Ethnographic Arms & Armour
 

Go Back   Ethnographic Arms & Armour > Discussion Forums > Ethnographic Weapons
FAQ Calendar Today's Posts Search

Reply
 
Thread Tools Search this Thread Display Modes
Old 7th June 2006, 04:48 PM   #1
Tim Simmons
Member
 
Tim Simmons's Avatar
 
Join Date: Dec 2004
Location: What is still UK
Posts: 5,843
Default

Whizzo!!!

Extract from- A.Meyer - Oceanic Art - Konemann. Great book and cheap as these things go-

Indigenous metalwork in New Guinea dates back to the 16th century, when Moluccan Muslim blacksmiths imported the know-how and raw materials, in the form of bronze, silver and iron bars, to the Triton Bay area of the Vogelkop Peninsula. Silver bracelets and iron spearheads were forged by Papuans blacksmiths using the vertical, twin piston type of bellows.
Don Diego de Prado y Tovar attests to this in his captains log of 13 December 1606. Biak Island and Doreh village in Cenderawasih Bay are mentioned in the late 18th and early 19th-century texts as major iron working centers. Dumont d'Urville saw a forge 1827, using the same type of bellows seen 200 years earlier by Don Diego. Small quantities of metal found there way to many parts of New Guinea in pre contact times, either through trade with western tribes and Asian merchants, or acquired by chance from shipwrecks. There were trade links between Micronesia and main land Asia. Spanish galleons bringing gold and silver from the colonies to Manila stopped off in the Marianas from the mid-16th century, and some must have been shipwrecked on there westward route from South America through the northern edge of central Polynesia.
The difference between metal and stone is that the sharp edge of a metal blade lasts longer and cuts quicker, deeper and cleaner than stone or shell. The metal blade gave the artist greater control and allowed him to develop decorative elements that could not be achieved with stone tools: complex surface decorations and intricate openwork forms. Carvers worked faster, which led to decadent forms and a decline in quality. {I would question that statement} The metal cut is usually straight, sharp, deep, clean and > cold<
The of a non metal tool makes a wide, shallow and smooth-sided cut and leaves tiny scratch marks. The bottom of the cut often has a matted appearance, where the blade has only crushed the fibers rather than cut them.

Quite interesting.

My bill seems to have been carved with stone or shell unless the metal tools were heavy and very blunt.

Picture - Blacksmiths Doreh Bay from Voyage pittoresque autour du monde Paris 1835
Attached Images
 
Tim Simmons is offline   Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump


All times are GMT +1. The time now is 09:09 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2025, vBulletin Solutions Inc.
Posts are regarded as being copyrighted by their authors and the act of posting material is deemed to be a granting of an irrevocable nonexclusive license for display here.