore
Posts: 1,180
|
![]()
Congratulations, Michael. A fine piece. Peninsula Malay Sundang, and yes from Terengganu. The parrot pommel flows nicely with the rest of the piece.
Tengku Ibrahim can be described as someone obsessed with fine details. His works do not follow tradition closely, but the fine-ness in his works makes up for it. He is also known for the crocodile hilt form, which is really unheard of before. There's a keris on display now in the Asian Civilisations Museum here in Singapore that was carved by Tengku Ibrahim. It was his intention to have that keris presented to the ACM. It is a very fine example of his work. When I have the time, I'll bring my camera and tripod to the museum to take a good photo of it. |
![]() |
![]() |
![]() |
#7 | |
Member
Join Date: Apr 2005
Posts: 3,255
|
![]()
Hello Kai Wee,
I'd be very interested in a pic of Tengku Ibrahim's work! Quote:
Regards, Kai |
|
![]() |
![]() |
![]() |
#8 |
Member
Join Date: Oct 2005
Posts: 41
|
![]()
I think this is the one. I've cropped it because the file is too big. A hurried shot though.
jonathan |
![]() |
![]() |
![]() |
#9 |
Member
Join Date: Aug 2006
Location: Italy
Posts: 928
|
![]()
Jonng: beautiful hit!
BluErf: Is it possible to see a crocodile hit form? Is a hit for kudi or other knife? |
![]() |
![]() |
![]() |
#10 | |
Member
Join Date: Jan 2005
Location: Singapore
Posts: 1,248
|
![]() Quote:
![]() Btw, congrats on your newest acquisition.. the old ivory jawa demam hilt. ![]() |
|
![]() |
![]() |
![]() |
|
|