A kard

Jens Nordlunde · 6th November 2005, 09:55 PM

Ariel and Tim,
I have been trying to read up on the enamel thing to day, but I have not found what I am looking for. I will go on reading to morrow, and when I find it I will return

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In the time between - do we know anything about the colours made in Turkmenistan?
How many colour could they make, and were they bright?

ham · 16th November 2005, 09:25 AM

Note however that the motifs are N. Indian or Sind type rather than Bukharan.
Very nice example.

Ham

Jens Nordlunde · 16th November 2005, 01:35 PM

Yes Ham, I wote for Sind as well

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We all know that the enamel technique used in India was champlevé. Can anyone then explain to me, why they in Kashmir used cloisonné, and one more thing, why did they not use the past all the others used in places like Lahore, Luchnow, Jaypore, Sind and other places, why did they paint the surface with a sort of silicate or readily fusible paint and then heat it moderately, sufficient to melt the paint but not to cause the colours to fuse together. From where did they learn this technique, when the others used quite another technique?

6th November 2005, 09:55 PM	#1
Jens Nordlunde Member Join Date: Dec 2004 Location: Europe Posts: 2,718	Ariel and Tim, I have been trying to read up on the enamel thing to day, but I have not found what I am looking for. I will go on reading to morrow, and when I find it I will return. In the time between - do we know anything about the colours made in Turkmenistan? How many colour could they make, and were they bright?

16th November 2005, 09:25 AM	#2
ham Member Join Date: Apr 2005 Posts: 190	Note however that the motifs are N. Indian or Sind type rather than Bukharan. Very nice example. Ham Last edited by ham; 16th November 2005 at 09:59 AM.

16th November 2005, 01:35 PM	#3
Jens Nordlunde Member Join Date: Dec 2004 Location: Europe Posts: 2,718	Yes Ham, I wote for Sind as well. We all know that the enamel technique used in India was champlevé. Can anyone then explain to me, why they in Kashmir used cloisonné, and one more thing, why did they not use the past all the others used in places like Lahore, Luchnow, Jaypore, Sind and other places, why did they paint the surface with a sort of silicate or readily fusible paint and then heat it moderately, sufficient to melt the paint but not to cause the colours to fuse together. From where did they learn this technique, when the others used quite another technique?