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#1 |
Member
Join Date: Dec 2004
Location: Athens Greece
Posts: 479
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Nice test. This sword look familiar to many of us for different reasons. I cannot say if it is East Asian, French or from outer space but it is an elegant, smart, antique piece from the colonized globalization of 19th century.
Will they look, 100 years from now, the fantasy swords of our time and wonder if they are Korean or American? In my opinion this piece is beautiful but it has no character. Or it has its own cosmopolitan status but no ethnic identity. Maybe this is also its main value, as early example of the international village. |
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#2 |
Member
Join Date: Dec 2004
Posts: 737
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Thank you guys for your replies! This small sword appeared even more interesting, than I have thought. I like the pirate version the most
![]() It is really an eBay find, where it was sold as a Kastane type sword. I bought it, because I liked its fittings. I want to add one more picture: the monster head on the guard. Enjoy! |
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#3 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,510
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Well said Yannis! The effects of globalization certainly are reflected in the diffusion of weapon forms and decorative styles, and extremely pronounced in the hotbed of trade in these regions in the 19th c.
Tatyana, the 'pirate' application could easily be the case, considering the profound activity taking place in these lucrative trade regions, and which still occurs there in modern times. The blade on this certainly appears from a European hanger, but since it is an interpretation of European form in the mounts, it is hard to place which location might have fashioned it...however SE Asia seems likely. Is brasswork more commonly found there? It seems Indonesia favored more silverwork in the repousse there, would that be a correct assessment? Best regards, Jim |
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#4 |
Member
Join Date: Dec 2004
Location: Philadelphia, Pennsylvania, USA
Posts: 54
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This piece is really fascinating.
Speaking as someone who has stared at Vietnamese motifs for way too long, I can say that this does NOT look Vietnamese to me. True, the foliage and curly-cues appear to have a French influence, but even the heavily-French-influenced Vietnamese swords lack the regularity of pattern I'm seeing here. I like Rick's guess of Malaysia. The scabbard mounts remind me of weapons from there. Take a look at the pommel. The ribbed grip is, obviously, patterned after European swords, but the patterning on the pommel looks familiar...I think I've seen something like it in carved ivory. Are there keris handles with this sort of patterning? |
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#5 |
Member
Join Date: Jun 2006
Location: ca, usa
Posts: 92
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Good eye Nick,
It does seem similar to patterns on Madurese keris handles. |
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#6 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,348
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What strikes me is the difference in quality and execution between the white metal 'engraving' and the brass repousse on the scabbard and handle.
Could the white metal be a later addition to the scabbard; possibly to cover the loss of original decoration ? ![]() |
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#7 |
Member
Join Date: Dec 2004
Location: Philadelphia, Pennsylvania, USA
Posts: 54
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I agree, Rick...the vast difference in workmanship leads me to think that the white metal fittings were added later. In fact, I find it odd that all of the scabbard fittings are pressed up against one another; it's like the white metal fittings were never intended for this scabbard. I wonder if the white metal fittings came from another weapon entirely and were scavenged to complete this piece.
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