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#1 | |
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Join Date: Apr 2005
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Alan's post quoted from the other thread: http://www.vikingsword.com/vb/showpo...9&postcount=42
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#2 | |
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Jean's reply from the other thread: http://www.vikingsword.com/vb/showpo...6&postcount=43
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#3 | |
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And the last post to bring all info over here: http://www.vikingsword.com/vb/showpo...9&postcount=44
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#4 | |||
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Join Date: Apr 2005
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Hello Alan,
Thanks a lot for your comments! I, for one, wasn't necessarily suggesting Banten. ![]() However, it is certainly interesting to have such an early blade with (apparently) its complete "original" fittings, even if these are of secondary importance... Quote:
Any ideas how strictly controlled/enforced dapur was during the very early Mataram Senopaten court? During any major cultural transition, one might either expect pieces with mosaic features (alluding to different sources) or a (possibly fast evolving) "new style" to build a new social identity/cohesion? Quote:
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Regards, Kai |
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#5 |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,218
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Kai,
Thank you very much for taking it upon yourself to transfer a few of the posts from the other thread to this thread. Be careful though, or Rick and i might just have to curse you with a moderator title for your trouble. ![]() ![]() |
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#6 |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
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I would also ask, is anyone capable of presenting photos of these Dresden examples (2886 and 2899) here for these discussions? For many of us these conversations are useless without a visual illustration to follow along with these observations. Thanks!
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#7 |
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Join Date: May 2006
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David, I believe that the only way anybody can actually get any understanding at all of the Dresden keris is to obtain permission from the relevant curator to examine them.
I did obtain that permission, and the price I had to pay was my signature on a legal document that ensured I could never publish, share, or lend any photograph of any item that I had photographed. Some other people who have published photographs of these keris have broken the conditions agreed to and have laid themselves open to prosecution. I personally feel that it might be difficult for a German organisation to pursue charges against an Australian over a matter such as this, but there is the possibility that I may wish to examine these keris again one day, and I want to be able to do so. Incidentally, every other museum that has permitted me to examine their holdings has imposed similar requirements to those imposed by Dresden. In most cases, not quite as formal, nor as frightening, as Dresden, but legally enforceable just the same. In Dresden it was explained to me that the document I was obliged to sign in order to gain access was the result of previous betrayals of trust. |
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#8 | |
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Join Date: Mar 2016
Location: Paris (France)
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![]() I don't understand this stupid regulation that forbids the sharing of photos of a piece kept in museums. A museum is made to preserve and share a knowledge or a masterpiece with the biggest numbers! If the object isn't exposed and that the museum prohibits the photos it should either publish official photos on its website, or in a publication available for purchase for those interested. ![]() Otherwise, would it be possible for those who have photos to draw shematically the blades in question? (when you have some time of course). ![]() |
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#9 |
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Join Date: May 2006
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Kai, since yesterday I have moved away from my records and it will be at least 2, possibly 3, days until I can respond to you adequately.
My previous remarks have been made upon the basis of +/- 12 photos of the "Banten" keris, as well as notes made while I was handling it. I am not using Jensen, as I still do not have access to that work. I will respond when I am able. |
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