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#1 |
Member
Join Date: Dec 2004
Location: Singapore
Posts: 1,180
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For me, I feel that as long as the repair/replacement follows the traditional style of where the piece comes from, it is fine. This often entails the engagement of craftsmen who are from that culture.
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#2 |
Member
Join Date: Dec 2004
Location: Singapore
Posts: 1,180
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Hey Tim, that's a great repair. Maybe you want to stain the wood to match the original wood colour? Don't worry, people would still be able to see that it was repaired.
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#3 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,310
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Ok folks, here I go (by request).
I was one of the bidders for these puppies but dropped out. I was thinking of restoring them. I do agree that the money paid is toooooo much (though I haven't got that much anyway). I was looking at repairing the way Ian had suggested. Yes, pre-ban ivory is exensive, but for the money I was willing to spend (half of what was paid?) it would have evened out (especially after selling the other one). Who ever got it will be paying more than it is worth now (especially if any restoration is done). The hardest part would be matching the grain, and that can not be done perfectly anyway. Yes some trim to the original, or certainly there will be a break line no matter what. I can live with that if it were not too obvious. I will never know now....... ![]() The other one - new head and new wrap. (silver for me ![]() |
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#4 | |
Member
Join Date: Dec 2004
Location: Witness Protection Program
Posts: 1,730
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#5 |
Member
Join Date: May 2006
Location: Okinawa, JN
Posts: 22
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I'll throw my own two centavos in here. I completely agree with Kris and BluErf. These blades are continually being repaired and redressed and as long as it is done in the traditional style (or better yet within the same culture by their craftsmen using traditional methods) there is no loss of value or history only an increased esthetic. Who wouldn't want a complete blade with complete dress that showed the glory or the height of that culture in their collection as opposed to one with pieces missing.
I had Hajiri build me a new scabbard for my barong and rewrap the handle with silver braid, all the materials were from Sulu and he and his Grandfather did the work. It is a much more visually stunning blade now and better represents the true Tausug craftsmanship as opposed to the tail-less colored-ribbon wrapped scabbard it came in. That doesn't negate my preference for an intact old piece, I just usually can't finance those ![]() Dan |
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#6 | |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,310
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#7 |
Member
Join Date: Mar 2006
Posts: 79
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Hi All.
I apologise if any of you think that I'm flogging a dead horse. I just wanted to find out what you thought about the huge variation in prices for pieces. There is such a wide band. Especially when it comes to ivory pommels! The prices don't seem to follow any particular logic. In my travels, I've seen the same/similar pieces vary in price from a few hundred to almost a couple of thousands. There was even a hilt (only the hilt) with ivory kakatua pommel (not the full kakatua ceremonial form) priced at several thousands. It may be useful to, at times, have posts about what 'reasonable' prices to pay are. People may be able to use it to build personal confidence in making offers/bids. ![]() Regards. |
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#8 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,310
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Certainly eBay is not the most accurate indication of true value since it varies more than the auction houses. It would appear that several of us so far think that the pieces in question are way too high for their condition.
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