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Old 23rd May 2018, 02:33 PM   #1
David
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Quote:
Originally Posted by Gustav
So it did go to Singapore
As far as i know this keris now belongs to Michael Marlow, who i had thought was a member here. Perhaps i have him confused with another Michael.
Part of what i find fascinating about the Dwi Warno on this keris is the arrangement because if you haven't noticed there are not just two pamors on each side, but the two actually switch positions on each side which seems very tricky and pretty cool IMHO. Never seen anything quite like it.
They has been quite a bit os discussion on the origins of this keris on a FB page i frequent. Some people have suggested that the keris is Lampung, which doesn't seem correct to me, though i see some references in the hilt similar to Lampung bird hilts. But the motifs around the base look like they have a Gayo influence.
As for the origin of the blade itself Lampung doesn't seem right at all, but is it possible that it is from another area of Sumatra?
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Old 23rd May 2018, 08:44 PM   #2
Gustav
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Quote:
Originally Posted by David

As far as i know this keris now belongs to Michael Marlow, who i had thought was a member here. Perhaps i have him confused with another Michael.
David, as I don't frequent FB pages, I'm not so well informed about the current location of this Keris.

My remark about Singapore was generated by the background furnishing, which looks kind of like the environment our Singapore members are used to live. That's why it ended with and was ment as such.

We had a similar hilt ages before here and DHenkel said it would be from South-Sumatra. Batang is South-Sumatra, Sampir could be from South-Sumatra, yet also other places.
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Old 23rd May 2018, 09:14 PM   #3
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And Selut/Pendokok is clearly South-Sumatran and fits the hilt so well, that it could be an original ensemble.
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Old 23rd May 2018, 11:00 PM   #4
A. G. Maisey
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The arrangement of this pamor is unusual, but I do not see it as being any more difficult to make than any multiple pamor.

The individual blocks of pamor are brought together separately onto the core, then welded in place. One of the pamors in this blade is surface manipulated mlumah, the other is miring. The surface manipulation would have been done after the block of mlumah pamor was welded to the core.

For me, this is simply a different arrangement of two pamors on a fairly ordinary blade. As a complete, and fairly nice, but I believe, damaged, ensemble it is a nice piece for any collection. The hilt is really nice --- gading?

But I'm not too wound up about the blade itself.
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Old 23rd May 2018, 11:55 PM   #5
Paul de Souza
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According to auction description the hulu is wood.

Alan. Thanks for feedback. I am intrigued by your description of the forging process but how would you do a surface manipulation of the mlumah without affecting the other half of the blade with the miring. I can't visualise it once the separate blocks are welded. In this case would it be 4 separate blocks, given the placement of the pamor?
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Old 24th May 2018, 12:45 AM   #6
A. G. Maisey
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Wood? Well, its still nice, but now it goes down to nothing special at all. Pity.

As to forging.

There are perhaps a couple of ways in which the four separate blocks of pamor could be brought together onto the core. I think that the easiest would be to assemble the four blocks onto the core as a single package and bring together in the one welding operation.

Once assembled as a single block, depending on how that weld was done, the mlumah side of each face can be manipulated to create the pattern, essentially it is no different to doing the manipulation necessary for wiji timun, but you only do one half of the face instead of both halves of the one face. For a skilled pattern welder, easy --- and this blade is the work of a skilled welder.

There are a number of steps involved in this process that I am not prepared to describe in detail, however, the information is available through modern custom knife sources. I cannot go into detail because of undertakings I have given.
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Old 24th May 2018, 12:56 AM   #7
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Quote:
Originally Posted by A. G. Maisey
For me, this is simply a different arrangement of two pamors on a fairly ordinary blade. As a complete, and fairly nice, but I believe, damaged, ensemble it is a nice piece for any collection. The hilt is really nice --- gading?
Sorry if you misunderstood my wording Alan. By "tricky" i did not mean to suggest it was any more difficult to achieve than other dwi warno blades, just that it is tricky as in unexpected. Still something i had never seen done before. This is a keris i would gladly have added to my collection if it had been offered to me.
I believe the hilt is not ivory, but wood. Am i the only one who thinks the end of the beak broke off at some point and was refinished flat?
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Old 24th May 2018, 01:01 AM   #8
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Quote:
Originally Posted by Gustav
David, as I don't frequent FB pages, I'm not so well informed about the current location of this Keris.

My remark about Singapore was generated by the background furnishing, which looks kind of like the environment our Singapore members are used to live. That's why it ended with and was ment as such.
Thanks Gustav. I don't see any furnishings in the photos, just what appears to perhaps be an out of focus white marble surface. I did not realize this was possibly indicative of a Singapore environment. I mentioned that Michael Marlow has this keris presently simply as a matter of fact.
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Old 24th May 2018, 01:17 AM   #9
A. G. Maisey
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Thanks David, yes, I did misunderstand, I took "tricky" as something difficult to do. I did not understand it as "unexpected".
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