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Old 26th July 2017, 02:55 PM   #1
Sajen
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Quote:
Originally Posted by kai
Thanks for adding the pic!
I think it's more meaningful.

Quote:
Originally Posted by kai
The auction house didn't gave any support for their estimate - with them confounding horn and bone, I don't see any reason to put much trust in their descriptions...
I also don't put any trust in descriptions from auction houses but sometimes they have a reason for the age guess, would be worth to call them and ask for any background knowledge they may have. I was going with the patination the blade show at the auction house picture.

Quote:
Originally Posted by kai
The blade is quite nicely done, indeed. However, it does show the flow of lines and details of later rencong; also note the forging flaws at the bolster. It may predate WW2 a bit - however, much more important is that it does appear to be made by an Aceh bladesmith.
Agree with you that the "file" work is different from antique blades, maybe a sign that it is maybe not done by an Aceh smith? We don't will be sure about this point. The forging flaws you can find also by antique blades, see attached picture from one of my pieces: http://www.vikingsword.com/vb/showth...hlight=rencong

Quote:
Originally Posted by kai
BTW, the Chinese/Malay souvenir industry in Medan was already in full swing by the late 19th century! I'm pretty sure the fittings were done there (post-WW2).
So why it can't be pre WWII?

Quote:
Originally Posted by kai
Still, the genuine blade certainly makes this later example collectable.
Agree complete with you, it's a nice piece which show, that there was already early a small "tourist knife" market with well done pieces. I have a very nice worked Batak rawit where I am sure that it is worked for tourists since I've seen a lot other examples in exact the same style. BTW, I bid on this recong as well, but much lower.

Best regards,
Detlef
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Old 29th July 2017, 08:35 AM   #2
kai
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Hello Detlef,

Quote:
I think it's more meaningful.
I really hate these "artistic" pics of many auction houses and sellers. While they may be pleasing (and usually done with professional equipment), they often hide "features" that would otherwise be more obvious. Marius pics were certainly important to verify the true shape of the blade.


Quote:
I also don't put any trust in descriptions from auction houses but sometimes they have a reason for the age guess, would be worth to call them and ask for any background knowledge they may have. I was going with the patination the blade show at the auction house picture.
Marius, maybe you want to send them an email? The blade doesn't seem to show any wear and I don't see any patina that necessitates placing this into the first quarter of the 20th century.


Quote:
Agree with you that the "file" work is different from antique blades, maybe a sign that it is maybe not done by an Aceh smith? We don't will be sure about this point.
The duru seuke as well as the taku rungiet and the other features at the bolster are traditionally done; only the shape of the blade and the "greneng" are of a clearly modern style which took a while to develop in Aceh: first the quality of the rencong deteriorated and then the stylistic changes set in during the first half of the 20th century.

I'm quite positive that the blade is Aceh workmanship; the blades which I suspect to be made by other cultures are those gruesome examples with wax resist etching in pseudo-Arabic "calligraphy"...


Quote:
The forging flaws you can find also by antique blades, see attached picture from one of my pieces
Definitely. If we exclude those which may have become visible upon continued corrosion, major flaws are really rare though.


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So why it can't be pre WWII?
It's an estimate - I won't quibble about some years. Yet I'd like to see any solid evidence.

Regards,
Kai
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Old 29th July 2017, 10:41 PM   #3
mariusgmioc
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Thank you very much for your comments!

I honestly am less concerned about the age of the pieces I collect... as long they are well crafted and in a traditional way.

This piece is certainly well crafted but it seems in a more modern style.

Is this style the result of a forced attempt to make the knives more marketable or did it come naturally, as fashion changed?
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