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#1 |
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I can add a little more to the "prop" option (at the risk of upsetting Jim should any of the terms mentioned not meet with his approval
![]() a) As well as movie props , theatre props should considered. b) Circus type shows and exhibitions in the late 19th century. At this time period there existed the shameful practice of importing natives by some circus showmen, prominent being P T Barnum and R A Cunningham ... the natives were to perform various lurid and ludicrous displays. Natives were imported from Africa, India, Polynesia and Australia and performances took place in North America and Europe. Of course, exotic and showy props were required in the performances and possibly the cuirass in question could fit the bill. Some images attached. I won't delve further into this painful yet factual history, but anyone wishing to learn more should read "Professional Savages, Captive Lives and Western Spectacle" by Roslyn Poignant 2004. Finally, in respect of the "diplomatic gifts" option, I attach an woodcut image of Omai on his return to Tahiti on Captain Cook's third voyage and wearing his gift of a suit of armour ... |
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#2 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
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Thanks Colin, and I do appreciate the tender attention to my perceived sensitivities on the use of terms. It seems as so often the use of a term or phrase used in entries is challenged (especially in my case) as being incorrect, inflated, inappropriate etc.... I was under the impression it was OK to add input in kind. It has never been my intention to annoy or rebuke anyone personally, but to add perspective where a misused term might misalign the situation at hand. When my wife catches me in a mistake, I just tell her, I did it on purpose just so she wont think I'm perfect ![]() I have truly enjoyed this discussion, and it has honestly been a learning experience, and this item is a true conundrum. Considering myself a kind of 'devils advocate 'on this topic, I do not discount any possibility, but do feel strongly that this is an African item, and used in the context of the West African warrior groups, possibly continued in use in the society cults. The reason I think it was fabricated in Africa is that the shape resembles the other hide armors used by warriors in these societies in West Africa, most notably the pangolin hide types. The strong colonial presence provided more than adequate supply of steel, rivets, etc. of European origin which could be used by native artisans to refurbish this as described. In the unfortunate slave trade which took place in these regions, the primary commodities used as mediums of exchange were of course, guns and powder, as well as cowrie shells. Natives tend to excitedly respond to items and materials that are 'foreign' and unavailable to them if I have understood correctly. We see many images of native warriors proudly exhibiting weapons and dress of European origin. Turning to the 'prop' angle here. While considering 'movie props' naturally if we are looking at this area in a general sense, items of greater antiquity, of course 'theater (or opera) items would be included. As noted, in the latter 19th c. with the publics intrigue with the exotica of natives and peoples of faraway lands, there were staged performances much like the'Buffalo Bill'' kind which traveled all over. Naturally, there was great demand for costuming, and one cannot discount that this item might have been fabricated for same......or perhaps, taken, as is, for use in these performances. Either way, I feel the crocodile armor is a genuinely used item which has been refurbished with iron......possibly in ceremonial use,.......then taken into the the theatrical fold. |
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#3 |
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Excelent poingts on the Nias war armour. Amazing in that, even having to resource European materials (zinc, tin) to keep building their armoured vests (crocodiles being extinguished), they kept to their rather genuine design, with those protuberant shoulder covers, as forming a protection while allowing the arms moves ... maybe also as a fashion approach. Also amazing that, using skilled techniques to sew the eleven parts of a hide to put on a vest, such parts highly hardened through a special process, they neglected its front, which was open and without a buttoning system; as if they found it more important to defend their back, where the larger section of the hide is applied; this of course being in reality explained by other reasons... like the front being protected by the shield ?
. Last edited by fernando; 9th March 2021 at 12:18 PM. |
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#4 | |
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This would make feel envious the common mortal ![]() |
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#5 | |
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#6 |
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Thank you Fernando, good observation on the open fronts of these 'vests', and I agree that the frontal area was probably considered protected by the shields, which from examples I have seen were rather elongated and vertical in most cases.
