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Old 28th February 2019, 02:16 AM   #1
ariel
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Quote:
Originally Posted by mariusgmioc
Does it have to do with the use of Persian/Arabic script not having a letter for "p"?! "Pars" is also written as "Fars" in Nasta-liq. The Fars province in Iran is also called Pars.
Bravo!
Only the matter is not in the absense of a letter “p”, but of a sound “p”.
Arabs replace it with either f or b.
Old biblical town Shkhem after the destruction of the Second Temple was re-named Neapolis by the victorious Romans. When the Arab captured it in the VII century, they kept the Roman name, but pronounced it as Nablus. A beautiful stream with waterfalls at the Northern Golan Heights was a spa town for Roman officers. They called it Panus ( one of the minor deities, always drunk and horny). Arabs call it Banias.
That is how you find them in Wiki even today.

The easiest example of a p-to-f transition is old biblical Plishtin becoming Palestina by Roman decree and Filastin in Arabic.

Just for a change, we are not dealing here with complex linguistical constructions, just with the simplest phonetics,yes siree:-) . Kind of like Kard/Karud.

Last edited by ariel; 28th February 2019 at 03:42 AM.
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Old 28th February 2019, 03:20 AM   #2
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Jim McDougall:
“I once somewhat dismissed the relevance, I have come to view it quite differently.”
——————————————————————————————


Jim,
I am glad you have seen the light:-)
History of everything consists of multiple facets and needs to be looked at from different angles.

The “ name game” can be ridiculous or enlightening depending on the question asked and the quality of an answer. But the same is true about engineering aspects of different weapons, their usage, materials, decorations, etc.

Each and every approach adds something new and potentially important to our understanding of the fascinating subject of the history of weapons. Ignoring names or mis-naming the objects is as detrimental to our understanding of their history as ignoring their sacral meanings.

I have a term for it, “ The Rumpelstiltskin syndrome”: know my name and you become my master. And the corollary: misname me at your peril.

In a way, our Kris colleagues got it right: they are meticulous about naming different pamors and minute details of structure and decorations and correlating them with local traditions of manufacture, sacral and mystical features of their objects of interest, names of masters, materials, age etc. I tried but could never become really interested in Indonesian weapons, but I admire their aficionados.

Last edited by ariel; 28th February 2019 at 03:38 AM.
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Old 28th February 2019, 04:50 AM   #3
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Quote:
Originally Posted by ariel
Jim McDougall:
“I once somewhat dismissed the relevance, I have come to view it quite differently.”
——————————————————————————————


Jim,
I am glad you have seen the light:-)
History of everything consists of multiple facets and needs to be looked at from different angles.

The “ name game” can be ridiculous or enlightening depending on the question asked and the quality of an answer. But the same is true about engineering aspects of different weapons, their usage, materials, decorations, etc.

Each and every approach adds something new and potentially important to our understanding of the fascinating subject of the history of weapons. Ignoring names or mis-naming the objects is as detrimental to our understanding of their history as ignoring their sacral meanings.

I have a term for it, “ The Rumpelstiltskin syndrome”: know my name and you become my master. And the corollary: misname me at your peril.

In a way, our Kris colleagues got it right: they are meticulous about naming different pamors and minute details of structure and decorations and correlating them with local traditions of manufacture, sacral and mystical features of their objects of interest, names of masters, materials, age etc. I tried but could never become really interested in Indonesian weapons, but I admire their aficionados.


Ariel, it does seem I have a good number of ephiphanies of late.......does this mean Im getting old?

I like the Rumpelstiltskin bit!!!!
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Old 28th February 2019, 06:29 AM   #4
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You are not the only one with epiphanies:-)
But, as they say, not always wisdom comes with old age, sometimes old age comes alone.And.....youth is wasted on the young.
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Old 28th February 2019, 03:08 PM   #5
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Quote:
Originally Posted by ariel
... But, as they say, not always wisdom comes with old age, sometimes old age comes alone. And.....youth is wasted on the young.
Brilliant ...and so true .
Another one to be beaten is:
“Information is not knowledge.
Knowledge is not wisdom.
Wisdom is not truth.... “
FZ (1940-1993).

- Herewith an Indo-Portuguese oil painting depicting three Malabar warriors with musket, tulwar, katar, shield an pata. In the back a view of Pangim over the river Mandovi, backed by the fortresses of Aguada and Reis Magos.
(collection Georg Scheder-Bieschin. How i envy this guy

... And by the way, pick one of these below... from the said glossary. "Cotari" was the key (in Portuguese).



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Old 28th February 2019, 07:49 PM   #6
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Quote:
Originally Posted by ariel
In a way, our Kris colleagues got it right: they are meticulous about naming different pamors and minute details of structure and decorations and correlating them with local traditions of manufacture, sacral and mystical features of their objects of interest, names of masters, materials, age etc.
I dare say we'd be lost in there without nomenclature Ariel.
On the other hand, many features have multiple names depending upon the particular keris culture we are discussing.
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Old 1st March 2019, 04:52 PM   #7
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Quote:
Originally Posted by Rick
I dare say we'd be lost in there without nomenclature Ariel.
On the other hand, many features have multiple names depending upon the particular keris culture we are discussing.
The keris has to me always been one of the most daunting fields of study, not only for the variety and scope of the form, but the very subjective and powerful traditions held deeply in their tradition. I have always admired the tenacity and dedication of those who have mastered these complexities.

With what I do know of keris study is that the nomenclature does seem pretty clearly set, and while there are dialectic variations in expressing these terms, they do not seem to carry as much dispute as with transliterations and colloquial misunderstandings with other ethnographic forms. If I am not mistaken, my limited foray into the keris field seemed as if the terms were often cross references or noted with variations to eliminate misunderstandings.

That is what I wish could be better accomplished in the study of these various ethnographic forms, to simply cross reference the various terms rather than place an adamant classification which will inevitably be disputed.
As has been said many times, according to ones perspective, the same weapon will be referred to by various terms, and the use of variant terms affords more universal understanding.

As noted, the nomenclature is very essential in the understanding of the complex nature of the keris and its varying forms culturally, just as we study other ethnographic weapon forms in similar manner.
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Old 25th May 2019, 06:04 PM   #8
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Old 25th May 2019, 06:32 PM   #9
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Cool.
What is this from, any info? What is the purpose of the image?
Nice to see this thread again, but what are we looking at?
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Old 25th May 2019, 07:25 PM   #10
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Cool.
What is this from, any info? What is the purpose of the image?
Nice to see this thread again, but what are we looking at?
Using of katar. Maybe piercing through the mail.

Illustration from Genghis-nama. Mugals, 16c.
"Turkish tribes slay Jenghiz Khan's ancestors in the Land of Argune-Kun"
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