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#1 |
Member
Join Date: Oct 2008
Posts: 160
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I have a general question about lamination.. what does it mean?
The blade of my moro kris is very dull, its not sharp at all. i wonder if it was laminated? lol sorry, im very novice myself.. Thanks for enlightening me.. |
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#2 |
Member
Join Date: Apr 2005
Posts: 3,255
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Hello Miguel,
That's a long thread - here's the specfic post: http://www.vikingsword.com/vb/showpo...5&postcount=16 There are more recipes to be found on this forum. Yes, this procedure will bring out laminations (layers of steel which show how the steel got forged). Depending on the blade's surface (if corroded), you may want to do a little polishing first before moving on to etching. I'd also stipulate that there is no point in neutralizing diluted vinegar (I prefer technical grade acetic acid and am usually using 1% which is a weak solution): Just heating the blade (with a hair dryer, after wiping on some oil!) will evaporate all remaining acid; just make sure that no vinegar remains in any crevices (just heat those areas longer). I'll come back to the other questions later. Regards, Kai |
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#3 |
Member
Join Date: Oct 2008
Location: Manila, Phils.
Posts: 1,042
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Hello Kai,
Thanks for the reply! Am looking forward to your (and the others') further comments. Best regards, MD PS - So that's how you handpick a post, with the "postcount" suffix. Thanks for the tip ![]() |
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#4 |
Member
Join Date: Feb 2005
Location: Chicago area
Posts: 327
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Hi Miguel,
It's a interesting sword. The blade is nicely done. It's a copy of what Cato refers to a "18C". I'm not sure where it was made The file work in the center looks like Maguindanao or Maranao but elephant's head looks more Sulu. The blade is older then the hilt. You can see where the old baca-baca (stirrup) once was. The blade is likely 100 years or older but it's hard to tell from pictures & the fact it was coping a old style. I bought a small dress kris from Ramon Villegas but can't find his appraisal at the moment. The hilt work it similar and likely done by the same craftsman. If I recall correctly he said the kris I have was Maranao & done in the early 1960's. My blade is hand forged but not nearly as nice as yours or the "old" work in general. I've seen several swords that appear to have the same quality blade, hilt work & ivory pommel as mine. Your ivory pommel is different & perhaps made earlier then the 60's, hard to say. For the most part, I think the coins in the scabbard are also most common in 1960's work & latter. The rattan looks older then that but I've also seen quite a few scabbards made in the 60's that are similar. Villegas used to have a numismatic shop in Makati, bet you he could give you much better detail then myself. By the way, can you describe the coins? |
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#5 | ||||||
Member
Join Date: Apr 2005
Posts: 3,255
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Hello Bill,
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If this would be my piece, I'd be tempted to tear the hilt apart, to attach the asang-asang correctly, to add a plain silver ferrule, and to try my hands at a decent grip wrapping. Quote:
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BTW, some of the blades coming out of the Philippines nowadays show a surface hinting at laminations but are apparently monosteel. They have separate gangya but I suspect that they may be newly done and etched. It was already known that blades with separate gangya continue to be produced for local use; the blades mentioned seem to be a response to the foreign collectors' market though. Regards, Kai |
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#6 |
Member
Join Date: Feb 2005
Location: Chicago area
Posts: 327
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Hi Kai, The stirrup on mine is nonfunctional, it is held in place by the hilt. Miguel's stirrups & mine look like the work of the same craftsman.
While some/much of the work in this time period was likely for high end consumers, it's not tourist quality or even meant as a high end souvenir. Look at the dust cover on Moro Swords. I believe it to be from the time period, 1960's & similar craftsmanship. While these swords may not have been intended for battle, I believe they were meant for local use as dress swords or even gift/presentation. For that reason, I would not consider replacing the hilt/dress. Besides, the quality of work is really good. Some tourist pieces have the same look but no where the quality. Sadly the sheath does give it a tourist feel but it also is likely "legit", IMO, as a example of the 1960's. While we likely will never know, it is very plausible this sword/sheath was worn, just like it is. IMO, it makes the whole package ethnographic. The blade in my small sword is not the center piece but it is razor sharp & certainly could be used as a weapon. |
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#7 | |
Member
Join Date: Apr 2005
Posts: 3,255
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Hello Bill,
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While the whole ensemble may have been worn by a Moro (I kinda doubt it - the grip looks very new; what's the whitish stuff beneath?), the work just isn't up to the old standards. Obviously, a lot of traditional skills got lost and people seem to have focused on flashy features. It may be genuine for late 20th c. Moro culture - it falls short of traditional Moro culture though, I guess... Regards, Kai |
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