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#1 |
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Salaams Jim, It is certainly an interesting discussion and again your excellent pointers are very much appreciated.
The entire region in the days of the German immigrant sword makers was a hotbed of intrigue~ The whole business of the Jacobite rebellion was in ferment and it is here I wish to start. What degree of collusion was there with the sword-makers of Shotley Bridge? After Culloden many fighters from the Scottish side ran to the wilds of Durham, Northumberland and Cumberland where they formed an entirely separate although probably linked clan organisation known as The Moss Troopers who stole and robbed ...and were often caught and executed! It may be noted that Lord Derwentwater was tried and found guilty and executed for being a supporter of the Jacobite cause. Indeed such was the fervor and hatred for these brigands that the English set up a formidable military force at Newcastle and were unrelenting in tracking down sympathizers that many people caved in to government demands and openly expressed their government support. Mohll was caught with a load of swords and placed in jail only to harness important support and so he was released. It is said that there was some religious implication in pushing the Germans to elope with their sword secrets ...That would make the reasons Political and Religious ...a powerful enough combination linked to the obviously difficult situation in Solingen with the 30 year and later fighting taking place. That coupled with the intent in England to raise their game as far as sword making quality was concerned would probably suffice as to the reasons why they went. If I may jump to the use of kilns at Shotley Bridge .. They were built certainly one at the south end of the Bridge and others further up river probably at the Forge and further up river a few miles on to Alansford . There is a even street in Shotley Bridge called Kiln Street. Somewhere I noted that materials were inported from Sweden ...ore?... for these kilns? No mines are reported in Shotley Bridge; coal or iron ore. There was plenty of wood... The swordmakers house stood in Wood Street..and Derwent meant oak valley. There was abundant Beech forest in the area. The water was excellent for tempering steel and for water wheel power. It is understood that the sandstone grit on the riverbed was ideal for sharpening and grinding blades. In a further leap~ I question the Colichimarde situation...and the swords imported but initially confiscated when Mohl got arrested. If they were from Solingen they would surely have been stamped...My question being when was a sword stamped? There were a lot of these 1400 apparently but no definite detail of what sort of blades...nevertheless they would have been stamped I suspect...Solingen ! In all the examples seen so far ... and as far as I can see... No Colichimarde examples exist out of Shotley Bridge because they never had a machine capable of such grinding. Although this may not have been the only reason for its demise as other swords were being used...particularly in the Military ...It may have been a factor and why specialists were dispersed either back to Germany or to other English factories like Birmingham. Post 28 sets another conundrum here... How do swords stamped with the Solingen mark of the running wolf appear with SHOTLEY BRIDGE stamped down the fullers? Are these examples of blades fetched by Mohl already with the wolf stamp or did shotley swordmakers place these ...It may mean they used both fox and wolf... but it seems odd. It is in fact the case that the hilts were often wire adorned in what is described at; https://oldswords.com/articles/Smal...tibles-v1i1.pdf which is a must read for this style. Last edited by Ibrahiim al Balooshi; 27th September 2017 at 04:55 AM. |
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#2 |
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Here is a half basket... as I begin to examine Scottish Basket hilts and since The Crown and Crossed Swords owned by the Swordmakers sports two giant swords as their Hotel Sign under a Crown..
https://www.yorkmuseumstrust.org.uk/...RvcnkmRk49JTJB Also below for library purposes sword blade marks. |
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#3 |
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![]() ![]() --Frederick Wilkinson Swords and Daggers (p.58) Last edited by Ibrahiim al Balooshi; 27th September 2017 at 07:12 AM. |
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#4 |
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In a bid to tie Shotley Bridge to Scottish forms I need to prove more links and in doing so cite the trade link below where a Shotley Bridge sword is paired with a Scottish Scabbard. It was common practise to have the sword made at one place and the hilt and/or scabbard made at another. There is no picture.
