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Old 6th August 2015, 04:25 PM   #1
Ibrahiim al Balooshi
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So if you think this is difficult have a look at Harry Wagners http://www.vikingsword.com/vb/showthread.php?t=20332 where The Smithsonian has a really difficult one to decipher.

The reference is playing it difficult thus here is the entire document without pictures...Quote"Help Us Decipher This Inscription

Visitors to Magna Carta: Law, Liberty, Legacy may have noticed that we have one or two objects on display, in addition to the many manuscripts and documents telling Magna Carta's 800-year-old story. One of those objects is a double-edged sword, found in the first section of the exhibition, on loan to the British Library from our friends at the British Museum.

The item in question was found in the River Witham, Lincolnshire, in July 1825, and was presented to the Royal Archaeological Institute by the registrar to the Bishop of Lincoln. It weighs 1.2 kg (2 lb 10 oz) and measures 964 mm (38 in.) in length and 165 mm (6½ in.) across the hilt; if struck with sufficient force, it could easily have sliced a man’s head in two.

BM-Sword
A double-edged sword, 13th century, possibly of German manufacture but discovered in England in the 19th century (British Museum 1858,1116.5): image courtesy of the British Museum

An intriguing feature of this sword is an as yet indecipherable inscription, found along one of its edges and inlaid in gold wire. It has been speculated that this is a religious invocation, since the language is unknown. Can you have a go at trying to decipher it for us? Here's what the inscription seems to read:

+NDXOXCHWDRGHDXORVI+

- In my opinion before even attempting this please have a look at the considerable variation unearthed by some quite astute observations and suggestions from Saxon through Maltese, Latin, Welsh and other alphabets...It really is interesting... and filled with clues...See more at: http://britishlibrary.typepad.co.uk/....Ot2vu7fe.dpuf

************************************************** **************


As a matter of interest we have at Forum an already examined particular reference from our own Library which on closer inspection yields the same sword type as at #1 with an interesting set of letters of which the first appears the same as our difficult clipped 5 without its top.

Please see http://www.vikingsword.com/vb/showth...tuguese+swords and view the second photograph of#6

I thus conclude that the sword type is the same as #1 but that the combining of the #1 hilt is entirely 21st Century attempting to show the entire weapon as an earlier Omani Dancing Sword. The illusion is transparent. The second sword shows an equally European blade rehilted with an Omani Battle Sword Hilt . The same forger appears to have worked on these blades within the same time scale adding elements of Royal Hilting and an Omani scbbard to further cloud the issue..

This is in some ways rather unfortunate since the classic pommel on #1 is a valuable item in its own right whilst the combining of blades and swords in both cases hundreds of years out of sync are exceptionally unfortunate errors (if in fact forgers consider errors!!) despite the intriguing letters on the imported European blades.

Regards,
Ibrahiim al Balooshi.

Last edited by Ibrahiim al Balooshi; 6th August 2015 at 05:56 PM.
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Old 7th August 2015, 12:02 AM   #2
Jim McDougall
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I think that the investigative analysis that has evolved involving the blade which initiated this thread is fascinating, and it is truly impressive to see looks into various alphabets and characters in these mysterious letters.

It is important to note that these kinds of letter combinations and groupings have remarkably long history, and in decipherable, seemingly coded groups of letters extend into Anglo-Saxon history on some seaxs found. They are known on Frankish and Viking swords well into medieval times. It is generally held these are acrostic in nature, though other types of arrangements are known as well. In many cases, various sacerdotal and invocative phrases have been somewhat decoded.

In Italy, the Caino makers and Picinino seem to have favored these incongruent letter groupings in varied form. They seem to be used in what is known as reductive where each group of letters reduces by one, and in another line they are regrouped in anagram type arrangement. This seems to eliminate acrostic possibility, but it is virtually unimaginable how these can be meant. These kinds of groupings of course became well used in the German blade decoration along with other spurious marks etc.

What has presented the greatest obstacle in the plausible revealing of the meaning of many of these letter combinations and groupings has been the factoring in of many occult, esoteric and magical features. In cases, such as with cabbalistic potential, there are often integrated sigils and devices in the linear letter groups in acrostic setting, as well as those used with numeric value. The very secret nature of these of course makes anything beyond speculative suggestions virtually invalid.

