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#1 | |
Member
Join Date: Mar 2006
Location: Room 101, Glos. UK
Posts: 4,232
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![]() Quote:
![]() Last edited by kronckew; 20th April 2008 at 09:53 AM. |
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#2 |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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Thank you for your kind words, Barry and Newsteel
![]() I thaught i would post today the decoration on the scabbard opposite side. Yesterday i didn't notice that the two sides had a different detail ... i had bought this piece a couple hours before i took the first pictures ![]() Thank you Kronckew, for the hint on the spelling. Once you mention the different vowels pronunciation amongst the various english speaking natives, i can not ignore that latinic languages have a completely distinct sound for them. Being phonetics the main reason for the different transliterations, i guess that Badik will be the closest sound/spell for me to adopt ![]() Fernando PS Isn't Buttin French ( latinic) speaking ? Last edited by fernando; 20th April 2008 at 07:34 PM. |
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#3 |
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Join Date: Dec 2004
Location: Greenville, NC
Posts: 1,854
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I tend to be very conservative about dating...at least that's what I am told.
I would say the blade is 19th century. The silver work is a tougher call because similar to identical patterns are used today in low grade silver work for both new pieces and restorations. The central panel of silver work is more common(today) than the work at the scabbard mouth in my opinion, so I think in combination this is very old work, certainly no later then very early 20th Century.....just my opinion. |
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#4 |
Member
Join Date: Apr 2007
Location: Nothern Mexico
Posts: 458
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Excuse me, does any of you have historical references about this kind of work in silver? I mean, it can only be made chiselled from "above" with the scabbard already formed and soldered, or it can be made with a combination of repousee and chiselling, from both sides of the open piece, and the scabbard finally been closed and soldered, which is a very difficult thing to do as the fitting among the borders would be distorted by the previous work. I´ve read many times the use of the word "repousee" applied to both kind of techniques. Chiselling can also be made creating different levels on the surface (volumes), and not only as a plain one level draw. Thank you.
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#5 |
Member
Join Date: Nov 2006
Location: The Netherlands
Posts: 2,235
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Dear Gonzalo,
Nice badek. Good addition to any collection. I have no historical info on this workmanship. But I am told that this work needs working from both sides of the metal sheet. If this is done the old way a lot of work and time goed into it. The metal must be heated and cooled down between the forging to prevent it from cracking. |
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#6 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,300
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Gonzalo, chiseling refers to more of an engraving process where material is removed from the surface. Repousse is where the sheet metal must be thin and hammered from both sides (one side would be called chasing). Asomotif is right in that the material for repousse must be reheated constantly.
Nice repousse on the badik scabbard. |
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#7 | |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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I see that this time i've got myself a decent piece. Fernando |
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#8 | |
Member
Join Date: Dec 2004
Location: Virginia
Posts: 520
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![]() Quote:
Last edited by RhysMichael; 24th April 2008 at 08:34 PM. |
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#9 |
Member
Join Date: May 2006
Posts: 7,035
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In Jawa this type of dagger is named "badhik"; badik is acceptable.
The type of silver work on the one under discussion appears to be exactly the same type of work that is currently used to make pendok and other silver items in Jogja and surrounds. This is done by first fabricating the form, then filling it with wax and applying the motif by hammering with different types of punches.When the work is finished the wax is removed by boiling the pendok. During the work process the pendok is held firm in a bed of hard wax. I understand that the Dutch introduced this silver working technique in the 19th century. The photos with this post are of two badhik in my possession. According to Javanese people with whom I have spoken and who have some knowledge in this field, these two badhik are of Javanese origin. |
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#10 |
Member
Join Date: Dec 2004
Posts: 987
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Interesting information on the manufacturing technique. It is almost exactly the same as is used in Burma, No. Thailand and Laos to make repouseed silver. Instead of wax a heavy resin is used. The work is don in stages, between which the resin is melted and re-set to make room for the next level of detail. I wonder if that technique has a Dutch origin as well, though it would be surprising that it would reach that far north, essentially leap-frogging a large area in between.
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