Very Nice Nimcha

[Ibrahiim al Balooshi]

Originally Posted by ariel

Charles, you are outdoing yourself time and time again!
Absolutely gorgeous!


However, I do not think it is North African. IMHO, it is South Arabian, likely Omani. My main point is the configuration of the blade: widening toward the tip. Similar configuration is seen in Elgood’s book on weapons of Arabia ( Fig. 2.1 and by description 2.2). Seems to me it is quite short: thus a genuine “nimcha”:-), a naval cutlass, so popular with seafaring Omanis.

Also, the lavish decoration is very reminiscent of the luxurious Zanzibari nimchas with gold coins on the handle from Buttin’s catalogue ( plate XXX) and Hales’ catalogue ( Figs. 589-90). Similarly “segmented” decor of the scabbard is also seen in the same book ( 2.18 and2.21)

Also, you might recall Elgood’s comment about Bukharans in Oman. They brought enameling there.


I doubt there is an iron-clad provenance, so that’s only my gut feeling.

Its not a weapon I have ever seen in Oman. This does however, satisfy the equation of being Algerian . The https://www.rijksmuseum.nl/en/search...t=Objects&ii=0 I Couldn't shrink it in size to fit EAA parameters... but you can see it on the web..The example has a part tortoiseshell hilt although it may well be of the same family . The provenance is in my opinion Algerian... surely it has to be off the coast as it is every inch a corsairs weapon. However having said that I have not got the Hales or Elgood reference work before me.. ~ Regarding coins on Omani or Zanzibari items I take it on those with Ivory hilts and gold work probably added by goldsmiths on the Zanj or even in Stonetown… These are not coins but circular shapes along with leaf shaped designs from the African comb making fraternity; see below..
I doubt if there is such an animal as a Zanzibari Nimcha and to my eye Butin got as close as any expert in his three plates which I placed at an earlier thread but I believe his detail still accurate and on his 3 plates there is no mention of Zanzibar...therefor
please see http://www.vikingsword.com/vb/showthread.php?t=23387 post 12 and viewing plate XXX 993 994 995 … The project Nimcha is seen as one of those .It may even be on Plate XXX11 991... Shown as an other oriental design.

I must confess I have never seen Bukharen work in Oman...although in the Yemen, yes, for good historical reasons and known links… Further I have no recollection of enameling work here .. Do you mean Yemen also?

[ariel]

I must admit I have never seen luxurious Yemeni nimcha.

Waiting for Lotfy.

[Jim McDougall]

It does seem that these hilts are 'Arab' and mostly associated with Algeria from examples are known as early as 17th c. . In "Arts of the Muslim Knight" (B.Mohammed, ed. 2008, p.77) . In this reference it is noted sabres of this type are seen as early as c.1700 with an Ottoman tughra, and another of this typw was captured at Battle of Oran (Algeria) in 1732.

Elgood (1994)does show one with this type blade (flared tip) in 2.1 but with a karabela type hilt, and another with this type hilt (2.2) same type of blade.
On p.15 Elgood describes the (2.1) type often found in sughs in Riyadh with these 'nimsha' blades and a small brass guard, and that they are attributed by Arab traders to Yemen.
It is noted that these are pretty unaesthetic (I have had these and they are munition grade) with these flared blades.

Whether 'Ottoman' or 'Arab' classifications are considered, these hilts with notable peak at pommel seem to occur throughout the Arab sphere, from Malabar, through the Meditteranean, the Magreb and Zanzibar. With North (1975) attribution they seem aligned with 16th century North Italian styles, and indeed many of these blades are Italian it does seem. As Buttin describes many of these type hilts and swords, always as 'Arab' but no specification of Zanzibar, many of these surely ended up there just as throughout these other regions, but were by no means indigenous there.

I have not been able to find any reference to Bukharen enameling in Yemen, but on p. 75 he does note a janbiyya bought during a pilgrimage in Mecca and was subsequently embellished in Bukhara with cabochon and cloisonné turquoises, but notes it is possible the work may have been done in Mecca.
This may suggest Bukharen artisans may have been in Mecca, but whether in Yemen unclear.
It does seem some nice swords were used in Yemen, mostly Hadhramaut, and other well mounted in San'aa, but certainly nothing like this.

Most definitely one of these very old Arab blades of 'cutlass' form and fantastically refurbished and likely it would seem if 19th c very early perhaps even late 18th. Breathtaking piece!!!

[ArmsAndAntiques]

HI Charles,

I've long followed this wonderful sword and it is certainly in the right home now.

I've also kept this reference in mind for years and this is the right place to include it as a specific example of 17th C. North Africa/Ottoman workmanship. The attached images from a German private collection show a sword with similar enamel work, with a different style grip, but with the classic Mediterranean trade blade, often attributed to Genoa (though I think Mediterranean is the best we can do at this point without specific evidence of an Italian city production).

I would certainly think this sword has little to do with the East African style of sword, lso referred to as a nimcha, and even less with the swords originating from the Southern Arabian peninsula, a (interestingly that is the terminology along the west coast of India as well for a sword indicating the trade routes the word, if not the form traveled on, though there are Hyderabadi hilt forms that are similar to the East African, or rather Indian Ocean style of hilt).

However, the Bukharan enamel connection is definetely a possibility as I've seen this blue and green enamel work on other Ottoman daggers, including on sold by us some years back over gold, see below:

http://armsandantiques.com/beautiful...r-dagger-id851

And also another found in the Wallace Collection. I think the enamelling is most likely early 18th C. Ottoman workmanship, likely on order depending on where in the Empire, or associated states, it went.

[ArmsAndAntiques]

One final point on dating is that the form of the scabbard and the style of mounting hearkens most closely to the early Ottoman period mounted swords, often with karabela shaped hilts, with the central medallion and band.

In addition, the specific style of decoration with a repetitive decorative pattern, along the scabbard fittings that is similar to Ottoman 17th C. karabelas, and is also found on East European swords of the period as well, which were themselves likely influenced by Ottoman workmanship.

One does not find the central scabbard fitting of this style, on 18th C. or later Ottoman sword generally.

[ArmsAndAntiques]

And finally in reference to an 18th C.dating, the gold yataghan given by the Bey of Tunis to Danish King Frederik V, illustrated in Niels Arthur Andersen's book on "Gold and Coral" provides a further reference for this scabbard style and mounting, though that sword was presented in 1753.

Now in the Danish National Museum (EM60a,EM60b, and EMb61)

[Jim McDougall]

A&A, we crossed posts.....well noted on the Ottoman enameling and styling, and the distinct influence of some of these decorative techniques in Europe, with their fascination with 'Oriental' exotica. There are distinct similarities in these hilts with certain N.Italian hilts of 16th c. with the quillon systems as well as the ring guards seen on the 'nimchas' long held to be 'Zanzibar' examples.

[Edster]

I wonder if a translation of the Arabic script on the bands might provide useful information.

[fernando]

Originally Posted by Edster

I wonder if a translation of the Arabic script on the bands might provide useful information.

And the stamp on the blade ... remember, Charles ?

[CharlesS]

Fernando,

Here are a couple of pics, but they are very difficult to make out, though the stamp on one side is much clearer than the other.

Let me know if you are able to decipher anything from it.