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#1 | |
Member
Join Date: Nov 2012
Location: Southeast Florida, USA
Posts: 436
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Maybe I was a little too enthusiastic about finding a copy of Die Kriegswaffen in ihren geschichtlichen Entwickelungen, for free at http://archive.org . I don’t speak German, but the makers marks in the book were a help. It is probably a good idea to approach any book with a dose of skepticism, even ones published recently. I know that sometime old books have poor illustrations, use obsolete terms, and have outdated information, but I often still find them useful. Good photos are almost always preferable to drawings and as you say, there is no substitute for a “thorough inspection including taking the gun completely apart”. It is amazing to watch people who have a lifetime of experience look at a piece. I always try to get them to describe how they look, and what they are looking for. |
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#2 |
(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
Posts: 4,310
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Hi Dana,
Don't worry, I gathered right away that your main concern was about those few marks printed in Demmin's book. Stiill the best compendium on gunsmiths as well as crossbow and cranequin makers marks is the first edition of Johan Stockel's Handskydevaabens Bedomelse, 1938 and 1943. It is true that Eugène Heer added many new entries in his 3-volume work Der neue Stockel of 1978 but also mixed up good entires by Johan Stockel. I own them both. Best wishes, Michael |
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#3 | |
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Join Date: Nov 2012
Location: Southeast Florida, USA
Posts: 436
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#4 | |
(deceased)
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
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#5 |
Member
Join Date: Mar 2011
Posts: 35
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Hi Michael,
thanks for the comment. I fully agree with you, but I have to say, that the book also contains a lot of useful information - for example about the yearly production of Andreas Jacob - and for a Kuchenreuter fan also a few nice photos. All the best! Matus |
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