Ethnographic Arms & Armour
 

Go Back   Ethnographic Arms & Armour > Discussion Forums > Ethnographic Weapons
FAQ Calendar Today's Posts Search

Reply
 
Thread Tools Search this Thread Display Modes
Old 21st October 2018, 03:40 AM   #1
Philip
Member
 
Philip's Avatar
 
Join Date: Dec 2004
Location: California
Posts: 1,036
Default

Quote:
Originally Posted by ariel
Hi Philip,

Thanks for addressing the issue of Tunkou.
I want to pick your brain a little deeper.
First, a seller's pic of a Khazar saber from the Ukraine, allegedly 7-9 century. Hope to have it in my hands within a week or two. Its tunkou is of a traditional early form: long arm goes along the edge.
Next, 2 figs from David Nicolle's book ( presumably Daghestan , 13-14 century), ##645 and 646
One tunkou is just like yours and mine, another is kind of a square with a slit in the middle ( some later Chinese ones have it)
After that Iran, ~1306-1304. Something happened, tunkous flipped over: the long arm goes along the spine, ##626f and 626o.

The last one is a fresco of St. Nikita from Serbian Gracanica church, finished in 1321. Again, the long arm is on the top.

After that all tunkous , both functional and decorative, from Mughals, Iran, Ottoman Empire follow the same pattern.

Seems like the westward migrating Turks changed their Tunkous sometimes ~12-13 centuries, whereas eastward migrating ( China, SE Asia) stayed with the classical pattern. Japanese habaki may be an analog of a plain sleeve-like type.

.
Ariel, you raise some very interesting issues.

The matter of specific shapes, especially whether the long side is on the edge or dorsal side of the blade, is interesting. I tend to put more confidence in what the surviving objects show. Works of art are a valuable tool for the arms historian, but there is always the consideration of artistic license. Especially in cultures and eras in which fidelity to minute details did not approach the standards set by the figurative art of Renaissance Europe and subsequent eras (at least until our modern age of abstract art!). Which is not to dismiss it entirely; it's just that we must be prepared, on occasion, to take elements cum grano salis until we have the occasion to let surviving examples of the objects speak for themselves.

The tunkou or its equivalent on Ottoman arms is worthy of further study. I will resize some images for my next post to show that a survival of the original concept (edge side longer) can be seen on some Mamluk and early Otto saber blades. But then we have the case of yataghans, on which a similar component is oriented the other way -- long side along the spine. I wonder if we should consider these disparate designs as coming from the same origin, or perhaps growing from disparate roots. Let's look at proto-yataghan blade shapes (recurved, single edged) from earlier cultures to see if antecedents exist for this specific component. Do you know of any such recurved blades being made and used in those same Eurasian nomad cultures that gave us the saber and pallasch? I recall seeing something like this in a Soviet publication on the Yenisei watershed finds, but need to dig it out and check. You are perhaps more familiar with this material than I am!

As re the Japanese habaki, which is the same length on both edge and dorsal sides (with a straight or slightly convex frontal contour), perhaps we need to regard that as an independent development, sprouting on its own on Japanese soil. Or perhaps sharing a common origin with the same feature on Korean single-edged swords, since the two cultures do seem to have common cultural-political-linguistic threads in archaic and early medieval epochs. Another feature which distinguishes the habacki from its continental counterpart is its distal (side-to-side) dimension. There is a notable taper, from rear to front, in thickness. Also, many of them tend to have a lateral "step" from having each face constructed of two pieces of metal, so that the posterior portion is actually two plates one atop the other. A tunkou lacks both these distinguishing characteristics.
Philip is offline   Reply With Quote
Old 21st October 2018, 07:03 AM   #2
Philip
Member
 
Philip's Avatar
 
Join Date: Dec 2004
Location: California
Posts: 1,036
Default tunkous, from Eastern and Western territorial limits

You might want to see how the concept survived the post-medieval period, here illustrated by examples from the Mamluk and Chinese culture-spheres. To keep things more evenly comparable, these are all made by chiseling the shape in the steel of the blade, not by installing a separate component made of sheet iron or other metal. And all have the long side towards the edge of the blade.

