Sudanese axe types

[Luc LEFEBVRE]

Description:
A man (identified as Sirdal) holding a large hide shield covering his body with two spears behind it, as well as a luin (Arabic, trombash) or throwing stick in his right hand held by his side. The long building with small windows to his side is identified as a rest-house (possibly hospital related) at the settlement of Baw (wisko).
Photographer:
Edward Evan Evans-Pritchard
Date of Photo:
1926 November - December
Region:
Blue Nile Tabi Hills Baw
Group:
Ingessana (Gaam)
PITT RIVERS MUSEUM

[Luc LEFEBVRE]

Throwing weapon carved from a single piece of wood and with a flat, rectangular section throughout. This consists of a broad splaying head cut flat across the top edge, and carved with 2 elongated triangular spikes projecting from either side, and 2 shorter spurs below on one side only. This head then tapers in to a curving handle that gradually narrows towards its end, splaying out again slightly at the butt. The sides of the object have been cut straight, except for the 2 curved areas between the projecting spikes, where the edges have been cut at an angle. The wood has been stained a dark reddish brown (Pantone 4695C) and polished. The object is complete and intact; the spikes on one side appear to be worn and damaged at their tips. It has a weight of 575.3 grams and is 692 mm long, with a head width of 320 mm and thickness of 12 mm, while the handle end is 36.2 mm wide and 11.5 mm thick.

Collected by L. Gorringe in the Sudan sometime between 1902 and 1912, and donated to the Museum by his widow in October 1944.

Similar throwing sticks, called luny, were used by the Ingessana in hunting and warfare - see C. Spring, 1993, African Arms and Armour, fig. 69, p. 77 and R. Boccassino, 1960, "Contributo allo studio della ergologia delle popolazioni nilotiche e nilo-camitiche, Annali Lateranensi XXIV, fig. 32a-e It may also be related in some way to the flat bladed weapon collected from the Murle by Petherick (1884.12.8) .

[Luc LEFEBVRE]

A man demonstrating the throwing of a curved throwing weapon with a bulbous end, on the lower slopes of the jebel, rising some 1,000 feet out of the Blue Nile plain, and with a circumference of some five miles. The Seligman's visited this location during their 1910 expedition to make investigations into physical anthropology as well as aracheology.
Photographer:
Charles Gabriel Seligman
Date of Photo:
1910 March-April
Region:
Blue Nile Jebel Gule
Group:
Gule

[Luc LEFEBVRE]

Ingessana throwing knives
"muder" the scorpion
"saï" the snake

[Iain]

Thanks for posting the photos and your Ingessana examples Luc. For the benefit of other readers a description of the animal motifs on both is perhaps in order as the designs incorporate more than just the snake and scorpion, notably the spider as well on the sai. Taken from the excellent work by Jedrej on these knives.

The designs on the blade are fixed and different for both the varieties.
The muder features a scorpion (deit) on the left side and an insect called fil
on the other. Fil is a water insect and often stings people who are bathing
but the pain is slight relative to that inflicted by a scorpion. The sai also
carries two creatures from nature, the snake (der) and the spider (maras) 2.
Both are represented on each side of the blade and spider four times in all,
twice on each side. The shank and hilt of each variety are engraved with either
pairs of small incisions (representing the footprints of a small deer, mofor)
or parallel zig-zag lines called 'the millepede' (dongole) and sometimes combi-
nations of both. The design here reflects the preference of the client or smith.
First of all we may note the emergence of a simple paradigm. There is
a clear opposition between the blade of the weapon and the handle. This is
particularly marked in Ingessana terms as the top or head and the bottom
or loins. On the head are designs that are fixed, on the loins are designs that
are optional, the former are derived from harmful creatures and the latter
from the harmless. Now these designs are derived from nature and are in
turn opposed to a design derivative in the first instance from culture, the kwir.
This element is appropriately on the neck of the knife between the top and
the bottom.