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			The scabbard looks new and has no real patina to it. The red fabric is fresh and there is no wear or dirt on the stitching? The forging on the scroll work is ok but it seems very simple not like what I have seen on older swords. My guess is that it is of recent manufacture. Here is a link to a early 20th century sword with a finer made blade the scabbard shows the proper patina for an older piece. The scroll work and general forging of the blade exhibits a more refined touch. 
		
		
		
		
		
		
		
		
			http://www.oriental-arms.co.il/item.php?id=361 Lew Last edited by LOUIEBLADES; 11th May 2007 at 04:51 PM.  | 
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		#2 | 
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			Hi Lew, 
		
		
		
			I agree that the scabbard looks quite recent. But I think that the parang on the link above is more related to this kind of non-documented Iban sword than the one on Artzi's site? And the hilt form looks more like the rare kind shown in Iban Art pict.135 or Coppens page 73 (far right). Michael  | 
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		#3 | 
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			VVV 
		
		
		
		
		
		
		
	My point was that the sword on ebay was recently made so in my opinion it is a copy possibly for sale to the locals. I can't see spending that much money for a recent blade no matter how rare the style. How does one know if a local shop in that area just copied it from a photo in a book? Lew  | 
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		#4 | 
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			Quoting Michael: 
		
		
		
		
		
		
		
	"... I think that the parang on the link above is more related to this kind of non-documented Iban sword than the one on Artzi's site? And the hilt form looks more like the rare kind shown in Iban Art pict.135 or Coppens page 73 (far right)." Another one of my pseudophilosophical ramblings: Why do we always try to pigeonhole every weapon into some predefined niche? "This one is a Niabor, this one is a Jimpul, and that one is undefined or undocumented" Do not get me wrong: it is important to know a correct name for many reasons, but these swords were made by hand, by illiterate village smiths who never belonged to trade guilds, had no manuals, no strict standards and no ethnographers standing behind their backs and ordering them to increase the angle just a bit to conform to Pic. X on Page Y in book Z. Of course, every one of them had just a gestalt of what a mandau ( or anyrhing else) should look and just spiced it up from time to time with a crenellation here, a curlicue there and a recurve blade if he had a pariculatly good drink last evening. The more we look at the swords, the more variability we find even within the same class. Not a miracle: it is an art first and foremost, and real art lets imagination run wild. I just wonder what real head-hunting Dyaks from the 19th century would call this sword. Probably just "A Sword".  | 
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			 Quote: 
	
 ![]() Non-documented f.i. means that it's not pictured in any of the books. But I agree that a parang is a parang is a parang... Michael  | 
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		#6 | 
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			Dear Lew, 
		
		
		
		
		
		
		
	A recent copy of this quality seems not likely to me. But, as soon as they are offering them at a startprice of 0,99 from China I will certainly become very careful  
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		#7 | 
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			While I am not an expert in mandau, the buyer is. I think this is not a bad mandau.   
		
		
		
		
		
		
		
	 
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		#8 | 
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			 (deceased) 
			
			
			
				
			
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			[QUOTE=asomotif]Dear Lew, 
		
		
		
		
		
		
		
	A recent copy of this quality seems not likely to me. Asomotif By recent I mean the last 20 yrs or so. I just can't get by that new shellac look on the scabbard and the ultra new/clean red fabric with the pure white stitching it's screaming newly made at me. I usually have a good eye for detail when it comes to these things. It could be a marriage between an older hilt mid 20th century blade and a newly made scabbard      Lew  | 
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