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#1 |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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Great, Jasper or should i say... Great Jasper
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#2 |
Member
Join Date: May 2014
Location: Rhineland
Posts: 375
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Jasper thatīs great!! Thanks a lot! So, do you think as a conclusion that my sword is belonging together in all parts and no historism peace?
Best regards, Andi P.S.: I postet another comment before Jasper did. But there is a delay when I am posting. So donīt wonder about the overlaps :-) |
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#3 |
Member
Join Date: Dec 2004
Location: NC, U.S.A.
Posts: 2,141
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Spectacular, Jasper! Glad you could come in on this one! Andi, you have a fine sword any one of us would be envious to have!
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#4 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,192
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Outstanding observations and examples!! Thank you Jasper!
Mark, it looks like your sense toward this being Dutch was perfectly placed, and the more I look at that mark, the more I think it is probably a Dutch mark as well. Your tulip idea I think is quite valid, and though hard for these old eyes to make out, it does seem floral so that makes sense. Jasper, can you help more with this mark? I know that VOC kamer marks were typically the letter of the town over the VOC, but weren't there 'town' marks much like assay marks used in silversmiths guilds etc? In "Catalog of European Court and Hunting Swords" (Bashford Dean, 1928) there are many of these kinds of cartouches and motifs shown in line drawings, but none that correspond directly . They are much the same in being stamped cartouches though. |
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#5 |
Member
Join Date: May 2014
Location: Rhineland
Posts: 375
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I found this nice picture which i think describes why the Lion is standing on top of this Monsters. It might be the lion of holland overcoming the waterwolf. The picture is on a map from from 1640, so timely it also would fit. Source: rijnland.net
On the other hand there are similar exampls, which are not attributed to holland. Here is a picture of the Pallasch of Herzog Maximilian I of Bavaria (Source: bayerisches-nationalmuseum.de). It was made in Prague but looks (apart from all these jewels ;-) and the lion at the crossguard) quite similar to the first piece Jasper showed. Last edited by AHorsa; 5th May 2014 at 02:59 PM. |
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#6 | |
Member
Join Date: Mar 2009
Posts: 1,060
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best, |
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#7 |
Member
Join Date: May 2014
Location: Rhineland
Posts: 375
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Thanks for those pictures Jasper. So more I compare those swiss/south-german sabres so more I wonder if there might be some connection to the first sword in your last post. It seems like that parry rod figure holds an eyelet in his hand. maybe for a small chain. Together with the style of the lion-pommel it equals much to this swiss sabre:
http://www.waffensammlung-beck.ch/waffe195.html On the other hand I donīt know any of these sabres showing one of these monsters or wolves. But the Bavarian pallash from my last post shows this. So these monsters might have been famous in this region. Have there been some connections between Netherlands and Swizerland at his period? Best regards, Andi |
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#8 |
Member
Join Date: Mar 2009
Posts: 1,060
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examples from post 9 have one thing in common , which is the ring guard chiselled in the shape of a lion in deep relief , a real Dutch feature .
f/m a hilt has to be seen as a whole, not as separate elements . Fe you can find the lionhead pommel on 18th century English hangers and also on 16thC 1+1/2 hand swiss sabers made by Christoph 1 Standler in Germany/Munich. Fantasy seamonsters heads on 16thC katzbalgers and on early 18thC French small swords . The combination makes it interesting and helps an arm to be attributed to a particular area. Remarkably, in the 17th century was the success of the Dutch world trade through the VOC and WIC and the Baltic Sea , and in between European countries, the great military successes against seemingly much stronger countries like Spain and England , the vast fleet - with 2,000 vessels greater than that of England and France together, the flourishing of arts and Dutch science. There was a large flow of goods and people between the countries , which has influenced who and who has influenced whom is hard to say . . but one developement can be claimed! The chain between knuckle guard and pommel is probably a Dutch development from the third quarter of the 17th century. witness a hanger of a member of the city guard of Alkmaar painted by Rotius in 1650( btw a similar shell-guard as the sword in post 1) and the sword/hanger with agate grip worn by Cornelis Tromp (not me) . see attachement. The development of the lion head pommel probably started around 1500 in Germany and fanned out across Europe in the subsequent 300 years. best, Last edited by cornelistromp; 6th May 2014 at 10:47 AM. |
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