18th Miquelet Lock Musket, Catalonian Maker Info Needed

[dana_w]

Originally Posted by fernando

Speaking of patilla lock variations, and if Dana doesn't mind, i here upload an example of Portuguese 'patilha de invenção' lock, made by master Bartholomeu Gomes, dated 1781.

I certainly don't mind fernando. Collectively we have access to many wonderful examples of Miquelet Lock styles. The forum gives us a good opportunity to examine any unique differences.

[Fernando K]

Hola, tocayo

A pesar de las dificultadees de la traducion, respondo a tu inquietud

Primero. La gran diferencia con la llave "a las tres modas" esta en la brida del rastrillo, que en el miquelete es postiza (debajo de la calzoleta) y en la llave a la tres modas, como en la llave francesa, la brida forma parte integral de la cazoleta (Estrivillo, dice el documento del Palacio reproducido por LAVIN)

Segundo. El resorte del rastrillo esta a la vista, y no oculto como en el miquelete, debajo de la brida y oculto por este, y el vetice apunta en la misma direccion que el resorte mayor, y no como en el miquelte, que tiene el vetice hacia el pie de gato y el extremo aapuntando al extremo delantero de la platina. El echo de que el resorte del rastrillo este situado arriba o delante del resorte mayor, es intrascendente, y depende del constructor de la llave, y del largo que le quiso dar a la platina de la llave.

Tercero. A veces, el resorte no es plegado, sino que es curvo, como sucede en algunos ejemplares de miquelete, pero sigue estando a la vista (aunque la cazoleta tenga una brida postiza, como en ejemplar mostrado por Calvo) pero sigue la misma orientacion que en la llave a la romana

Cuarto Se puede notar que la posicion del calzo de media monta difiere en los dos ejemplares, pero no es definitorio.

Creo que es todo

Un anrazo. Fernando K

[Fernando K]

Hello, namesake

In spite of the difficulties of the translation, I respond to your concern

First. The big difference with the key "to the three fashions" is in the flange of the rake, that in the miquelete is false (under the knob) and in the key to the three fashions, as in the French key, the flange forms part Integral of the cup (Estrivillo, says the document of the Palace reproduced by LAVIN)

Second. The spring of the rake is visible, and not concealed as in the miquelete, under the flange and concealed by it, and the vetice points in the same direction as the major spring, and not as in the miquelte, which has vetice Towards the cat's foot and the end pointing to the front end of the platen. The fact that the spring of the rake is located above or in front of the major spring is inconsequential, and depends on the builder of the key, and the length that he wanted to give to the stage of the key.

Third. Sometimes, the spring is not bent but curved, as is the case with some examples of miquelete, but it is still visible (although the cup has a flange, as in an example shown by Calvo), but it follows the same orientation as In the key to the Roman

Fourth It may be noted that the position of the half-mounted chock differs in the two exemplars, but is not definitive.

I think that's all

[fernando]

Thanks for caring, tocayo

[dana_w]

fernando, do you have a photo of the Bartholomeu Gomes lock at half-cock?

[fernando]

Originally Posted by dana_w

fernando, do you have a photo of the Bartholomeu Gomes lock at half-cock?

No ... but i can take one.

.

[dana_w]

Originally Posted by fernando

No ... but i can take one..

Thanks. That makes the half-cock sear obvious.