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#1 | |
Member
Join Date: Jun 2009
Posts: 1,740
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![]() Quote:
Thank you and I won't argue anymore as we are deviating from the original subject, but would you say that every old Javanese blade (including the village and trade pieces) should be aligned to a specific tangguh? Paul, could you please post a clear picture of the sorsoran of the blade? Regards |
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#2 |
Member
Join Date: May 2006
Posts: 6,992
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Absolutely not Jean --- from the classic point of view.
But it seems to be obvious to me that the current crop of collectors, the bulk of whom are from outside the society and the social level for whom the tangguh system was relevant, now have decided that a tangguh can be stuck onto every keris ever made. That's just the way it is at the moment, and I doubt that it will ever go back to the classic form. After all, it is only an opinion, and opinions in the strictest sense are not really open to debate, but they can be discussed, which makes tangguh a wonderful method of generating conversation and social interaction. |
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#3 |
Member
Join Date: Jan 2013
Location: Netherlands
Posts: 188
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The Dutch Rijksmuseum also has similar topengan pieces in its collection. Both are attributed to Madura.
For photo one, the description reads: J.C. Baud, Governor-General of the Dutch East Indies, was presented with this kris by Mangkoe Adie Ningrat, ruler of Pamekasan, during his inspection tour on Java and Madura in 1834. The exchange of gifts between native rulers and Dutch officials was important in maintaining good diplomatic relations. A kris, as a symbol of power that protected its wearer against evil, was a highly appropriate gift. For photo 2: This kris was presented to King William I by the Sultan of Madura, Cakra Adinigrat VIII, in 1835. In an accompanying letter, the sultan expressed a thousand thanks for his appointment as a Commander in the Order of the Dutch Lion. His gift to the king was a kris ‘made at my kraton [= palace]’. Two of the 117 diamonds decorating the scabbard are missing. |
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