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#1 |
(deceased)
Join Date: Dec 2004
Location: East Coast USA
Posts: 3,191
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Dizos
There are a couple of othe forum members that are kicking themselves also ![]() still it was a steal for $70. Lew |
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#2 | |
Member
Join Date: Jan 2006
Posts: 936
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By the way, I know the person who got this dagger, and I'll let you know if it's wootz. |
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#3 | |
Member
Join Date: Jan 2006
Posts: 936
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I had a pleasure of polishing/etching this blade. As I expected (quessed:-), the steel is wootz, but I expected ladder pattern for $70:-) The coins are Turkish, dated as of 1929, and with Tughras struck on one side. I think they's later addition along with the water buffalo hilt and scabbard. Overall - a spectacular blade - wide, long and in fantastic condition. Lew was right - a steal... I think he meant a wootz steeal:-) |
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#4 |
Member
Join Date: Jan 2006
Posts: 936
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... few more pictures of Kurdish-style daggers (they also can be Persian or Turkish as well !?). All blades are over 10 inches long, and all are wootz (note the lighter quench areas near the hilts). One blade, in the middle, has a spectacular ladder Kirk Narduban pattern.
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#5 |
(deceased)
Join Date: Dec 2004
Location: East Coast USA
Posts: 3,191
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Alex
Do you hear that strange sound? That's me banging my head against my key board ![]() ![]() ![]() Lew |
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#6 |
Member
Join Date: Jan 2006
Posts: 936
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... that is funny, Lew
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#7 |
Member
Join Date: Dec 2004
Location: Bay Area
Posts: 1,660
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Alex, this looks amazing. What are your secrets when polishing and etching a blade? How do you polish - very fine sandpaper, or something else? And what do you use for the etch? I would love to get a few tips from you (or the whole manual), as I have a Syrian dagger which exhibits a low-contrast pattern that I would emphasize a little more. Also, when you have a blade in a not so good shape, with heavy patina and pot marks, is there any way to coax a pattern out? I have a damascus yataghan, which exhibits four rows of Turkish ribbon on a small part of the blade, but I have failed miserably in my attempts to reveal the pattern on the rest of the blade.
Thanks, Teodor |
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#8 |
Member
Join Date: Jan 2006
Posts: 936
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Teodor,
What I've learned is that good quality wootz requires minimum effort to be brought up nicely. Wootz blades which were not polished, grinded and buffed too much during their lifetime have tendency for better contrast when etched. Just like the examples shown above - these blades were in excellent condition, not just well preserved, but not "touched" much. They required almost no mechanical work. All I did was polished them gently with the polishing paste until the surface became mirror-like/shiny, then cleaned it with alcohol and etched with FerroChloride (FeCl) solution. I've worked with good wootz blades with heavy pitting, and when test-etched they were showing good pattern, but when grinded and polished to get rid of pitting - the pattern often lost its contrast and became distorted. I'd strongly recomment NOT to overgrind and overpolish wootz. The goal is to make an entire surface mirror-like without taking too much metal off and without overheating the blade - the less mechanical intrusion - the better! You can use very fine sandpaper with water, then sandpaper with oil, followed by dry sandpaper and buffing, and once the surface looks mirror-like -- stop! Now, when wootz is low-contrast (especially Turkish or Syrian sham type) - this is how it meant to be by design, and there is not much one can do to increase the contrast, except of trying different etching methods - FeCl, acid, etc. and if it happens to be sham (low contrast wootz) - it'd stay this way:-) Finally, a wootz blade can have areas of pattern loss - different reasons - overheating, overpolishing, underheating:-) Good wootz will always show it's best with almost any etchant, and this is the secret:-) Hope it helps. |
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