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		#1 | 
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			Join Date: Jun 2005 
				
				
				
					Posts: 278
				 
				
				
				
				
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			From the examples above (the 1610 Solingen one excepted), I understand that there was no diminution of the blade broadness before reaching the cross.  
		
		
		
			I am wondering if that arrangement was not usual because it will not allow the normal vibration of the blade when hitting. You have many kinds of cup hilts, but in most the shell is sustained from the cross. In a few, the blade is trapped at both points. Actually, in the movie the used a replica with the XVIth century hilt... And Charlton from XIth century does not take the advantage of crossing the finger...also because the grip is longer than in the original. Last edited by midelburgo; 31st January 2019 at 12:31 AM.  | 
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		#2 | 
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			 (deceased) 
			
			
			
				
			
			Join Date: Dec 2004 
				Location: Portugal 
				
				
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			That would switch us back to the 'genuine' Tizona riddle. 
		
		
		
			In a way, Charlton's setup would be the correct one, if we think of the period the actual episode took place; no blunt ricasso, thus no way to place your fingers but all of them in the actual grip, providing enough (grip) length is applied. Whereas the Tizona (short grip) example as today is brought to us, suggests a ricasso finger grip which only appeared a few centuries later. Take a look at this XVII century exponential example, in that only three fingers would fit onto the grip, two fingers left to hold the ricasso. Note that the quillons are welded to the cup bowl rim, and not fixed with interior extensions, the first being a (more) Portuguese way. ... And don't forget to read my suggestions with a pinch of salt; i am only playing by ear  .(picture courtesy of "As Armas e os Barões" de Eduardo Nobre). .  | 
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		#3 | 
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			Join Date: Apr 2017 
				Location: Sweden 
				
				
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			See attached
		 
		
		
		
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		#4 | 
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			Join Date: Jul 2018 
				
				
				
					Posts: 108
				 
				
				
				
				
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			Hello, 
		
		
		
		
		
		
		
	One thing i can assure, this guard as nothing to do with original "tizona" style swords, the swordsmiths of that age would not fail to do heterogeneous design on both side of the guard, the guard has big geometrial imperfections, something not acceptable in a first class sword or by first class swordsmiths. BV  | 
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		#5 | 
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			 (deceased) 
			
			
			
				
			
			Join Date: Dec 2004 
				Location: Portugal 
				
				
					Posts: 9,694
				 
				
				
				
				
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			Bruno, i guess we all know this is not an original Tizona guard. Also we know there was only one so called Tizona, and that 'millions' were copied through time, thus creating a sword style. We were just wondering the purpose for this so sturdy (600 grams) atypical example being made following the Tizona style; construction perfection in comparison with early swords not being at stake. 
		
		
		
		
		
		
		
	But speaking of Tizona (originally Tizon) a sword that allegedly Diaz de Vivar was presented by King Yucef, this has been subject of experts considerations, with its XII century style hilt added in the time of the Catholic Kings period with a Spanish-Moorish period style blade. Maybe the Tizona chronicle has not yet ended. ... But this thread has had its purpose achieved.  | 
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