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Old 7th July 2007, 03:33 PM   #1
ariel
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I am adding another thread on Black Sea yataghans ( Laz Bicagi, Karadeniz Yataghan.
Andrew wanted to pool them for a "Classic" some time ago.
Andrew, here they are, ready to be pooled.
http://www.vikingsword.com/ubb/Forum1/HTML/002625.html
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Old 8th July 2007, 10:07 PM   #2
Ian
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Here is the picture from eftihis.


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Old 8th July 2007, 10:39 PM   #3
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Interesting picture. Is it something like a theatrical composition or a real warrior group ? I wonder ,because the guy on right has a Caucassian style flintlock pistol and a flintlock rifle(the guy on left as well),but the sitting guy holds a later model rifle and is equipped with its ammunitions. If it is a 1880s, 1890s or 1900s picture, I wonder if flintlocks of such an old technology, even older than percussions really continued to be functional so late in some parts of Turkey.

The long Trabzon kindjal the sitting guy wears is very nice. Meanwhile the guy on his right holds a b.s.y. hilt, but I think the scabbard form shows that its blade is not a classical b.s.y but a different form?

Last edited by erlikhan; 9th July 2007 at 08:19 AM.
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Old 9th July 2007, 11:09 PM   #4
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Quote:
Originally Posted by ariel
I am adding another thread on Black Sea yataghans ( Laz Bicagi, Karadeniz Yataghan.
Andrew wanted to pool them for a "Classic" some time ago.
Andrew, here they are, ready to be pooled.
http://www.vikingsword.com/ubb/Forum1/HTML/002625.html
Thanks, Ariel. Got your PM, also.

I'll link this to the "Classics".
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Old 10th July 2007, 02:57 PM   #5
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Speaking of classic threads, I nominate "Shaver Kool" I & II, and "Ultimate Kampilan (aka 'Look out, Charlie!')."
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Old 10th July 2007, 08:16 PM   #6
Jim McDougall
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This thread, or for that matter the research and discussion, on these most esoteric edged weapon examples, is indeed classic! I know that I have researched them intermittantly since I acquired my first example in 1996. I had seen them illustrated many years before in the 1962 reference "Schwert Degen Sabel" by Gerhard Seifert, captioned as Kurdish-Armenian yataghans. Later, I found another reference to these in a 1941 article published in Denmark which listed these as Kurdish-Armenian and illustrated examples in a Danish museum provenanced c.1857 to Trebizond.

Years later Mr.Seifert told me he once had one of these with strange markings but no longer had it. I wish I could have seen those markings!!

The Danish article had noted that these were no longer used and seem to have become obsolete for many years, many being found in out buildings etc.
It seems they had a working life from around mid 19th c. to the early 20th at the latest. With what has been discovered since the important examples Ariel reported in Istanbul is most revealing. I must admit that the complexities involving in understanding the ethnic groups and minorities in these regions are perplexing, but extremely fascinating. The history involved in these regions representing so much cultural diffusion is extremely difficult, if not virtually impossible, for anyone not deeply involved in ethnic study. It is not hard to understand how specific attribution to a particular group would be difficult at best, however it does seem these weapons were indeed from the Black Sea region.It is rewarding to see that the Trebizond attribution is well placed, and corroborates the provenance found in the early research (the data for the 1941 article seems to derive from that of a Hungarian narrative c.1896).

In research I also discovered that examples of these swords were among holdings in museums in Tblisi, Georgia and it would seem that the Laz associations with Georgia and the Minghrelians would well substantiate such presence. The evidence of these weapons being used by the Pontic Greeks substantiates the Trebizond provenance since this is the region, on the Black Sea coast of Turkey occupied by these people. Since the Laz also occupy these regions the use of the form by both groups seems clear.

It would be interesting since we have discovered the proper provenance of these swords/yataghans/knives (whichever) that we return to studying the curious 'horned' pommel, its meaning? purpose? It has been suggested that of course the Turkish crescent was symbolized; that it was a fertility symbol deriving from early tribal symbolism; even that it was to serve as a gunrest in firing for accuracy. Not all of these interesting examples have the 'horned hilt' and some vary in degree....with this, the study of variants would be interesting, but as we know, speculative.

As for the blades, the distinctive needle point remains in question, and its similarity to that of the flyssa draws significant attention ( as seen in the North African associations). Seifert in his book does show the flyssa parallel to one of these, and the parallel is seen elsewhere as well. While the similarity in the bellied blades and needle point is clear, the association is not. These weapons are both latecomers in their forms, and neither provenance much before the 19th century (the flyssa well established by 1827, the BSY uncertain but likely c.1840's).

