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#1 |
Member
Join Date: Dec 2004
Location: Ann Arbor, MI
Posts: 5,503
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Jens,
Yes, it is a conundrum... If we cannot identify actual examples from Deccan, is it possible at least to talk about " Deccani pattern"? Or, do you think even that is hopeless? You know, I never thought much about Deccan: for me martial culture of India was either North or South. The entire center of the country was a blur, a white spot. Just to think that we cannot pinpoint anything specific about it, is rather depressing. Dhup? Sossun Pata? Tegha? Are even they Deccani in origin? Kind of tragic for the martial culture of almost half of the entire India to disappear without a trace..... When Elgood can write a whole book about Vijayanagara, two volumes about a single Northern museum but only a short and tentative paper about the entire Deccan, it means we lost a giant chunk of human history.... |
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#2 |
Member
Join Date: Dec 2004
Location: Europe
Posts: 2,718
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Ariel,
Some types can be pin-pointed to Deccan, while other types will get the stamp - maybe/could be/perhaps/possible and so on. An example could be a Deccani miniature. You see one of the Deccani Sultans and two or three other persons. We know who the Sultan is, but the names of the others are seldom given, so are ther employd at the court, or are they visitors? If they are visitors, maybe from Rajasthan their weapons are not from Deccan, but you can get the feeling that when they are shown in a Deccani miniature it must be Deccani weapons. They could be Deccani weapons, but they dont have to be. In the very early times, the kukri and the kora were widely spread over big parts of India, but this did not last, at least not in most places. There is, however, some hope ahead as many objects of art from Deccan have been researched far more than the weapons, and that is where we should look for some of the answers - books like. Mohamed, Bashir: The Arts of the Muslim Knight Stronge, Susan: Bidri Ware Zebrowski, Mark: Deccan Painting and others. |
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