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#1 |
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Join Date: Dec 2004
Location: What is still UK
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Just another thought has the bottom part of the scabbard lost its enamel. I find it interesting that they do not match, especially as I make this sort of thing myself, do you think there might be something wrong with it. Tim
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#2 |
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Join Date: Dec 2004
Location: Ann Arbor, MI
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The silverwork, the flower motives and, especially, the use of enamel look Bukharan to me. Very pretty dagger!
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#3 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,272
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Gorgeous puppy!
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#4 |
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Join Date: Dec 2004
Location: Europe
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The velvet on the scabbard is worn, but I believe it to be old. Originally the two mounts must have been en suite, but the lower most likely lost and the silver one put on instead.
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#5 |
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Location: Europe
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Sorry, I forgot to mention the the enamelled top mount is also enemelled at the very top as is the loop at the top of the hilt.
Ariel, you may have a point, but what about the enamel colours? Could they make them so bright? I know, that in spite of what others thought at the time, Hendley for one believed that enamel original came from Turkmenistan. In Egypt enemal from about 1700 BC has been found - so the art of enemalling is very old. Last edited by Jens Nordlunde; 6th November 2005 at 04:19 PM. |
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#6 |
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Jens,
You may have a good point. Egerton writes about Indian/Persian enameling as being "champleve: and specifically mentions Sindh as the area producing enameling with a "blue with rich flowers" pattern. Uzbek/Tajik origin was just a feeling. They made very similar champleve. |
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#7 |
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This is just a suggestion not a statement but could it be from Kashmir the floral design is very similar to that of 19th century furniture brought to Europe, well Britain certainly in Victorian times. The birds and flowers are also seen on blue Kashmir carpets and prayer rugs. Tim
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