Origin of the keris

A. G. Maisey · 20th August 2006, 10:45 PM

Its actually a Gossen Lunasix 3. Had a couple of others before that, but this is the latest one.

I cannot use the autofocus, because I`m using my old macro lens for everything. The lens that came with the camera is a piece of garbage. I didn`t want it, but the way the price was structured it cost me something like $50, so I took it anyway, because I figured if I ever wanted to do some happysnaps, it would be perfect and I would have an upmarket point and push camera. For all the serious pics I do I use the macro and do it totally manual.
There`s another consideration with focus too:- I shoot from a tripod, so everything is a static setup. I also use remote release. If you change focus zones, you then need to reset your remote release---not a big deal, but just one more thing that can be overlooked when you`re working as fast as you can. Also, with keris, and especially with closeups taken at less than about 15 inches, I do not always want to get a precise focus on just one part of the subject, often I will move focus a little from the apparently obvious place, to another place in order to redistribute clarity over an entire subject.

With a complete keris, focus can present a different problem. Usually I focus onto the pattern on the pendok, or a particular single line in a bare blade, but when a pendok is smooth, or when a blade does not present a suitable feature, it can be very stressful on the eyes to get something just as you want it; in these circumstances I often do a set of bracketted focuses---like you do bracketted exposures.With the F's, you could put the split screen on any line, and just bring it together. Beautiful! Now I need to use ground glass the whole time. I use Murine like other people scratch.

If I were to buy a new macro lens, this would certainly overcome many of my problems---but I`ve already been down that road.

The adjustments that I do on an image are:- light balance (I shoot raw), crop, curves, resize, unsharp mask. More than 90% of what I shoot are done exactly the same way. The ten percent I might have to fiddle with a bit.I need to set aside the best part of a week to do this processing, including the sorting and sequencing and so on.Its no wonder I`m slowly going blind.

Careful on the paint tins?

Yep----they`re big tins.

20th August 2006, 10:45 PM	#24
A. G. Maisey Member Join Date: May 2006 Posts: 7,029	Its actually a Gossen Lunasix 3. Had a couple of others before that, but this is the latest one. I cannot use the autofocus, because I`m using my old macro lens for everything. The lens that came with the camera is a piece of garbage. I didn`t want it, but the way the price was structured it cost me something like $50, so I took it anyway, because I figured if I ever wanted to do some happysnaps, it would be perfect and I would have an upmarket point and push camera. For all the serious pics I do I use the macro and do it totally manual. There`s another consideration with focus too:- I shoot from a tripod, so everything is a static setup. I also use remote release. If you change focus zones, you then need to reset your remote release---not a big deal, but just one more thing that can be overlooked when you`re working as fast as you can. Also, with keris, and especially with closeups taken at less than about 15 inches, I do not always want to get a precise focus on just one part of the subject, often I will move focus a little from the apparently obvious place, to another place in order to redistribute clarity over an entire subject. With a complete keris, focus can present a different problem. Usually I focus onto the pattern on the pendok, or a particular single line in a bare blade, but when a pendok is smooth, or when a blade does not present a suitable feature, it can be very stressful on the eyes to get something just as you want it; in these circumstances I often do a set of bracketted focuses---like you do bracketted exposures.With the F's, you could put the split screen on any line, and just bring it together. Beautiful! Now I need to use ground glass the whole time. I use Murine like other people scratch. If I were to buy a new macro lens, this would certainly overcome many of my problems---but I`ve already been down that road. The adjustments that I do on an image are:- light balance (I shoot raw), crop, curves, resize, unsharp mask. More than 90% of what I shoot are done exactly the same way. The ten percent I might have to fiddle with a bit.I need to set aside the best part of a week to do this processing, including the sorting and sequencing and so on.Its no wonder I`m slowly going blind. Careful on the paint tins? Yep----they`re big tins.