A BRASS HILTED OFFICER'S SWORD, LATE 17TH/EARLY 18TH CENTURY with double edged blade retaining traces of a brief inscription within a short fuller and stamped with the running fox of Shotley Bridge on each side (pitted), brass hilt comprising double shell-guard engraved with the owner's name 'Sir H, Liddell Bt', knuckle-guard, an additional pair of scrolling bars joining the knuckle-guard to the shell front and back, and spherical pommel (button chipped, quilon removed), and wooden grip with later copper wire binding, in an associated brass-mounted lather scabbard, the locket inscribed 'R.S.' on the front and with the maker's name 'J. Hunter, South Bridge, Edinburgh' (worn) 80cm; 31 1/2in blade Sir Henry Liddell (before1660-1723) gained the title of 3rd Baronet Liddell and was M.P. for Durham City, 1688-98, and for Newcastle 1701-5, and 1706-10. |
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#5 |
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More interesting entries Ibrahiim. The one regarding Gill and the ongoing competition and difficulties between German sword production and the English makers struggling to prove their skills which had been going on for over a century or more and lasted well through the 19th. In the 1780s these tests mentioned led to him and some others to begin using phrases and terms such as warranted, or in his case 'warranted never to fail' on their blades.
This practice continued until around 1810 or slightly later with Gill, Osborne and perhaps one or two others. I think that the iron deposits known in Shotley areas were mostly 'ironstone' and inadequate for quality needed in blade forging. The steel imported was from Sweden I understand, much as it was to Solingen. As noted, the wood required was abundant. In most of the entries in references I have seen, it is suggested that primarily Shotley was 'finishing' forged blades from Germany, probably via Holland (the ship Mohll's cargo was on was from Rotterdam). These seem to have been heavier broadsword or backsword blades for military swords and hangers (which appear to have been already mounted from the sound of the single bundle in the shipment). The running wolf conundrum : It seems that the Solingen applied running wolf was typically an almost chop mark type image, often barely recognizable as a specific creature. This was in accord with the way these had been applied in Passau in earliest forms. There was little, if any, uniformity in these images, and in Wagner ("Cut and Thrust Weapons", Prague, 1967) the chart of these 'wolf' marks depicts the variation, but misleadingly adds years, suggesting any such chronology existed. It was entirely a matter of the worker applying the mark in nominal form. Actually, by the time of Shotley Bridge in the latter 17th century, as far as I have known, the running wolf occurring on Solingen blades would have been an anomaly. In my opinion the blades with Shotley Bridge and running animal (looking more like a dog and actually recognizable) were probably finished there, and likely 'blanks' from Solingen. The later canine figures used by Harvey (and possibly Dawes) in Birmingham seem to be a running fox (note plumed tail) and with Harvey using his initials enclosed. It would seem these were in earlier blades and alluded to the German quality which had been known from Hounslow times and Shotley. Remember that these blades were highly esteemed and still circulating. In later Harvey blades there were various marking with his name and initials but no fox. The fox may well have recalled Shakespeare who used the term 'fox' to describe a fine sword blade in some of his works, and for a time became a colloquial term (' thou diest at the point of fox'). It seems like there were some blades with Shotley marks which were more of the rapier form with central fuller known on some of the English cup hilts, but I have never heard of a Shotley colichemarde. But then as previously noted, it is really unclear what they actually produced aside from the examples of military backsword or broadsword blades and some hangers. Maybe somebody out there has seen Shotley marked blades and might post here in addition to those already shown. |
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#6 |
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Thanks Jim, It does seem that the formation of The Hollow Blade Company... and with it The Sword Blade Bank were subsidiary to the Sword Makers of Shotley Bridge but entirely separated by some sort of legal wizardry!... This allowed the Banking arm to operate in very murky waters indeed and with the South Seas Company (later implicated and of the South Seas Bubble fiasco) who were up to their necks in the slavery business. Many would argue that the slave trade financed in part the Industrial Revolution in the UK..
