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#1 | |
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[/QUOTE]4. Religious Icons... The Buddhist Vagra and Makara. Defender of the faith ...of Buddhism that is. Thus never a weapon. A religious Icon. 5. Defenders of the owners via myth and superstition because of its Deities.... It is Talismanic per se.[/QUOTE] Weapons with religious symbols on blades or fittings and of talismanic value are nothing of rarity. Actually the ties between religion and warfare are quite obvious and fundamental. |
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#2 | |
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Salaams Gustav, Thank you for your input which is very interesting ... .. Your point on religious links to battle swords is understood. My point is I have no records nor have any surfaced as yet of blades with stamps or markings, which, for a blade said to have possibly been made in a joint Portuguese Sri Lankan workshop is odd. At any rate my comment is purely speculative in this regard as you will note it is only a suggestion..but your post is excellent and inspires a look into the Japanese presentation item. I note one web author who says Quote''The blades were initially of mediocre quality until blades made in Europe began to be used. Many of the blades bear East India Company trademark.'' Unquote. Does that mean that before the British arrived blades were inferior... I find this very interesting if true? Here is the weapon you speak of.. I cant see a blade mark but assume an European blade here...see http://en.wikipedia.org/wiki/Hasekura_Tsunenaga Described as; Indonesian kris and Ceylonese dagger (acquired in the Philippines), presented by Hasekura to Date Masamune upon his return; Sendai City Museum Pictures of swords said to have been acquired in the Philippines and dated map of his travels. 1620 being key; Given the weapons at that time in the Philippines. Regards, Ibrahiim al Balooshi. Last edited by Ibrahiim al Balooshi; 14th January 2014 at 02:14 PM. |
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#3 |
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Salaams All Note to Library Anecdotal note:
Kastana The national sword of Ceylon. Typically a short curved single-edged watered blade, double-edged at the point. The hilt comprises a knuckle-guard and down-turned quillons, each terminating in a dragon's head with large in-set eyes. The dragon's head is usually decorated throughout with gold or silver panels and the pommel with tongue is formed from a piece of wood or red coral. The dragon's mane trails down the grip and is decorated with silver and gilt repousse floral designs. The entire hilt is often made of silver or gold and even inlaid with jewels. The blade close to the hilt is decorated with floral or thatched designs. The scabbard is made from wood and is covered with embossed and chased silver worked with flowers with leafy borders and richly ornamental. The swords were intended to serve as badges of rank. Rev. James Cordiner in 1807 wrote that everyone in office wears a sword with a silver hilt and scabbard. These swords were made in the Royal workshops known as the "Rankadu Pattala" or "golden sword workshop" and the quality of the piece always depended on the rank of the wearer. I isolate those 2 points viz; 1. These swords were made in the Royal workshops known as the "Rankadu Pattala" or "golden sword workshop" 2. The quality of the piece always depended on the rank of the wearer. Although the Rev. James Cordiner actually describes the Monster as a Tiger(!!) he does go on to say ~ Quote."The design and workmanship exhibited in these decorations are distinguishing badges of the particular rank of the wearer.”Unquote. Regards, Ibrahiim al Balooshi. Last edited by Ibrahiim al Balooshi; 14th January 2014 at 03:48 PM. |
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#4 |
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The old post seem to be dragging on once again but with the same old (what I thought was now a long dead) argument. I think I would not even try to convince Mr. Balooshi as he is fixed on his idea that the Kasthana pommel is Makara despite all the evidence presented and Mr. Balooshi seems totally unable to even examine and see objectively the points presented. Balooshi It would be good if you would kindly go through the thread again. most of these points you still throw around have been answered before.
