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#1 |
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Member
Join Date: Nov 2006
Location: The Netherlands
Posts: 2,237
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Very nice blade David.
Seems I have to clean up mine just a little more and give it some etching with lemon. But, Raja abala raja = King busy king correct Is the meaning of this pamor known? |
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#2 | |
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Member
Join Date: Jan 2005
Location: Singapore
Posts: 1,248
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Quote:
Looking at the pamor pattern... likely it seems that "a force is being reinforced again and again... from base to tip", symbolically. Some Javanese believed that this pamor have the 'tuah' to make it's owner more charismatic and 'powerful'. Some also believed that this pamor can deflect danger in the battlefield. David, Tengkurizan is a friend. I've seen his pieces up close and personal. Many great examples. Normally, I would ponder who, the original owner of such keris was?
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#3 |
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Member
Join Date: Nov 2006
Location: The Netherlands
Posts: 2,237
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Dear Alam and the other forumites.
Terimah Kasih Banjak ! I got so much wiser by this thread. Thanks a lot !
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#4 |
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Member
Join Date: Nov 2006
Location: The Netherlands
Posts: 2,237
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In addition to this old thread I found a picture of a similar simple toli toli on the website of the Tropenmuseum at Amsterdam.
Are there other examples where the toli toli is extremely simple compared to the rest of the keris ? |
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#5 |
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Member
Join Date: Dec 2004
Location: Singapore
Posts: 1,180
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I've seen quite a few examples of such kerises with fabric toli-toli, even on pieces with legitimate old gold pendok with red staining (i.e. a royal piece). That piece came from a European dealer, and was unlikely to have been messed with. Hence, I'm inclined to believe that fabric toli-toli are proper for old Bugis kerises.
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