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#1 |
Member
Join Date: Dec 2004
Location: Orlando
Posts: 104
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This is just another Nem Neman to throw out for you all to look at. It is very difficult to get all of a reflective pattern to come out when you view the piece at only one point. Especially when the pattern is as complicated as this one is. It is basicly a zig zag line running down both halfs of the blade which meets in the middle at a point and forms a diamond shape in between every conjunction. In addition there are short dashes on both sides of the Ada Ada in this diamond shaped area and at the quarter points of the blades width in the area opposite the touched points. In short in the areas that have the space to accept these dashes.
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#2 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,336
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That is very nice !
I think picture 2 shows the chatoyancy best Mick . Nice pamor control . ![]() |
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#3 |
Member
Join Date: Sep 2006
Posts: 132
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Ahh.. good heavy blade and well executed. Nice young keris!
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#4 |
Member
Join Date: Oct 2008
Location: Amsterdam, Netherlands
Posts: 159
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I agree, looks realy good! Mick, who made it?
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#5 |
Member
Join Date: Dec 2004
Location: Orlando
Posts: 104
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This blade is thought by some to be by Empu Pjajasukatgo during the reign of PBX in Surakarta.
This is the keris that was taken to Empu Yosopangarso and Empu Djeno Harumbrodjo by Garrett Solyom in 1976 so that they could use it to create a copy for him utilizing all of the rituals that would be required for this type of commission. This was the first high quality piece that they had ever seen. This work resulted in the photomontage and text published in Garrett and Bronwen’s Cataloge for “The World of the Javanese Keris” exhibition at the East-West Center in Honolulu. There is a better picture of this piece (number 153) on page 56 of the same cataloge. |
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#6 |
Member
Join Date: Oct 2008
Location: Amsterdam, Netherlands
Posts: 159
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It looks like the same, but the photo in the book shows the other side.
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