Being from Sri Lanka- the Kasthana is part of my living heritage. I understand it standing within the culture which originated it and still survive. I see the Sinhala Makara and Lion and other mythical beasts in that context - there is no mistake the pommel is of a Lion head. It is also backed by the surviving sword lore and is even mentioned in ancient craft manuals like the “Vyjayantha thanthra” The Kasthana is known as the Lion hilted sword. There is not even a shard of doubt about the identity of the beast on the pommel. As I said earlier there are Makara and Serapendiya figures depicted on other parts of the Kasthana hilt but the pommel is always a Lion head. If you need to drag along this further may be you should look at depictions of Makara and Lion in Sinhala motifs instead of regional as there are some differences. Regional references don’t always tally up with Sinhala traditional art and motifs. bringing in a mixed hodge-podge of all sorts of creatures that don’t have a place in a Sinhala context is only adding to the confusion. As I mentioned before there are two main classes of Kasthana swords- the earlier dated Kasthana with good blades and Silver, metal, Horn or wooden hilts were true fighting weapons. I had listed historic texts that document use of Kasthana swords in battle dating back to mid 16th Century. (Balooshi-please go back and check that). The Golden hilts with excessive jewels with the “dog-faced” Lion hilts and inferior blades were mostly just presentation swords used by Sinhala Mudelliers and Arachchis under Dutch and British administrations. The religious Iconography used is as auspicious symbols to bring luck and protection to the warrior- Theravada Buddhism does not use weapons as religious Icons. No new material seem to be forthcoming and only old ideas are being re-shuffled. It is funny that everyone else is able to identify Lions from Makara heads with the exception of Mr. Balooshi. |
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#5 | |
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Salaams Prasanna Weerakkody, Sir, I have been through the thread... I wrote most of it. You may think its funny...or that no new material is being offered. You could consider reflecting that the thread is dragging on... or that everyone else thinks the subject hilt depicts a lion...(strange that ... as there is only one other person in that debate)...If you aren't interested or perhaps you are bored what can I do about that? I certainly will not give up. I like the subject! Its interesting. I learn a lot as we proceed. All that you have done is to pontificate "that because you say its a lion it must be a lion". It's not. Its a Makara. I have shown that in several recent posts ..see above. I have even listed reasons for ease of understanding and supported my reasoning with pictures. New detail has emerged .. Anecdotal evidence from 1807 when the weapon was used as a military rank indicator.. and more logical evidence; historic, cultural, and traditional as well as religious. That is what this Forum is about. If you do not wish to take part then it is entirely up to you...This is a Forum... you know what happens on Forums... ? ![]() Being from Sri Lanka does not give you ownership of the Kastane...moreover it gives you the opportunity to debate this very little known sword on the hot anvil of this Forum and not Sir, to attempt to slur the efforts of others. It is extremely bad form to suggest that I may have not the respect because I am not Sri Lankan and to suggest that by speaking to me in the 3rd person that everyone else is able to identify the lion except me is entirely without merit and very insulting. You are mistaken about the Makara Hilt. Its not a Lion. I just proved it. See my last few posts. Your point about ancient or older blades is noted ... but you cant just talk about them... It has to be looked at, examined and debated. It wouldn't surprise me if they were better blades.. but on this show... You have to practically dig the old body up with the original sword in his hand and a diagram in triplicate of the design signed by the maker! before it can be accepted beyond doubt. No one else addresses me as Balooshi here... Kindly use my first name; Ibrahiim. Regards, Ibrahiim al Balooshi. |
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#6 |
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#7 |
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Dear Ibrahiim,
Please do not be so bold and self assured that you have "proved" it is a Makara. Nothing has been proved unless you have a time machine...one that I would like to hire if you do. I am still awaiting for numerous direct questions to be answered, not side stepped and danced around. Please be so kind as to provide direct answers when time permits. Gavin |
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#8 | |
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![]() Fortunately academic debates are not necessarily won based upon who writes the most about the subject during the debate just as in person arguments are not won by the person who argues the loudest. Frankly i see that you have proved nothing in this debate. And very clearly more than one person disagrees with your conclusion while i do not see anyone lining up who agrees with your hypothesis. I will add myself to the growing group of people who are at least voicing their opposition to your theory. I suspect that many are remaining silent because they don't see the point of argument. The pommel figure is undoubtably a lion to my eyes. It has lion features that are not known to have ever been a part of the Makara motif such as the mane and is missing many of the features such as the snout/trunk which are classic indicators of the Makara. I am afraid that if you cannot see the pommel is clearly a lion's head, especially with this last picture posted by Gavin, that further debate with you on the subject is futile. But do carry on if it makes you feel any better. ![]() |
