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#1 | |
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Great example, Bruno.
Also in the famous Pastrana tapestries, commissioned by King Dom Afonso V, to celebrate conquests in African territory (Arzila, Tangiers) we can see, among plenty weaponry advanced for the time, a few examples of these swords, in a shape similar to those in the panels. Actually it presumed that the cards for the weaving of these tapestries (in Tournai, today Belgium) were executed by the same Nuno Gonçalves. . Last edited by fernando; 22nd February 2021 at 01:01 PM. |
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We should regard the examples represented in the tapistries with some uniformity of style, perhaps the result of their repetition in so many instances of the battle scene, or their relative smallness among so many other details. Whereas tith the panels, it is possible to observe detailed stylistic divergences between the different models; showing us the armaments of illustrious courtiers, the best that money can buy; |
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Don't forget Spain ruled the Low countries from 1556 thru 1714, and in the latter years with rebellions there, aided by the English, there would have been a lot of Spanish/Portugese swords there, many of which were no longer needed by their previous owners after their demise. Spain also ruled Portugal 1580-1640, and I gather were not above taking souvenirs.
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From top to bottom: the sword of King Fernando, the Catholic, in the Cathedral of Granada; another of Fernando’ swords, in the Real Armería of Madrid; the so called Gran Capitan sword, because of “Gran Capitan” Gonzalo Fernandez de Cordoba, also in the Real Armería; and the sword of the Instituto Valencia de Don Juan of Madrid. But if your doubts remain ... i am off. |
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