![]() See https://books.google.com.om/books?id...20bank&f=false The thrust of this segment of my input suggests that the naming of the company and its association with the Shotley Bridge sword makers was irrelevant except for the prestigious linkage with certain branches of Royalty and influential business names and of no substance to do with blade production whatsoever. It therefor largely represents a degree of importance in the general smoke screen when unraveling this puzzle along with the blade in the hat story and the mercury in the hollow blade. The biggest flanneling escapade may yet turn out to be the entire story of the Hollow blade as quite unfounded and that no hollow blades of the Colichemarde form ever got made at Shotley Bridge. Last edited by Ibrahiim al Balooshi; 27th September 2017 at 09:26 AM. |
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#7 |
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To underline my last words above see https://oldswords.com/articles/Small...ibles-v1i1.pdf
Where at page 35 the author; the reknowned E. Andrew Mowbray in Men at Arms Magazine states~ Quote" There is no evidence that hollow blades were ever produced at Shotley Bridge.'' Unquote. |
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#8 |
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Keith, my apologies I entirely missed your post (#36) and the illustration of the hilt with marks. Could I see the entire sword?
These 'regimental' marks on the hilt seem to have been more of a convention of the mid to latter 18th c. in England, though I am not saying such cases did not exist earlier. There was little standardization and such unit stamps were simply applied incidentally it seems. The '2' with hyper link D and 'B' would certainly be plausible as 2nd battalion. I am curious at how the Oley attribution to the blade is made. By the marking crown over 9, this seems indeed an inspection mark, and these are described by Robson in his "The British Military Sword" (1975) but I do not have my copy at hand. It seems these kinds of marks were not used until the second half or latter 18th c. but again could be wrong on that. If this is as I suspect, a mid 18th century infantry hanger (possibly the heart shape guard known as 1751 due to the Morier paintings) and dating to the Revolutionary War period, then it would be fascinating to see an Oley blade from Shotley confirmed. If Shotley was indeed producing military swords that late, I am curious why it is not included in any of the literature that are compendiums and listings of such makers over the past 60+ years. It could be of course that old hanger blades from Shotley were remounted just as the case with numbers of blades with both Hounslow and Shotley markings, however evaluation of the sword as a whole is necessary. Ibrahiim, thank you so much for the link to the wonderful article by Andrew Mowbray, which if not mistaken was in the first volume of "Man at Arms" magazine back in 1979. He was one of the most helpful and knowledgeable men in the arms community, and truly an inspiration to me. I think he well surmised the Shotley situation, and there was indeed no doubt that blades were being brought in to 'salt' the works, and to appease investors anxious about the production. His description of the colichmarde matter is excellent, and well explains the purpose of the heavier forte section of the blade in dueling, which of course inherently exceeds fencing parameters in use of these unusual maneuvers. I had not thought of grabbing the blade in the manner described in the article. That the feature on a blade suddenly appeared is no more reliable a notion than its alleged limited use and sudden disappearance. The curious blade profile with dramatic reduction in the blade to narrow foible to point is known in more ancient swords in blades known as 'carps tongue' if I recall correctly (Oakeshott, 1962, "Archaeology of Weapons"). The idea that some rather showy instances of blade production were probably emplaced in degree seems logical, but it would be unlikely to find accurate detail considering the covert and rather unconventional legal matters at hand. Keith, it has been known that Benjamin Stone was very much the driving force in Hounslow, and though he was not a maker or craftsman, but an enterpreneuer/deal maker, he did have his own stamp or mark....a bunch of grapes. That he was getting blades from these many centers is not surprising as trade in blades was long a key industry, though he likely acquired these in lots through locations such as Holland, which like Liege, were international arms dealers. Naturally the occurrence of various marks, names and inscriptions would be seen in almost a happenstance manner in these dynamic dealings, so to try to set rigid guidelines, axioms or classifications would be futile. Keith, it is great to be discussing this intriguing topic with you and Ibrahiim as it seems at last I am learning more on what seemed quite baffling as I tried studying it decades ago. I hope you will keep us posted on progress on your book and looking forward to it!! |
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#9 | |
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I had a look in Bezdek's book and I found four J. Hunters operating in Scotland. It looks like the scabbard was made between 1560 and 1580 then was re-used. We could probably find out what RS stood-for if we cared-to but there is no-one amongst his ancestors. I gather there was no maker's mark on the hilt. It may have been an old hilt with his title added or he may have had a new one made. I can't say 'for his new blade' because this man never did any fighting (other than in Parliament) so the wear of the blade was not down to him or any of his descendants; one of whom was father to Alice of Wonderland fame. It was obviously all old when he acquired it - apart from his title on the hilt - and may have been assembled by various folk over the years. Sword slipper James Hunter 1538–1548 Perth Cutler James Hunter 1780–1810 Edinburgh Sword slipper • Made midshipmen’s dirks and cold stream guard officers swords. Armourer James Hunter 1560–D1580 Edinburgh Sword maker • Master Armourer, 1570. • When he died, he had 62 swords and 125 blades in stock. Armourer James Hunter 1598–1608 Dundee Sword maker • Son of David Hunter. |
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#10 |
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Of course, the brief (and faded) inscription may not be Shotley Bridge and the fox could have been from anywhere in the past - including Hounslow - if he bought it in London, or Solingen then hilted in Scotland in the 1500s; so the sword and hilt and scabbard may well have been contiguous.
