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Old 30th January 2019, 06:28 PM   #1
Victrix
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Boa noite,

The drawing is still with us. Luckily I scribbled something unrelated important on the other side so I kept it with me when I came home from my ski trip. I think the width of the tang should be narrower than the ricasso. The guard hole for the tang is smaller than for the ricasso.

According to the Cantar de Mio Cid the Tizona was won from a previous owner King Yucef [Yussef] of Valencia. So there is a possibility that this guard type is Moorish rather than Spanish or Portuguese.
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Old 30th January 2019, 07:20 PM   #2
fernando
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Godnatt victrix .
Thanks for bringing back that good drawing. Yes, it is reasonable to consider that the tang is narrower than the ricasso. In my sketch i only cared to emphasize the blade passing through the holes.
Well, the myth of El Cid and the Tizona saga are "beads of another rosary". Experts debate the veracity of both subjects as they appear nowadays; a XI century sword with a XVI century hilt AND ALL THAT
I recall watching the movie with Charlton Heston in my youth; El Cid already dead, being tied to his horse to ride in front of the Kings army, to make the Moors believe he came back from his tomb !


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Old 30th January 2019, 10:51 PM   #3
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From the examples above (the 1610 Solingen one excepted), I understand that there was no diminution of the blade broadness before reaching the cross.

I am wondering if that arrangement was not usual because it will not allow the normal vibration of the blade when hitting. You have many kinds of cup hilts, but in most the shell is sustained from the cross. In a few, the blade is trapped at both points.

Actually, in the movie the used a replica with the XVIth century hilt... And Charlton from XIth century does not take the advantage of crossing the finger...also because the grip is longer than in the original.
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Old 31st January 2019, 12:21 PM   #4
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That would switch us back to the 'genuine' Tizona riddle.
In a way, Charlton's setup would be the correct one, if we think of the period the actual episode took place; no blunt ricasso, thus no way to place your fingers but all of them in the actual grip, providing enough (grip) length is applied. Whereas the Tizona (short grip) example as today is brought to us, suggests a ricasso finger grip which only appeared a few centuries later.
Take a look at this XVII century exponential example, in that only three fingers would fit onto the grip, two fingers left to hold the ricasso.
Note that the quillons are welded to the cup bowl rim, and not fixed with interior extensions, the first being a (more) Portuguese way.
... And don't forget to read my suggestions with a pinch of salt; i am only playing by ear .

(picture courtesy of "As Armas e os Barões" de Eduardo Nobre).

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Old 28th September 2019, 05:16 PM   #5
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See attached
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Old 29th September 2019, 12:52 PM   #6
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Hello,

One thing i can assure, this guard as nothing to do with original "tizona" style swords, the swordsmiths of that age would not fail to do heterogeneous design on both side of the guard, the guard has big geometrial imperfections, something not acceptable in a first class sword or by first class swordsmiths.

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Old 29th September 2019, 02:02 PM   #7
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Bruno, i guess we all know this is not an original Tizona guard. Also we know there was only one so called Tizona, and that 'millions' were copied through time, thus creating a sword style. We were just wondering the purpose for this so sturdy (600 grams) atypical example being made following the Tizona style; construction perfection in comparison with early swords not being at stake.
But speaking of Tizona (originally Tizon) a sword that allegedly Diaz de Vivar was presented by King Yucef, this has been subject of experts considerations, with its XII century style hilt added in the time of the Catholic Kings period with a Spanish-Moorish period style blade. Maybe the Tizona chronicle has not yet ended.
... But this thread has had its purpose achieved.
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