It is worthy of note that Erlikan has described these Black Sea swords as associated with the Tatars of the Crimea...this feature on Crimean sabres has been well established...the Greek colonies in Crimea are also well established...and the connection between those colonies and the Pontic Greeks in Trebizon seems given. Perhaps the point of the Tatar sabres influenced the point of these recurved sabres of Trebizond.

It would be interesting to discover more on the association between the BSY, flyssa and Tatar sabres and these distinct points.

Also the symbolism or purpose of the horned hilt.

We have discovered a lot on these! Lets learn more !!

All the best,
Jim


P.S. Shaver Kool, you're goin' down

Last edited by Jim McDougall; 10th July 2007 at 08:39 PM.
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Old 10th July 2007, 08:39 PM   #7
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Erlikhan,
Interesting observation! I do not know the names of these people and the exact date of the photo. The photo is from a book regarding the Pontic Greek guerilla war and uprooting from Pontos during 1920s. It could be a photo from a group that was using whatever they had, or it could be an older studio photo. The description states "Greek guerillas from Trabzon area" However, it could be possible that the photo is older than the 20s, and the wealthiest and more respectfull person which sits in the middle had the means or the authority for the more modern weapon (he also has nicer knifes) and the other were standing withwhatever they had there. MAybe they were all guerillas latter and this is an earlier photo.
Recently, they were on sale on ebay other photos of Pontic Greeks which i attach below.
The first has a date 1898, and the weapons reflect the mix of that era of change! A Martini rifle together with a flintlock pistol.
The second photo shows for sure guerillas on the countryside (their names on the back of the photo) and the weapons are more modern. Nice trabzon kamas always thought!
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Old 10th July 2007, 10:57 PM   #8
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Wonderful photos, Eftihis. Since some of these photos are studio photos I wonder if some of the archaic flintlock weapons were included there for the purpose of additional decoration? 1898 really is late for flintlock pistols, and the man pictured obviously has access to modern firearms as evidenced by the Martini rifle. Maybe he thought that a pistol with silver decorated butt will enhance his picture more than an unadorned revolver?
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Old 10th July 2007, 11:04 PM   #9
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Eftihis, in 1920s, fllintlock weapons should be too out of age, just antique pieces even then. They are unpractical and risky to depend on against armed enemies. 1898 sounds more logical,..perhaps.. But studio or countryside, if these are original pictures of period warriors, I don't think these though guys would like to look funny and ridiculous at all. If they preferred to get pictured with flintlocks, it means it was not very odd for their environment. So we can accept flintlocks continued in use upto the last of 19th c. in some far parts of Turkey. I had watched some documentary films from 1921, showing workers in Turkish armory workshops, repairing,sharpening and preparing yataghans to equip soldiers, collected from civilians and brought there in big bunches, any kind of,from ordinary horn hilts to ivory ones at least 40-50 years old in 1921, as well as modern bayonets and swords in Turko-Greek war. Perhaps some examples of a very high limit of shortage,poverty and "whatever they had" as you say.

Last edited by erlikhan; 10th July 2007 at 11:16 PM.
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Old 11th July 2007, 12:45 AM   #10
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Let me draw your attention to one small detail in the photo that Eftihis so kindly provided. The blade in that example, while sheathed, is obviously not as dramatically curved as one often finds. Notice the lack of the large swell in the center of the scabbard. I believe this to be a variant with typically split horn hilt but fairly regular saber style blade. I once had a similar example which had the typical Black Sea Yat handle but a saber blade with shallow curvature but typical fullering often found on these examples. So, interesting that you have 2 distinct Black Sea Yat blade profiles, greatly recurved and saber style with little curvature yet both with same handle.
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Old 11th July 2007, 01:11 AM   #11
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Outstanding Rick!!!
These photos are great, and as you have observed that these had variations. As I mentioned in my most recent post, there are a number of types from the same general regions, and it would be great to see illustrations of them. There are examples of these extremely recurved blades with sabre type hilts and vice versa.

As I mentioned I am hoping that we might consider the horned hilt in discussion. B.I.had mentioned in an earlier post on this thread that a distinguished member of the board of the Askeri Museum in Istanbul had completed a map detailing regional locations of many of the variations.
It would be most interesting to know details of that map!