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#11 |
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I took this last week when I was out at Shotley Bridge.[IMG]
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#12 |
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Thank you for the excellent additions to library ... I am on page 50 of your first copy and how interesting it is... There are many interesting features which I need to compile ..
As a matter of interest the sign on the Crown and Crossed Swords is a relatively new one ... Apparently the old one was removed in about 1965 and this new one was the replacement and quite different to the original. The previous sign being more the crossed sword form, flatter and of the basket type... ![]() |
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#13 |
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![]() ![]() A BRASS HILTED OFFICER'S SWORD, LATE 17TH/EARLY 18TH CENTURY with double edged blade retaining traces of a brief inscription within a short fuller and stamped with the running fox of Shotley Bridge on each side (pitted), brass hilt comprising double shell-guard engraved with the owner's name 'Sir H, Liddell Bt', knuckle-guard, an additional pair of scrolling bars joining the knuckle-guard to the shell front and back, and spherical pommel (button chipped, quilon removed), and wooden grip with later copper wire binding, in an associated brass-mounted lather scabbard, the locket inscribed 'R.S.' on the front and with the maker's name As is commonly mixed up with the fox/wolf;...This description comes with no picture of the weapon thus it is suspect as being confused between the two animals. I think the weapon is stamped with the Passau Wolf NOT the fox. Clearly the wolf or running wolf which has several all stick like images of wolves was the Passau wolf famous on Solingen blades but reproduced in other schools of sword making excellence as a blade of quality mark. It is very different in structure to the running fox. As will be seen ... The Running Fox was never done by Shotley Bridge...whereas the Passau wolf was... After all many of the sword smiths there were originally from Solingen. It remains to be seen if Shotley was importing a load of blades regularly from Solingen if the Passau wolf marks were all done at Shotley Bridge or already on the blades when they arrived ...or both! If Shotley was not stamping the Fox who was? It would appear that Samuel Harvey is in the frame at Birmingham...anyone else? ![]() Last edited by Ibrahiim al Balooshi; 30th September 2017 at 09:48 PM. |
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Hello Ibrahiim. The image on the sword sold in auction last year (see post #25 of this thread) with first-person confirmation of probity i.e. an Oley blade from SB, is definitely a Samuel Harvey like fox not a Passau/Solingen/early SB wolf. I am waiting to hear from the auctioneer as to whether the vendor (an ex SB resident) will commune with me.
here's the other half, and the original half, of the pub.[IMG] |
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#15 |
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Then it is not a Shotley product. It is however a Birmingham one. It is a Samuel Harvey. Nice picture by the way... Thanks.
The stick like construction of the Passau Wolf mark was a favourite of Solingen and often used by other sword schools of manufacture to signify a quality blade much in the same way that Andrea Ferrera was struck on blades throughout history. Swords emanating from Shotley Bridge often sported this mark...but never the bushy tailed Fox. Last edited by Ibrahiim al Balooshi; 30th September 2017 at 11:58 PM. |
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