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#1 |
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Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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Several times I looked at yet another "Luristani" bronze dagger/sword and every time walked away.
I just do not know how to distinguish the real thing from forgery. Based on the stuff coming from China, the technologies of casting and aging must be pretty simple and well worked-out and it must be a cheap mass-production enterprise. Are there any criteria whereby one can reliably identify forgery, other than the Chinese seller, of course ? |
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#2 |
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Join Date: Mar 2006
Location: Room 101, Glos. UK
Posts: 4,215
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i seem to recall someone here saying the chinese have been making forgeries for centuries. i've seen bronze spearheads made over here in the UK from castings of original finds and artificially patenated and aged, i do not think i'd buy one without some serious documentation and provenance. (the luristan replica i coveted was a brand shiny new functional one, not made from a cast but made as if it were a new weapon for a re-enactor). i also hear that the roman rings found in profusion on ebay are also mostly made recently in the balkans. bronze is a tough corrosion resistant metal well suited to lasting millenia, it would take an analysis of the alloy to prove it was likely to be real as opposed to a modern phosphor bronze from a scrapped ship's prop.
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#3 |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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Thank you all for your input, Gentlemen.
David, that link is very interesting; i wouldn't mind to be in the place of that cab driver ... suddenly getting some pocket money ![]() Kronckew, right on the target. I have just located a similar example at the Portuguese Archeology Museum ( picture attached ), with the remarks that it still kept is casting cone ( sprue ), as also some burr on the sides, denoting that this example was never used. So as David reminds, some of these things were just destined to grave goods. This ( only ) example in the museum was found in Portugal; i will then infer that my couple pieces are also Portuguese ... they were bought by the local seller at an auction in Oporto. It seems as this pattern with loops dates from 1000 BC, as i have read here: http://blog.lib.umn.edu/fregn001/ant...ogy/Poster.pdf Coincidently, the other day i kept staring at some Luristani daggers in a couple sites, and i wouldn't dare to pick on one of them, fearing they were fakes. With these axes, circumstances were quite distinct; i bought them at sight, from a guy that bought them only because they were part of a lot of padlocks he was interested in. He hadn't the slightest idea what these two "brass" things were. As he narrated the auction event, which took over a couple months to take place, he told me how much he paid for the lot; so i offered a price for the axes that would cover what he spent for the whole lot ... he couldn't resist. And i came home pleased with the two pieces for 250 Euros. So if they are a fake, it's not the end of the world. But i would say that the existance of the sprue gives it an indication of authenticity. Fernando Last edited by fernando; 5th April 2008 at 08:22 PM. |
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#4 |
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Join Date: Dec 2004
Location: What is still UK
Posts: 5,843
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I should hold back but I think Fernando knows these are not the real thing. Just think of that bronze age man they found in the 1990s? with a bronze axe in the Austrian/Italian alps. It was a sensation. TV documentaries and even political arguements as to which country should have him. I do not think there would be flashing on the originals even if they had made a stone matrix?
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#5 |
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Join Date: Dec 2004
Location: What is still UK
Posts: 5,843
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This is the fellow I mentioned.
http://radiology.rsnajnls.org/cgi/reprint/226/3/614.pdf I rather fancy even in there time they were not common. |
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#6 |
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Join Date: Dec 2004
Posts: 1,712
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I have to agree, Much Like flint or stone age axes, arrowheads, blades etc. one needs much expierience to "see" or 100% provinance if you dont have that.
Spiral |
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#7 | ||
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Join Date: Jan 2006
Location: Kent
Posts: 2,658
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![]() Quote:
Otzi or Oetzi ( the name given to the 'iceman') had a copper axe, there was no added tin. I think the copper content was around 98% , the rest impurities. I'm not being pedantic, but this could be for a number of reasons one being that the axe was possibly pre-bronze age and would have not been a 'common' implement. Quote:
Regards David Last edited by katana; 6th April 2008 at 02:35 PM. |
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#8 |
Member
Join Date: Jan 2006
Location: Kent
Posts: 2,658
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Reading through various sites/forums there are tests, radiology, CT scans etc. that COULD verify authenticity. But it seems the 'fakers' adapt to the newer tests
![]() ![]() Kronckew, good call on the 'chisel' .....but I cannot see the function of the two 'cast loops' ![]() I was thinking on the lines of this ... ![]() . |
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#9 |
Member
Join Date: Mar 2006
Location: Room 101, Glos. UK
Posts: 4,215
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flashing is the thin 'feathers' of metal that ooze from the body of the item into the thin joint where the two mold halves meet, it's usually cut or ground back, either resulting in the distinctive mold lines around the join, or if properly finished, you'll not see it at all... if you've ever done plastic airplane models, you'll remember the thin plastic you trimmed off the parts to get them to fit. flashing. there may be some in the inside of the rings where it hasn't been cleaned out fully.
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