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#9 |
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Dear Ibrahiim,
Please also find better sources for the image you supplied of Makara. This is a Leogryph, not a Makara. The head of a Lion, the body of a Griffin. Gavin |
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#10 | |
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Regards, Ibrahiim al Balooshi. |
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#11 | |
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regarding the information from Wikipedia regarding the travel of Hasekura Tsunenaga and acquisition of the weapons: Actually he was leaving Spain in June 1617, so the 1616 on the map from wikipedia is a mistake. The only scholar publications I am aware, which raise the question about provenance of keris and kastane are "A fundamental study on Hasekura's kastane and kris" (Bulletin of Sendai City Museum) and "The kastane and the kris, their arrival in Japan in 1620" (in Royal Armouries Yearbook, vol. 3, Leeds), both written by Sasaki Kazuhiro, curator of Sendai City Museum, in 1998. Before there are only two publications of Sendai City Museum from 1988 and 1995. Sasaki Kazuhiro has the oppinion, both keris and kastane are presented to Hasekura Tsunenaga by Philip III. Here in short he's points and other interesting details: Among the 52 mementos that Hasekura brought to Japan, only three were presented to Date clan: portrait of Pope Paul V, kastane and keris. Date Masamune drafted official letters only to Pope, the mayor of Sevilla and King Philipp III. Masamune allowed Hasekura to take care of all official contacts with dignitaries in other countries. Masamune obviously had great interest in the messages and gifts these figures bestoved on Hasekura. Then Sasaki Kazuhiro writes: "If we suppose Masamune requested only the articles from the three men he deemed most critical, then the two swords should have come from one of these three men. (...) it seems much more likely the Namban swords were a gift from Philipp III. This would also explain the reason these gifts made their way to the Masamune collection, while presents from dignitaries in other locales were allowed to remain in the Hasekura collection. (...) Certainly, Philipp III knew Date Masamune would be pleased with the presentation of the swords, as he had been presented eight armours and one sword by Shogun Tokugawa Hidetada and the former Shogun Tokugawa Ieyasu as a sign of friendship between the two countries. Howewer, he could not present Spanish arms to Date Masamune because the presentation of Spanish arms to a foreigner was then prohibited by law." Here are the detail pictures of this kastane. The blade of it is the only straight one I have seen fitted as a Kastane and is a very interesting one. There are two markings on this blade, and one of them clearly is of christian origin, yet I suppose, we could conclude with some certainty that the whole blade isn't made in Europe. Curiously enough, its decoration and fullering reminds me of some chinese swords, like the one in book of Robert Hales, page 197; - yet the chinese blades of this type are (always?) slightly curved. It is perhaps not widely known, yet Sri Lanka was nominally a vasal state of the Ming Imperium from 1411 on, and sent three more ambassys to China, 1436, 1445 and 1459. Regarding the central pommel figure, it almost always is clearly a lion indeed. There is a fair amount of objects made of ivory from Sri Lanka, which entered the european "Kunstkammer" collections at the end of the 16 century. Lion always plays a prominent character and is stylistically very close to the pommel figure of this kastane. The one depicted was acquired before 1542. And here a link to the post of Prasanna Weerakkody, which is quite informative indeed: http://www.vikingsword.com/vb/showpo...9&postcount=23 |
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#12 | |
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Salaams Gustav, That is so brilliant. I cannot thank you enough for this excellent supporting detail. Not only finely written but the excellent pictures are so helpful in this discussion. Thank you Sir ! Pictures 3, 4, 5, appear to display 3. Lion. 4.Serapendiya. 5.Makara. The marks on the blade will have us diving for the books! The Hilt form comprises the Gargoyle style influenced by the mythical Lion, Makara or other ancient Buddhist Deities with supporting smaller dragons, miniature Makara or Nagas on the finials thereafter. Blade form...The blade marks to one side for a moment.. I have to say my first impression on blade shape is not Sri Lankan but Chinese..which begs the question ...Were the Chinese importing Kastane or exporting the form? They were certainly involved as you point out... and we know the trade patterns of Chinese junks even to the Red Sea...Did the Kastane now in the Japanese Museum arrive in the Philipines by Chinese ship. If it was delivered to the Philipines which way did it come from? Was it brought from Sri Lanka direct or via the long way round across the Atlantic? The Spanish East Indies were ruled as part of the Viceroyalty of New Spain and administered from Mexico City from 1565 to 1821. Regards, Ibrahiim al Balooshi. Last edited by Ibrahiim al Balooshi; 15th January 2014 at 07:00 PM. |
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#13 |
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Salaams All ~ Or Storta !!
