F. de Luzon's Moro Kris Collection

[Spunjer]

welcome, F.!
you have a beautiful collection! i can't add anything else as to what everyone said. all i can say is, happy hunting!
my very first piece came from Davao. i acquired it when i was there. i did stop at some of the antique stores in MM. favorite was Mang Ven's in Ermita. did find some at one of the bigger malls (can't remember the name).
it's all nice to see a new collector!

[F. de Luzon]

Originally Posted by Spunjer

welcome, F.!
you have a beautiful collection! i can't add anything else as to what everyone said. all i can say is, happy hunting!
my very first piece came from Davao. i acquired it when i was there. i did stop at some of the antique stores in MM. favorite was Mang Ven's in Ermita. did find some at one of the bigger malls (can't remember the name).
it's all nice to see a new collector!

Thanks for the warm welcome and for appreciating my modest collection, Spunjer! Davao and Metro Manila have been my hunting grounds as well. Mang Ven's is also my favorite place. He's a nice guy, very accommodating with lots of interesting stories to tell. I saw your post on the very impressive Maranao blade. I hope to get as lucky as you one day.

F. de Luzon

[F. de Luzon]

I etched #4 and had a new scabbard made. The wood is Kamagong (also called Mabolo), a variety of ebony endemic to the Philippines. It is a highly esteemed wood but I have never seen it on an antique Moro scabbard before. Probably, the reason is because it is dense and heavy. While based on traditional Moro design, the scabbard is in the style of the makers (well known blacksmiths from the Province of Pangasinan) and thus modern.

Here are some pictures showing the condition of the kris at the time of purchase, after initial restoration and finally, after etching. I think it turned out nicely.

[Battara]

Originally Posted by F. de Luzon

The wood is Kamagong (also called Mabolo), a variety of ebony endemic to the Philippines. It is a highly esteemed wood but I have never seen it on an antique Moro scabbard before. Probably, the reason is because it is dense and heavy.

I agree. I have worked with kamagong before as well as narra and paduk (a cousin to narra) and these are not only dense, but they dull steel edges and tools (they have dulled mine for example). I usually see kamagong reserved for Moro hilts.

[apolaki]

Originally Posted by Battara

I agree. I have worked with kamagong before as well as narra and paduk (a cousin to narra) and these are not only dense, but they dull steel edges and tools (they have dulled mine for example). I usually see kamagong reserved for Moro hilts.

Are you familiar with Ipil wood and Molave wood and do know if they are used as well in weaponry or in other contexts?

[F. de Luzon]

Originally Posted by apolaki

Are you familiar with Ipil wood and Molave wood and do know if they are used as well in weaponry or in other contexts?

Herbert W. Krieger mentions both types of wood as used in making native weapons in "The Collection of Primitive Weapons and Armor of the Philippine Islands in the United States National Museum" (Washington: 1926, 13). He also mentions molave as material used for war clubs (pp. 46-47)

[kai]

I etched #4 and had a new scabbard made. The wood is Kamagong (also called Mabolo), a variety of ebony endemic to the Philippines. It is a highly esteemed wood but I have never seen it on an antique Moro scabbard before. Probably, the reason is because it is dense and heavy. While based on traditional Moro design, the scabbard is in the style of the makers (well known blacksmiths from the Province of Pangasinan) and thus modern.

Nice wood for sure!

IMVHO it may pay to "educate" them on traditional designs for such custom projects. Even if one prefers to keep the additional carving on the crosspiece, it would look much nicer if the base of the crosspiece was flush with the stem (at least in my book - sorry, I'm a stiffler for tradition, I guess ).

Here are some pictures showing the condition of the kris at the time of purchase, after initial restoration and finally, after etching. I think it turned out nicely.

Wow, I'm glad that you rescued this kris - the blade did came out very nice!

Could you add some close-ups of the blade for getting a better glimpse on the laminations, please?

Regards,
Kai

[Sajen]

Originally Posted by kai

Nice wood for sure!

IMVHO it may pay to "educate" them on traditional designs for such custom projects. Even if one prefers to keep the additional carving on the crosspiece, it would look much nicer if the base of the crosspiece was flush with the stem (at least in my book - sorry, I'm a stiffler for tradition, I guess ).



Wow, I'm glad that you rescued this kris - the blade did came out very nice!

Could you add some close-ups of the blade for getting a better glimpse on the laminations, please?

Regards,
Kai

Hi F. de Luzon,

second all comments from Kai. The wood is nice for sure, the carving well done but it would look much nicer to my eyes when it would have been done in traditional manner.

Best regards,
Detlef

[F. de Luzon]

Hello Kai and Detlef. I completely understand your preference for traditional design. I had this made in the style of the makers because the material used was non-traditional. I just wanted a scabbard made of kamagong (I really like this wood ) If ever I have another scabbard made, it will be as traditional as it can get.

Kai, attached is the photo you requested. Thank you both for your comments!

Regards,

F. de Luzon

[F. de Luzon]

I re-etched #5 (http://www.vikingsword.com/vb/showthread.php?t=22242) and a pattern emerged on the core. Did I over etch? It looks almost like glitter. I wonder if this was intended by its maker.