![]() |
|
![]() |
#1 |
Member
Join Date: Dec 2004
Location: Houston, TX, USA
Posts: 1,254
|
![]()
What challenges me is getting the stuff to keep laying flat, and that's where knot patterns learned from cord don't help, I guess. I guess it's partly a matter of wetted/green pliability, and maybe narrower strips may be easier to keep flat through the side-winding than would wide ones. What of basket books? I haven't checked; just some thoughts.
|
![]() |
![]() |
![]() |
#2 |
Member
Join Date: Dec 2004
Location: Kernersville, NC, USA
Posts: 793
|
![]()
Searching the old forum came up with the book "Creative Ropecraft". I've ordered a used copy from Amazon.com. Also ordered some 11/64" flat/oval reed from here: http://www.royalwoodltd.com/cat05-06r.htm
We'll see how it goes. Thanks for all of your help guys. Steve |
![]() |
![]() |
![]() |
#3 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,336
|
![]()
It might be helpful when using the wet method to tightly bind the wrapping itself during the drying process so that as it dries and shrinks it is kept flat .
I would guess that this weaving was originally done with green rattan strips and I don't know if the same effect could be obtained by using re-wetted rattan . |
![]() |
![]() |
![]() |
#4 |
Member
Join Date: Dec 2004
Location: Houston, TX, USA
Posts: 1,254
|
![]()
A layer of some kind of temporary over-binding to make it lay flat while drying may be a good idea; I use it sometimes when leather-binding a wooden sheath. There's something about rattan not reacting to water as leather does; it seems real important, but I can't remember what it is.....
|
![]() |
![]() |
![]() |
#5 |
Member
Join Date: Dec 2004
Location: VISAYAS and MINDANAO
Posts: 169
|
![]()
Steve, here's a couple more for you to compare. These are NOT "matulis" bolos that have been chopped but forged specifically into this blade form. Included is a close-up of the tips to show that they actually flare up at the end.
|
![]() |
![]() |
![]() |
#6 |
Member
Join Date: Dec 2004
Location: Kernersville, NC, USA
Posts: 793
|
![]()
Very nice Zelbone. Thanks!
Steve |
![]() |
![]() |
![]() |
#7 |
Member
Join Date: Dec 2004
Location: Houston, TX, USA
Posts: 1,254
|
![]()
Zelbone is quite correct. Be aware that neither I, nor AFAIK, anyone has said that any of these examples actually had had a point cut off them, but that they were a variation on a style AS IF the point were "cut off" ie blunt (this was indeed sometimes done to "demilitarize"/etc. an existant sword). As you say, the slightly flared end is there, and not only that, but their length in relation to the curvature (more striking to my artist's eye, I guess) is the same; the curved tip (the part analagous to the actual cutting blade, rather than the "shaft" of a talibon) is just as long, and similarly curved, but just with a different end. One does, from time to time, especially with caribean/Southern N American machetes, and on small knives carried by soldiers and/or sailors (etc.) see both blades whose points have actually been cut/snapped for "safety", and "Safe point/cut point" ones that have been reground or otherwise reshaped to be thrustable. Also, be aware that a differently shaped point does have some different cutting capabilities. A wide tip is less vibratory, so more solid for cutting to the very tip, so in affect, for cutting, longer, and has been preferred by some workers and warriors for some purposes, and this is certainly a native concept that's been seen in SE Asian swords for a long time. I think we're seeing more the Spanish "blunted" idea here, but that's certainly an alternate line of thought that could have a lot of validity.
|
![]() |
![]() |
![]() |
|
|