All the best,
Jim
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Old 21st January 2008, 03:22 PM   #12
ariel
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Quote:
Originally Posted by eftihis
Erlikhan,
Interesting observation! I do not know the names of these people and the exact date of the photo. The photo is from a book regarding the Pontic Greek guerilla war and uprooting from Pontos during 1920s. It could be a photo from a group that was using whatever they had, or it could be an older studio photo. The description states "Greek guerillas from Trabzon area" However, it could be possible that the photo is older than the 20s, and the wealthiest and more respectfull person which sits in the middle had the means or the authority for the more modern weapon (he also has nicer knifes) and the other were standing withwhatever they had there. MAybe they were all guerillas latter and this is an earlier photo.
Recently, they were on sale on ebay other photos of Pontic Greeks which i attach below.
The first has a date 1898, and the weapons reflect the mix of that era of change! A Martini rifle together with a flintlock pistol.
The second photo shows for sure guerillas on the countryside (their names on the back of the photo) and the weapons are more modern. Nice trabzon kamas always thought!
Artzi has a new Kindjal on his site and has graciously gave me permission to reference it here. He even put a " Not for sale" sign for the duration of our discussions.
Many thanks!
OK, here it is :
http://www.oriental-arms.com/item.php?id=2883
This is a typical South Caucasian/North Turkish kindjal, usually attributed to Minghrelians,Gurians etc. As Eftihis shows , these kindjals were also worn by Pontian Greeks, and earlier posts ( Erlikhan?) had a picture of a Laz family displaying similar weapons.
What is so specific about them? Square pommel and relatively blunt tip.
But the interesting part for our discussion is the scabbard, ie leatherwork.
Tirri in his book noticed similarities between the leatherwork on Laz Bicagi's scabbards and Danagil knives. This was one of his main arguments in attributing the BSY not to the Black Sea area, but to North Africa.
But here we have a typical Caucasian weapon, kindjal, from a very defined area, North Turkey, with the same leatherwork. That is yet another argument in favor of ( already well established) Caucasian provenance of Laz Bicagi. Interestingly, Artzi's example has it leatherwork dyed green; exactly the color used on most Laz Bicagis ( see, for example, post by Tim on this thread and dated Oct. 12, 2005)
Once again, thanks to Artzi for his help.
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Old 21st January 2008, 05:09 PM   #13
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Thanks so much for you commentary on this! I saw it on his site but was waiting for it to sell before asking about it. What with my own BS Yatagan, I am very interested in the origins of Tirri's in particular. I do have a question though. Earlier in this thread I think it is mentioned that the similarity between African leather work and that of Tirri's yatagan could be explained by Laz pirates traveling to N. Africa, and perhaps incorporating local decoration. This would also explain the relative rarity of this sort of leather work on this particular weapon type. My question is, why could this new kinjal not also be an example of this sort of cross-culturalization? I gather from your post that this leatherwork appearing on kinjal is also uncommon to see, and surely such a weapon could have travelled just as the BS yatagan.

Of course this is rather playing the devil's advocate, and begs the question: How does one actually prove that this leather work is in fact Causcasian, and not a direct influence from N. Africa? How many weapons, or must it appear on items that would not possibly have travelled?

Your continued posting of your expertise is invaluable to those of us who are far less studied, and greatly appreciated!

--Radleigh
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Old 21st January 2008, 07:39 PM   #14
Jim McDougall
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I agree Radleigh, Ariels expertise is indeed much appreciated, and I have often been impressed by his continued research on this transcaucasian mystery weapon. My own research on the Black Sea yataghan began about 1995 when I obtained my first example. I was extremely excited as it did appear to be an extremely rare form, and only mentioned (and illustrated) in very obscure references.Most of my research was secondary, spent in reconfirming provenance of the weapons in the early article from 1941 (Denmark) and contacting Gerhard Seifert, the author of the 1962 "Schwert Degen Sabel" who surprisingly told me that the information from his book on these 'Kurdish/Armenian yataghans' as he captioned it, was obtained from the author of the 1941 article.
Through the years, more examples surfaced, and by the time I encountered Tony Tirri in Baltimore (just prior to publication of his book) I was pretty much astounded by the fact that he based his theory of North African origin on these by a single example, which did indeed reflect compelling similarities to African weapons.

There is a long and interesting trail of posts and threads on these fascinating weapons, which has been even more fascinating to me as added to my own research of years prior to these forum references and Tirri's book. I think Ariel did indeed prove conclusively the origins of the BSY, which was extremely exciting for me when my own conclusions were validated.

It is not often that a mysterious ethnographic edged weapon with such a vaguely represented past has its ancestry so plausibly revealed, especially given the intense diffusion of these weapons in times of diaspora and geopolitical flux. It is times like these and with these kind of results that I am reminded of why we all band together in our serious study of these weapons to resolve errors often found in published material, and properly preserve the true history of these weapons.

Thanks again Ariel for the tenacity and continued research supporting the findings on these fascinating weapons!

All very best regards,
Jim
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