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#1 |
Member
Join Date: Dec 2004
Location: NC, U.S.A.
Posts: 2,141
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"In these often unusually contrived weapons, it is surprising to see such things as crossguard quillons mounted UNDER a cup guard ( entirely vestigial and redundant)."
Not to take away from 'Nando's thread, but the tie-in with colonial weapons and the information being presented here is great! Jim, you mention this contrived assemblage on swords and I have personally seen several 'Frankenstein-type' Spanish swords with this exact pattern listed in a catalog as "pirate"! interesting that others have come across these. Also, thank you for that term I have been long searching for. "Russeting" is the process whereby swords are primered with a brown paint or substance to retard rusting. You might recall that old 1660's hanger I had with VOC connections that had a 'browned' blade for sea service. Anyway, back to this amazing cup hilt! |
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#2 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,194
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Thank you Mark!
Actually we are not digressing from the outstanding cuphilt Fernando has posted in the OP, but discussing various avenues toward classification and identifying it. Often a great deal of related material and comparisons, regardless of even tenuous observations, clues can be found in most unusual places! Interesting about the contrived examples I mentioned with the odd crossguard UNDER the cup being cataloged as 'pirate' ![]() I have one of these which was found with this seemingly cliche' classification as well (need to find pics of it). |
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#3 |
Member
Join Date: Jun 2005
Posts: 264
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For the identity of the German blade maker, possibly numbers 49 and 88 of this catalogue are relevant.
https://www.yumpu.com/es/document/re...a-de-andalucia He could be Enrique Coel - Köhl. As for quillions under the cup, they are a distinctive characteristic of Mexican revolutionary swords with archaistic and rustic aspect. Last edited by midelburgo; 8th June 2020 at 11:45 AM. |
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#4 | |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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The crucified Christ, with or without the cross, the MIN SENAL motto, the mention EN ALEMANIA, whether by Coel - Köhl - Col not, are allusive motives that were used by several smiths, famous and not, originators of the said symbols us just replicators. Take a look at theses few swords shown in a exhibition of Portuguese/Spanish ornamental art held in 1882 in the Academy of Beaux Arts. In some cases is the symbol/motto that figures, in others figures the smith names ... or his marks. . |
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