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Old 18th October 2017, 05:18 PM   #1
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Old 5th November 2007, 02:49 PM

Posted by:
Jim McDougall

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Hi Jens,
Excellent point, very often it becomes hard to determine which are the trade blades and which are locally made. In many cases the locally made blades become quite good, and as trade blades were made sometimes rather indiscriminately, the very quality the markings presumed to declare was in fact not present. I think in many instances the manner in which certain markings were applied and the locations on the blade sometimes gave clues. For example, in the Sahara, the dual opposed crescent moons seen on the takouba blades are clearly an imitation of the larger crescent moon on the European talismanic blades. Applied doubly must have been thier idea of somehow strengthening or emphasizing the application.
In another case, the eyelash type markings appear on a blade in the Caucusus ( also on an Indian blade I have seen) rather than singly, applied in linear repitition, in the manner of motif. This multiplied use of what was originally a single trademark suggests the folk interpretation of increasing the quality or power imbued in the blade.

It seems that the X stamps typically enclosed either names, mottos or inscriptions on 17th century European blades, possibly some earlier. I am not certain of the purpose of these x markings but to enclose these inscriptions, and possibly since they often occur in multiple, numerological symbolism may be involved.

All the best,
Jim
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Old 18th October 2017, 05:18 PM   #2
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Old 6th November 2007, 01:09 AM

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Hi Jim,

The images in Zygmunt Lenkiewicz and Dudley Gyngell's books are the same and as you know attributed to Peter Munich (I will post the images in Gyngell below). Not quite the cloud and sword as on Michael's beautiful blade. I think these images are often mistakenly attributed to Peter Munich but infact date to Solingern from the mid 18th to mid 19th century. The Munich images are much more detailed. The exact images seen on Michael's blade are seen often on British 1788 blades from the Runkel factory. They are less often but not atypically seen on British 1796's, and trade blades to Eastern Europe, Caucasus and Africa (oddly I haven't found any exported to America?). Similar images are copied in these areas, but appear more crude.
The arm with sword protruding from a cloud is thought to represent the sword of God or God's justice. It is seen in herarldry from Poland, Scandinavia, and Ireland to name a few. It has been mentioned that there at least was a Protestant connection. It is interesting to note that often in heraldry and in the blade image the sword is a "scimitar" not the more typically European saber as in Michaels coat of arms?

Hi Jens,
I think you are correct (again!), Just with the examples above you can see the images on the trade blade, local images on imported trade blades and local images on local blades. Possibly commercialism or possibly the images have significance that is independent of its possible trademark status. I will see if i can find any references to the mark on your blade.

All the Best.
Jeff

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Old 18th October 2017, 05:19 PM   #3
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Old 6th November 2007, 04:25 AM

Posted by:
Jim McDougall
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Hi Jeff,
Thank you for posting the reference on the Peter Munich blade markings, and I think you are right in these appearing in kind, much later into the 18th and 19th century and the astral figures do appear often on British officers sabres as you have noted. I have always thought that these figures on these blades in these later times not only had to do with quality symbolism, but likely even more to do with Masonic lore. In those times officers were of course also well established gentry and often nobility, and were of course also often quite active in Freemasonry, where much of this symbolism remained well in place.

Very good point about the trade blades from Solingen, or for that matter Runkle who was situated in England, and their wide distribution. I think that in America these blades did get there in some degree of course via British presence. Best source for examples here would probably be Neumann, "Swords and Blades of the American Revolution".

Interesting note that you bring up on the sword held by the arm in the cloud being a 'scimitar' as described in heraldry. It seems that these sabres and for that matter the 'Oriental' fashion deeply influenced many European forces in warfare in Eastern Europe against Turkish forces, and in many cases the 'exotic' imagery was adopted in degree. One interesting case is with a few of the Scottish mercenaries who adopted the curved sabre blades in their basket hilts, terming these hybrids 'turcael', if I recall.

With the mention of the Scottish blades, it brings to mind that it seems invariably that the basket hilt blades were German, and presumably mostly from Solingen. Needless to say, that brings us to the Andrea Ferrara myth!!

All the best,
Jim

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Old 18th October 2017, 05:19 PM   #4
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Old 6th November 2007, 04:46 AM

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Thanks for mentioning the Scottish blades as that reminded me about another observation. Often these 'trade marks' are doubled. ie. eyelashes & Ferrara marks, Or as in this Scottish basket hilt stars and moon with the Spanish motto etc.

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Old 18th October 2017, 05:20 PM   #5
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Old 6th November 2007, 04:54 AM

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Regarding the scimitar in the cloud image. I always wondered if it represented that the Eastern powers were seen as God's punishment, you know, not enough faith and all that...

More things to ponder.
Jeff

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Old 18th October 2017, 05:20 PM   #6
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Old 6th November 2007, 03:18 PM

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Jens Nordlunde

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Interesting to notice what Jim writes, and it is most likely true. In the start trade blades were no doubt of the same quality as the blades used by the soldier of the trading country, but along the way it is also likely that a lesser quality was exported, so in the end the locally made �trade� blade might have been of quite a higher quality than the ones imported.

The same happened to the Indian ingots in the early centuries, so in the end the Arabic merchants stationed controllers at the west coast of India, to check the ingots before they were exported.

A side remark � there were no doubt a lot of blades imported into India, which did not have any markings, but we will never know how big this import was.

Very good explained Jeff, and good instructive illustrations as well.

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Old 18th October 2017, 05:21 PM   #7
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Old 6th November 2007, 03:55 PM

Posted by:
Jim McDougall
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Excellent observations Jeff! and especially pleased to see that Scottish basket hilt blade, which is a beauty ! I remember that one! This further emphasizes that these Scottish blades were indeed German imports, as the 'Spanish Motto' blades have now been determined to have been produced in variation and number in Solingen. It seems that early Scottish blades bearing patriotic mottos had inscriptions that were noteably Germanic in spelling, such as 'for Schotland and no union'.

As you have noted the application of these astral markings as well as the motto seem to have been applied somewhat in disassociated manner as far as original or presumed symbolism, suggesting of course that such blades were made to appeal to certain markets or consumers without particular consideration or understanding of the markings. It would seem also that blades could have been decorated specifically at the request of the consumer. In such case, the coupling of markings indeed would have been found on varied blades intended commercially.

The suggestion that Solingen produced special order blades is also seen with the sword bearing arm out of the cloud that we are discussing. In one reference to this particular marking it appears along with a 'sacred heart' marking which is typically regarded as a Catholic associated symbol if I am clear, and in such context with presumed Protestant markings such as the arm in the cloud would again suggest production in a more commercial perspective such as the Solingen blades.
It would require a great deal of theological debate to discuss the possible symbolism of most of these allegorical markings, but the general application seems to support the talismanic concept.

It seems that early writers on arms such as DeCosson proposed that in many cases the application of what are perceived as names of makers may have been descriptive terms for types of swords, with of course Andrea Ferrara at the fore. Another familiar example is that of 'SAHAGUM'. While this of course is known as a place in Spain, and possibly a makers name, it occurs on blades in elusive variation, and often spelled differently. I have seen this term applied to allegedly Toledo produced blades and actually spelled differently on each side of the blade. Again,clearly Solingen production though the blade heralded 'EN TOLEDO' as well.

As you have well said.........lots more pondering!!!!!

All very best regards,
Jim

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