Regards, Ibrahiim al Balooshi. |
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#14 | ||
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Dear Gustav,
Thank you for bringing these detailed images forth and indeed Prasanna Weerakkody's post you linked is quite informative and well founded from the start. Dear Ibrihiim, Quote:
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Steer away from what you read "these days" unless the writings have direct reference and support from the old days. With respect, I feel the these days experiences, writings and beliefs has clouded the reality of strong fighting sword types in your Oman dance sword thread...but back on point. Hasn't the discussion confirmed that the pommel is the Lion head, not a gargoyle influenced by the Lions head, I hope you are not now jumping from Makaras to Gargoyles...happy to work through the remainded of the icons and what creature owns the Lion head along with what appears on the quillons, quillon block and knuckle bow, followed by the blade types and perhaps any meanings and if required the scabbards found on the Kastane...but to do so we need to agree on a single sword to study and discuss to keep things on point, then once satisfied, bring other swords in to the discussion to add merit to what is found or add varient notes and study these varients. I'd like to also add that whilst both misleading and valuable information has been gained in this thread, the focus has singlely become the Kastane hilt that lead to over a year of walking down the garden path. The initial thread/question posted was about the swords of Sri lanka, perhaps we can diverse a little and consider other types too. Some very fine images have already been provided but the focus of the topic has been lost to the Kastane alone. Gavin |
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#15 | |
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Salaams ...SwordsAntiqueWeapons Yes, you are advised to stick to the point as mixing the two is not going to assist this case and certainly of no value in the other. I don't want to list the heap of notes from auctioneers museums and Kastane descriptions offering the variety of explanations on the style... it runs to a lot... when in fact my simple array covers most of them as Gargoyles Mythical creature Makara, Lion, Naga, Seren...etc etc ... which is a reasonable way to describe this phenomena since at the end of the day it is an artisans impression thus no two are identical...and indeed there were many artisans. This thread is about the Kastane. If you wish to diversify please carry on~ the ink is free... but I would consider if I were you ... in the case of another sword, opening a new thread... unless it be related to the Kastane. There are great new avenues opening not least the new information hitherto not recorded on library except in passing... like the fine details just recieved on the Japanese Museum item and the anecdotal evidence from 1807 etc etc making this thread far from a stroll down the same path alluded to by you.. and marked by the high readership of now more than 13,000 hits...so somebody is reading the thread, no? All input is very much appreciated and it should be remembered that this is a joint forum effort and that there is a lot more to do. Regards, Ibrahiim al Balooshi. |
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#16 | |
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Thanks, Gavin! I am interested in belt swords, the Urumi of South India. The classic Tamil/Karnataka version is of normal length, or perhaps slightly oversized, but looks like a normal Tulwar. They were presented in the Elgood's book as well as in the Tulwar's book describing Mysore palace. Having gone to Wiki ( pardon me :-(((), I learned that there allegedly was a Singhalese version of it, called Ethunu Kaduwa, that was apparently multibladed and extraordinarily long ( picture of uncertain veracity attached). Does anyone have any reliable information re. those swords? |
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