It is curious to imagine these kinds of armor defense and how the agility of the warrior might have been impaired. Without really knowing the warfare tactics and techniques of these tribes it is hard to say. While not wishing to belabor the 'cult' probability of our discussion armor, I have continued researching that aspect, and wanted to share some findings and observations. I realize that this aspect of subject matter may be somewhat objectionable to many, so I try to keep details objective and somewhat redacted. Tribal practices in many of these regions in West Africa have never been a 'pretty picture' from western perceptions, and the activities of colonial incursion certainly were notably aggravating as well. To the use of the iron cuirass mounting affiixed to the apparently much older crocodile hide, I had suggested earlier perhaps it was for added defense from bullets in the now advanced circumstances with firearms. The question was how effective would this iron be, as it seems the weight was quite light. I wanted to add for comparison, the iron armor used by the Australian outlaw Ned Kelly, which was fashioned from plough molds and apparantly 'bush forged' (rather than by professional blacksmith). This meant that this was done in pieces with some parts heated and bent over green trunks, and riveted together. The iron was 1/4" thick. It was cumbersome and heavy (97 lbs) and while it repelled bullets successfully, it did not prevent blunt force type injuries from the impacted metal. This comparison (while Kelly's armor was of course more elaborate) would support that the iron addition to the crocodile hide in our discussion piece was not likely for bullet proofing. Returning to the cult regalia concept, in earlier times, there were a number of 'societies' which were basically warrior groups and politico-social organizations. One of the most notorious were the 'leopard hunter group. While much of the activity had focused on the superstitions and traditions of the folk religions and magic and metaphysical beliefs, by about the 1870s, more nefarious dynamics had perpetuated into off shoot groups, one of which was the 'Neegee' cult (neegee, Bassa word =crocdile) . The leopard hunters had devolved into the leopard men cult. To the traditional societies, these cults were evil and feared. The belief in magic was profound, and it was believed that certain persons were shape shifters who were able to change into certain formidable animals, such as the leopard and the crocodile. ...and that these persons would lie in wait in the wilds and mimick the character and killing style of the chosen animal in attacking their victims. With the leopard cult the member would wear a leopard mask, drape themselves in leopard skins and use wicked claws fashioned of steel, even steel toothed mouthpieces. While the apparel/ regalia of the leopard men is described, that of the apparently more secret and more despised crocodile group , I have not found such detail. It would seem that these 'crocodile' men would also follow this pattern, but the crocodile hide itself would be cumbersome, even without the iron cladding, so would seem impractical for these nocturnal 'hunts. It would seem more likely that perhaps this item may have been for a priest or official in less dynamic circumstances such as ritual or meetings. |
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#7 |
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Dear Jim, from your previous thread i give account that the one fresh approach is the Ned Kelly saga. May i suggest that his gang shielding apparatuses have by no means any linkage to the implement under discussion; not in form, nor in resistence, neither in means. We can't establish the minimum comparison bewteen a 1/4" thick (tempered) plough comonents and a thin bent sheet of soft iron, circa four times thinner.
I would end by saying that, while Ned's and his pack adventure has proven pathetic, Panoleon's item still has an unproven explanation ![]() Yours humbly ![]() |
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#8 | |
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1/ Crocodile armours exist 2/ Crocodile armours exist all over the world and they are not specific to Africa 3/ Crocodile armour or cuirasses are made of animal skin and not reinforced with iron breast plates 4/ The construction techniques of Panoleon's item look European 5/ Panoleon's item is from the 20th c. ![]() |
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#9 |
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In context, what misses an explanation is why, by whom and what this thing was made for.
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#10 | |
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My intent was to actually dismantle my own previous suggestion that perhaps this liner of iron was for bullet proofing, by showing that iron plate adequate for protection was probably much heavier (as this comparison illustrates). So as you note this 'comparison' does not serve as an explanation, but is objectively disqualifying toward a subjective suggestion I had previously made, thus eliminated from the ongoing discussion. I very much agree, this discussion as been fun, and very informative....I know Im learning a lot. As Kubur has well noted, comparisons are essential, and Colin's suggestion of Pitt Rivers is well placed. |
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#11 |
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Well Jim, i wouldn't be surprised if Napoleon's item turns out to be one of a kind, thus incomparable. OTOH, i would certainly subscribe Colin's suggestion. It sure is a good test; Panoleon willing to do it
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