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#1 |
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Join Date: Dec 2004
Location: Greenville, NC
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Very helpful pics Michael. They really go a long way towards making the N. Borneo point.
Thanks! |
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#2 |
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Join Date: Dec 2004
Location: Sweden
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Thanks Charles and Ian,
Sorry if I overloaded this thread with reference pictures. I just felt that one example wasn't significant enough. ![]() Actually I am not convinced yet myself that those hilts didn't once originate in Mindanao. Several resembling Kampilans are found in Spanish museums, as well as in Leiden, that has been collected in Mindanao. Regarding the Spanish museums that's my assumption that they were collected in Mindanao because the rest of the weapons exhibited are from the Philippines and the Spanish never colonised North Borneo. In Leiden the catalogues have been published so it's easy to trace where the the different Kampilans were collected. Michael |
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#3 | |
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Join Date: Dec 2004
Location: Witness Protection Program
Posts: 1,730
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interesting topic. one must understand that those tribes mentioned doesn't recognized the imaginary political lines we now as country. they have an allegiance to a certain group, like a sultanate, rather than a country as a whole. i'm sure you folks know that. so, for the sake of arguement that these tribes resided in north borneo at that point in time; would that weapon then be attributed to north borneo? the reason why i said 'point in time' is because these are nomadic tribes. here are a couple of links: http://litera1no4.tripod.com/badjao_frame.html http://library.thinkquest.org/C003235/ilanun.html i understand there's a 'need' to label such sword a specific area where it came from, to have a provenance, but sometimes it just don't fit, so IMHO, it's better to leave it as it is. |
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#4 |
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Join Date: Dec 2004
Location: Greenville, NC
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Michael,
If nothing else, this surely hints at a strong line of cross cultural influences, and while we may never know the exact point of origin, this thread makes of good point of the sword being found outside of what is traditionally thought of as "Moroland". I think these cross cultural ties and trade offs are one of the most interesting aspects of Indo-Malay weaponry...you see it is kerises, in swords, etc. Just when you think you've seen it all, something will pop up to surprise you and fire up the imagination. ![]() Even the barong Artzi pictured likely had its naga motif "imported" from elsewhere, as it is not a common motif in Moro weapons. |
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#5 |
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Join Date: Dec 2004
Location: OKLAHOMA, USA
Posts: 3,138
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THE LINK TO THE KAMPILIAN IAN POSTED REPRESENTS WHAT I BELIEVE TO BE THE LARGE SEA EAGLE, NO PROOF UNFORTUNATELY. THE DESIGN IN THE EYE RESEMBLES A PATTERN USED IN DAYAK TATOOS I CAN'T SEE THE OTHER DESIGNS WELL ENOUGH TO TELL IF THEY HAVE ANY DAYAK INFLUENCE. THE MANDAU AND THE KAMPILIAN HAVE A LOT OF SIMULARITIES THE BLADE SHAPE, THE FANCY CARVING AND HAIR ON THE POMMELS. THE MORO AND DAYAK SOCIETYS WERE BOTH GREAT SEA FARERS AND OFTEN WORKED TOGETHER AND SOMETIMES FOUGHT SO INFLUENCES WOULD HAVE BEEN EXCHANGED OVER THE YEARS.
THERE IS NO SUCH THING AS TOO MANY PICTURES IN A POST ON EDGED WEAPONS ![]() |
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#6 |
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Join Date: Dec 2004
Location: VISAYAS and MINDANAO
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I won't dismiss the N. Borneo theory......
But, this is a rather large hilt and would be inconsistent with a shorter N. Borneo form. Sure Artzi's example has a less "gaping-jaw" of the crocodile form ( or swiftlet tail), but this is an oversize danganan hilt. And as mentioned by others here this sword was most likely carried by someone of great importance...or by his sword-bearer....in which case the danganan would be representative of his torogan....not a crocodile jaw or swiftlet tail. |
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