We can of course observe the character of the lettering, devices or sigils, as well as the context in the blade form and features, just as been done here.

I think it has been well established that there is a great deal of the use of older and often European blades in refurbished traditional dress in certain locations in Oman just as a number of other locations.

The refurbishing of ethnographic swords by remounting blades in traditional dress seems well known in most cultures. Blades are a valuable commodity, and especially if they are heirloom. In the case of Arabian swords, it does seem that traditional forms are important in cultural and status sense, much as are janbiyya and other edged weapons.
As long as these weapons are openly regarded as 'refurbished' using old blade and new mounts, there is no issue. If a sword is 'refurbished' and passed off as homogenous and of noted antiquity, it is a problem.

If a blade is combined with incongruent other vintage components, unless those are heirloom items along with blade, or these have combined traditional significance, it seems OK as long as the elements combined are represented as 'composite'.

Here we are involved in the study of swords or weapons in most cases from a historic content, and if a weapon is refurbished without proper notice in description, it defeats and compromises the value of the weapon historically. It is understandable that such weapons are valued traditionally and as appropriate status symbols, but they should be so described.

Having said all that, what is important in this thread, is the discussion of the blade in #1, the subject of the thread, as well as the apparently incongruent pommel, noted as not originally with this blade.

The outstanding approach toward this inscription (in #1) is very insightful and helps a lot in perspective on these on blades. Whether we can find anything conclusive or not, the content of the factors brought into the discussion is fascinating and great to learn more!
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Old 8th August 2015, 07:06 PM   #3
Ibrahiim al Balooshi
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Quote:
Originally Posted by Jim McDougall
I think that the investigative analysis that has evolved involving the blade which initiated this thread is fascinating, and it is truly impressive to see looks into various alphabets and characters in these mysterious letters.


The outstanding approach toward this inscription (in #1) is very insightful and helps a lot in perspective on these on blades. Whether we can find anything conclusive or not, the content of the factors brought into the discussion is fascinating and great to learn more!

Salaams Jim and thank you for you well timed analysis so far on this important subject. I was looking through library and found a reference at http://siberiantimes.com/science/cas...-the-terrible/ which again examines the possible meaning on the blade.

I personally prefer the wider meaning/theory behind the writing rather than the absolute meaning not least because of the time it takes to even begin to unravel the basics... On another note I would rather see this thread over on the European as it rather belongs there.... which may sound a bit strange since the project at #1 was supposedly Omani or at least with an Omani Pommel and half a tang..

Thanks again for your important input.

Regards,
Ibrahiim al Balooshi.
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Old 9th August 2015, 12:49 PM   #4
fernando
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Quote:
Originally Posted by Ibrahiim al Balooshi
... On another note I would rather see this thread over on the European as it rather belongs there.... which may sound a bit strange since the project at #1 was supposedly Omani or at least with an Omani Pommel and half a tang...
Let's then copy (better than move) this thread to the European section. Remember that future posts will not have a 'dual' effect, but will only fall into the forum they are directed to.
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Old 9th August 2015, 09:55 PM   #5
Ibrahiim al Balooshi
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Quote:
Originally Posted by fernando
Let's then copy (better than move) this thread to the European section. Remember that future posts will not have a 'dual' effect, but will only fall into the forum they are directed to.

Ola Fernando... Great idea ...Look forward to that...
Regards,
Ibrahiim al Balooshi.
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Old 10th August 2015, 07:51 PM   #6
Ibrahiim al Balooshi
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I thought this reference showed a similar blade to the marks shown on thread... Please see http://sword-site.com/thread/187/oak...medieval-sword
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Old 10th August 2015, 09:56 PM   #7
Ibrahiim al Balooshi
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Default Sword Enigmata;The Fyris Sword Project.

I have a brilliant research paper for Forum to look at Please see http://www.diva-portal.org/smash/get...FULLTEXT01.pdf where a small number of swords and inscriptions are compared. It is interesting that the letter IJ occurs in the alphabet illustrated...as IS

The Citation for the original published paper (version of record):
Wagner, T., Worley, J., Holst Blennow, A., Beckholmen, G. (2009)
Medieval Christian invocation inscriptions on sword blades.
Waffen- und Kostümkunde, 51(1): 11-52

Last edited by Ibrahiim al Balooshi; 10th August 2015 at 10:32 PM.
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