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#1 |
Member
Join Date: Oct 2007
Posts: 1,613
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Hi,
It would appear that someone has at some point attempted to imitate the interlocking triangles and proof slug found on 19thC British blades, presumably to increase the perceived value of the blade. Regards, Norman. |
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#2 | |
Member
Join Date: Dec 2004
Location: Bay Area
Posts: 1,660
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Regards, Teodor |
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#3 | |
Member
Join Date: Oct 2007
Posts: 1,613
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Hi Teodor, My mistake. ![]() ![]() ![]() My Regards, Norman. |
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#4 | |
Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
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Salaams Norman McCormick ~ I thought the same when I received the pictures ! It took me a while to figure it out as decoration on a pommel... I can't decide how this was achieved as it looks like a Wilkinson which has been hacked about... as I was saying it is quite an odd thing.. I have just posted a note to Early Makers Blade Marks By Jim McDougall on the subject Signs, Ornaments and inscriptions on Swords which is interesting. Regards, Ibrahiim al Balooshi. |
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#5 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,194
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Without going through resources in usual lengthy foray, I'd say Iain is pretty much spot on suggesting a European arming sword, probably Walloon or Pappenheimer and probably 17th century.
The shouldered forte and panel with these letters correspond to similar arrangements in Spanish/Italian blades and their Solingen counterparts. The letters are probably acrostic, and often occur representing various slogans, invocations or mottos so are typically indecipherable. This practice seems to have originated in Italy and was soon copied widely, however there are far earlier blades with such mysterious inscribed letters. It does seem unusual for one of these blades to end up in this particular Omani context, they are more often likely to turn up in kaskara in the rather limited cases that they do appear. It would be anyone's guess as to how this blade came into what appears to be a 'Mutrah' setting, but I think Ibrahiims suggestion of entry into the 'Red Sea' network probable. The Bedouin across Yemeni regions often stockpiled numbers of blades from these sources. The curious application of the 'Star of Solomon' on the pommel does seem decorative and might well be inspired by any number of sources, with this device often appearing on Ethiopian blades from England which came into Yemen from there. The primary interest in the blades out of Ethiopia was the rhino hilts, and the blades were either hilted in San'aa in various forms or went to trade sources eastward. |
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#6 |
Member
Join Date: Dec 2004
Posts: 1,712
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Fascinating one... Im interested t see the deductions!
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#7 | |
Member
Join Date: Jul 2006
Location: Buraimi Oman, on the border with the UAE
Posts: 4,408
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It is always a danger that in the last 5 decades since Muttrah has been heavily involved in switching hilts n' blades that some local collections may have been infected. I fear that this may be the case in this sword though it is interesting with a puzzling pommel and blade inscription. The Red Sea is indeed a complex case as blades that enter the area can funnel down and across it from many regions..and do so even today. I seldom get the chance to inspect the collection from which this one came ...nor do I get much chance to speak to the owner ...but he says Yemen...(NOT WITHSTANDING the bladewhich looks European) and to me that seems about right and later perhaps Oman for a tang extension and pommel. There are even more strange blades to come out from this and other sources and I shall endeavor to flash these to Forum as and when. Regards, Ibrahiim al Balooshi |
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#8 |
Member
Join Date: Oct 2007
Posts: 2,818
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Whilst considering the outer shape of the star on the sword only, not the inter crossing lines forming the seal of Solomon, a quick Google search found this link below.
From Al Liwa, Sultanate of Oman. http://star-of-david.blogspot.com.au...n-joradan.html A quick flick through The Craft Heritage of Oman by Richardson and Dorr notes that the 6 sectioned floral motif is featured in Oman decoration and jewellery and other craft aspects....But again without the inter crossing lines that make the seal. Scroll down 2/3rs of the page here for a glimpse of Oman silver work in the star pattern and the Jewish reference; https://shereenshafi.wordpress.com/2...im-project-4b/ When considering the long established sea trade and similar cultural aspects it does not seem out of place on this sword at all. Gavin |
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