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#1 |
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Join Date: Dec 2004
Posts: 1,712
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poor quality Wire filigree & stone work of dubious "stone" I usauly think of 1950s or more recent when it occors in Nepali or Indian work,{or even Yemini for that matter after most of the Jewish silversmiths left.] is it different in North Africa?
Spiral |
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#2 |
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Join Date: Dec 2004
Location: Athens Greece
Posts: 479
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IMHO only the blade is old. The rest is a late 20th century bazaar fitting
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#3 | |
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Join Date: Dec 2004
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#4 |
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Join Date: Jan 2007
Posts: 247
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Hi,
I see much of tis dagger, and i ve some on my collection...it is Moroccan ...probably early XX century with more old blade (probably from european sword or bayonet) |
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#5 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,458
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I'm with Yannis, the blade does seem old, and I'm intrigued by that openwork. I'm still puzzled by the term 'genouii'.......can anybody offer any insight to where this term appears in reference to these daggers? I thought perhaps Buttin's work, but no luck there. Then thought possibly 'Alain Jacob's book but don't have access to a copy.
The modern attribution to the mounts seems right too. |
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#6 |
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Join Date: Oct 2005
Location: Paris (FR*) Cairo (EG)
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on the handle I found a date 1349 --> 1930
![]() but, in my point of view it's the only thing arabic on that assembly since I'm turning in Maghreb it's the first time I saw a similar dagger ![]() à + Dom |
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#7 |
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Join Date: Dec 2004
Location: Madrid / Barcelona
Posts: 256
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The blade is probably from an "albacete" dagger, that often featured that kind of decoration and these cutouts, normally filled with brass. There's been discussion about these daggers before, look for example HERE, or HERE. These were profusely made through the whole of the 19th c. and beggining of the 20th, so the date in the handle is perfectly coherent.
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#8 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
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Right on Marc! That would confirm the Moorish Spain influence imbued here that Gav suggested for the dagger overall.
This piece then would seem to at least reflect influence of the Albacete blades, whether or not the blade was actually made there. That openwork for placement of brass fill is most interesting, was it a feature distinct to Albacete only? My quest for the source of the 'genouii' term Ariel used in opening this post has played havoc with my insomnia! ![]() My friend has mentioned that the term 'djenoui' (also genoua; janwi) is a general reference in North Africa to imported blades, and is often applied to the form of koummya with straight blade termed s'boula in Morocco. The term carries further in Berber dialects to the Kabyles where it may even apply to the yataghan (also utagen;atayan;ajennwi; djenoui). Naturally the original reference to 'Genoa' for the early tradition of trade blades and weapons became broadened, as described. I just thought it might be interest to others collecting weapons from these regions. The term 'djenoui' then, seems to be applied generally in Berber regions to imported blades (or perhaps of foreign style) much in the sense that 'firangi' is applied to swords with foreign blades in India. The term itself does not differentiate between straight and curved blades, however in Morocco the 'sboula' =straight blade; the 'shula' = curved. I do not have my copy of Tirri handy, but perhaps he might have used the term in his captions on Maghreb daggers? All best regards, Jim |
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