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#1 |
Member
Join Date: May 2006
Posts: 7,016
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The mendak is Madura/East Jawa.
The blade is out of stain and lacks rondha. I'm not prepared to classify this blade at this time. We might be able to say a little more when we see the keris. The images posted need to be at least resized. I resize in Photoshop, but it can be done in any of the photo editing software. Picasa is an easy program to use, and yesterday my attention was drawn to another free downlaod, GIMP, that looks to be pretty good. Good luck. |
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#2 |
Member
Join Date: Aug 2005
Location: Australia
Posts: 372
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For what it is worth, the quickest simplest thing I have found to resize images is a little program called Prish Image resizer, (freeware, just google it). It does nothing but resize but once you have it installed you just right click on any image and it gives you 4 standard image sizes (vga etc) and a custom resize option. Much quicker than a multi-featured image program like photoshop, gimp, picassa etc
cheers DrD |
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#3 | |
Member
Join Date: May 2010
Posts: 12
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#4 |
Member
Join Date: Dec 2004
Location: The Netherlands
Posts: 1,209
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If i look at the dress I would say Surakarta Solo. I love the wood. About the pamor you can say anything. You should stain the blade with warangan. Then you can see the pamor and don't be surprised you will see a complete other pamor. What you see now and mistake for pamor are the lines of forging.
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#5 |
Member
Join Date: May 2006
Posts: 7,016
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Stylistically this scabbard and hilt are definitely Surakarta, however, the workmanship and presentation does not look like Jawa Tengah to my eyes. From the photos I cannot give a supportable opinion, I'd need to handle it before I could be certain, but my immediate reaction is that this scabbard and hilt were made in East Jawa, possibly Surabaya.
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#6 |
Member
Join Date: Dec 2004
Location: The Netherlands
Posts: 1,209
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Alan, I had also some doubts about it although it is stylistically Surakarta. Would you be so kind to enlighten us why you think it is East Jawa and where it differs with Surakarta for workmanship and presentation. I can't put a finger on it why i hestitated as well.
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#7 |
Member
Join Date: May 2006
Posts: 7,016
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Henk, as I have already said:- "from the photos I cannot give a supportable opinion", thus what I am saying now is only based on an overall impression, to be relatively certain I would need to handle it. If I handled it I'd be looking at things like the way the gandar was fitted to the atasan, the cross section and weight of the gandar, the way the sculpting of the atasan had been done, how thick the atasan was, how the inside of the atasan was finished --- all detail, detail, detail, and things that simply cannot be seen from photos. Similarly with the hilt, I'd be looking to see if it fitted a more or less standard Solo blak, I'd be looking at the form from front and rear, I'd be looking at the cecekan.
My overall impression was formed because the scabbard has a sort of a clumsy appearance, it seems not to flow very well, almost as if the maker was struggling to produce a copy of something, rather than working from an ingrained pattern in his own head. Additionally, it is quite unusual to find fairly recent Solo wrongkos that are not fitted with a pendok. Much older Solo wrongkos usually come with a pendok too. An all wood gandar without covering is not usual with this form of wrongko. |
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