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#1 |
Member
Join Date: Dec 2004
Posts: 655
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Hello,
Ham - excellent, right on target. Kindjal is indeed from Georgia, but I was truly puzzled by the technique. Thank you very much. Ariel - well, not all of us are senseis ![]() Attached are kindjal's pictures. |
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#2 |
Member
Join Date: Dec 2004
Posts: 655
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To continue our kindjal's discussion - the first is an interesting georgian (?), even more precisely imeretian (??) speciman. The most interesting are the fullers - inside them one can see a set of extemely small dots, creating a highly unusual pattern. I have no idea what it is, it is far smaller and spatially irregular, i.e. the dots are very small, than any etching I have seen.
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#3 |
Member
Join Date: Dec 2004
Posts: 655
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And finally - sorry, these are the only pictures I have on this one. Sort of way too expensive for me. My take would be that it is something from eastern, probably south-eastern caucases, seen many of them with similar motiffs.
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#4 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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Acid-etching within the fullers is esthetically appealing and structurally safe.
But the more I look at the first one (total blade etching), the less I like the potential effects on the edge: seems to me that acid ate through quite a lot of steel and some areas of the edge became thin and prone to breaking. This is likely the cause of many "non-traumatic" nicks. |
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#5 |
Member
Join Date: Dec 2004
Posts: 655
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Oh, I believe this kindjal is not for real use, sort of late XIXth century art-nuovo poking stick.
I really like the second one nevertheless - truly beutiful, like starry night. Can it be formed by etching or something more complex was used. |
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