Thouma Jambiya by BOUSANI

[spiral]

Congratulations Stu! Realy excelent quality silver work. A pleasure to see.

Spiral

[Atlantia]

What a great piece Stu. Excellent all round, I bet you're well chuffed?
I know I would be if it were mine
Well done buddy.

[kahnjar1]

Originally Posted by Atlantia

What a great piece Stu. Excellent all round, I bet you're well chuffed?
I know I would be if it were mine
Well done buddy.

[Dom]

Hi Stu
excellent jambiya , especially with his belt, accessories
and the stamp of the master craftsman, which authenticates the origin

if one day you look for a shelter for it, I should ... surely find a place
thanks to have given us the pleasure to share with us

all the best

à +

Dom

[Ibrahiim al Balooshi]

Salaams Khanjar 1~ This is indeed an important addition to Forum reminding us that these silversmiths are all but lost to history although there is a handful left operating in Yemen. It further serves to illustrate the linkage and influence reflected in Omani silverwork underscored by Ruth Hawley in her famous pamphlet Omani Silver who states that Quote "Jews too may have worked silver in Oman".Unquote. She goes on to draw several parallels with Omani and Yemeni silver designs.

See http://thewalters.org/eventscalendar...ls.aspx?e=2548 for further work by such Yemeni Jewish masters including important buckle identification and another Thuma.

Jesus ben Sirach (Ecclesiastus) writing during the Greek period at the end of the third century BCE, describes the activity of Judaic smiths in vivid poetry:

The maker of carving and cunning device,
Who by night as by day has no rest,
Who engraveth signet rings,
Whose art is to make the likeness true,
And his anxiety is to complete the work.
So also the smith that sitteth by the furnace,
And regardeth his weighty vessels;
The flame of the fire cracketh his flesh,
And with the heat of his furnace he gloweth;
To the hammer's sound he inclineth his ear,
And to the vessel's pattern he directeth his eyes.

For an interesting historical version of Jewish craftsmanship including their presence in Yemen and other countries in Arabia see http://www.hebrewhistory.info/factpa...017-1_gold.htm

Regards,
Ibrahiim al Balooshi.

[Ibrahiim al Balooshi]

Originally Posted by Ibrahiim al Balooshi

Salaams Khanjar 1~ This is indeed an important addition to Forum reminding us that these silversmiths are all but lost to history although there is a handful left operating in Yemen. It further serves to illustrate the linkage and influence reflected in Omani silverwork underscored by Ruth Hawley in her famous pamphlet Omani Silver who states that Quote "Jews too may have worked silver in Oman".Unquote. She goes on to draw several parallels with Omani and Yemeni silver designs.

See http://thewalters.org/eventscalendar...ls.aspx?e=2548 for further work by such Yemeni Jewish masters including important buckle identification and another Thuma.

Jesus ben Sirach (Ecclesiastus) writing during the Greek period at the end of the third century BCE, describes the activity of Judaic smiths in vivid poetry:

The maker of carving and cunning device,
Who by night as by day has no rest,
Who engraveth signet rings,
Whose art is to make the likeness true,
And his anxiety is to complete the work.
So also the smith that sitteth by the furnace,
And regardeth his weighty vessels;
The flame of the fire cracketh his flesh,
And with the heat of his furnace he gloweth;
To the hammer's sound he inclineth his ear,
And to the vessel's pattern he directeth his eyes.

For an interesting historical version of Jewish craftsmanship including their presence in Yemen and other countries in Arabia see http://www.hebrewhistory.info/factpa...017-1_gold.htm

Regards,
Ibrahiim al Balooshi.

**************************************
Salaams Khanjar 1.
On closer inspection I note a number of anomalies with the assembled item.

1. The Dagger is added and comes from an ordinary Jambia.
2. It appears that there may be 3 items of silver from different smiths ~

a. The stamped girdle buckle.
b. The top rectangle of the scabbard.
c. The rest of the scabbard furniture. (and probably the belt buttons)

The belt is probably a random Yemeni belt.

It may be that the items 2a and 2c are linked though a simple inspection to the reverse should identify the stamps perhaps?

So that a clear picture can be made on forum can you kindly say which parts are original and which parts were placed by you?

Regards,
Ibrahiim al Balooshi.

[kahnjar1]

Originally Posted by Ibrahiim al Balooshi

**************************************
Salaams Khanjar 1.
On closer inspection I note a number of anomalies with the assembled item.

1. The Dagger is added and comes from an ordinary Jambia.
2. It appears that there may be 3 items of silver from different smiths ~

a. The stamped girdle buckle.
b. The top rectangle of the scabbard.
c. The rest of the scabbard furniture. (and probably the belt buttons)

The belt is probably a random Yemeni belt.

It may be that the items 2a and 2c are linked though a simple inspection to the reverse should identify the stamps perhaps?

So that a clear picture can be made on forum can you kindly say which parts are original and which parts were placed by you?

Regards,
Ibrahiim al Balooshi.

The whole item is as I received it. Unlike some, I do not replace parts of the original to try and create something else.
You state that the work is that of three different smiths. Perhaps you could enlighten us with their names, and the particular features which identify them??