The Islamic ones retain the feature in a stylistic sense only. By the end of the 15th cent. when these two blades were made, the original functional purpose of the device that inspired its use in medieval Eurasia had morphed into a stylized, decorative element. The two examples are identified as Mamluk; both are in the Topkapi Sarayi Museum. In the Furusiyya Foundation collection, there is a blade (inv. no. R-229) identified as Ottoman, 17th cent. that has a very similar feature (see The Arts of the Muslim Knight, 207, cat. no. 30, p 66)

The two Chinese ones are in private collections; the earlier one 16th-17th cent., the other one a century later. As with the Islamic ones, they have become more stylistic than functional. Indeed, by the 19th cent., tunkou fell largely into disuse on Chinese sabers.
Attached Images
    
Philip is offline   Reply With Quote
Old 21st October 2018, 06:03 PM   #3
ariel
Member
 
ariel's Avatar
 
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
Default

I know the Mamluk ones.

Do you have Kirill Rivkin’s book on Eastern swords?
There are tons of data and very intelligent discussions of Nomadic, Mamluk and Ottoman tunkous.
And, yes, I do have pics of some Golden Horde yataghan-like blades. AFAIK, some have tunkous. Will post later.
ariel is offline   Reply With Quote
Old 21st October 2018, 06:17 PM   #4
Kubur
Member
 
Kubur's Avatar
 
Join Date: Jun 2013
Posts: 2,145
Default

Quote:
Originally Posted by ariel
I know the Mamluk ones.

Do you have Kirill Rivkin’s book on Eastern swords?
There are tons of data and very intelligent discussions of Nomadic, Mamluk and Ottoman tunkous.
And, yes, I do have pics of some Golden Horde yataghan-like blades. AFAIK, some have tunkous. Will post later.
This post is extremely interesting, thank you Ariel.

I have Rivkin's book. I like it, but a lot of data are in fact personnal judgment and opinions. The whole diffusion process is not supported by scientific arguments. Then one part of the book is very similar to "Arms and armor of Caucasus". I have this book too and I prefer this book more grounded in the litterature...

Nomadic swords means what in fact?
Steppic swords? Central Asian swords? Or Horsemen Swords?
The Tuaregs were also nomadic...

Kubur
Kubur is offline   Reply With Quote
Old 22nd October 2018, 10:20 PM   #5
Kubur
Member
 
Kubur's Avatar
 
Join Date: Jun 2013
Posts: 2,145
Thumbs up

To answer to Jim, Arial and Teodor posts I have to quote Philip.

Quote:
Originally Posted by Philip
these are all made by chiseling the shape in the steel of the blade, not by installing a separate component made of sheet iron or other metal. And all have the long side towards the edge of the blade.

The Islamic ones retain the feature in a stylistic sense only. By the end of the 15th cent. when these two blades were made, the original functional purpose of the device that inspired its use in medieval Eurasia had morphed into a stylized, decorative element.
and to add

Sometimes it's not chiseled in the blade but added on the blade like cooper plates on the yatagan for example or the Tabouka.

Clearly decorative but as Philip noticed, the remain of an ancient practise, most probably functionnal.

Why, how and when I don't know.
It just notice that it happens on curved blades but also on straight blades...

I don't have any answer but additionnal comments...

Saying that I have my opinion
First it's to fix blade, guard and hilt alltogether like the nihonto
Second to absorb shocks during a fight
Third to maintain the blade in the scabbard

Last edited by Kubur; 22nd October 2018 at 10:32 PM.
Kubur is offline   Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump


All times are GMT +1. The time now is 02:02 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2025, vBulletin Solutions Inc.
Posts are regarded as being copyrighted by their authors and the act of posting material is deemed to be a granting of an irrevocable nonexclusive license for display here.